Sorry, Julien, I read your response after posting mine. I guess the Harry Partch book won't help you much, but I know there is some good info about musical interval ratios online. I'll let you know if I turn up anything.
<br><br>-Chuckk<br><br><div><span class="gmail_quote">On 10/20/07, <b class="gmail_sendername">Chuckk Hubbard</b> <<a href="mailto:badmuthahubbard@gmail.com">badmuthahubbard@gmail.com</a>> wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
To really understand the process of being affected by music, I recommend this subject:<br><a href="http://en.wikipedia.org/wiki/Gestalt_psychology" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">http://en.wikipedia.org/wiki/Gestalt_psychology
</a><br>Some of the illustrations there are very educational; the same processes all apply to auditory stimuli, and are key to understanding the experience of expectation, surprise, familiarity, resolution, etc. in people listening to music. Or google "law of pragnanz" or "gestalt perception".
<br><br>I also highly recommend Harry Partch's 'Genesis of a Music', which will explain to you the significance of all of the intervals in modern music. It's impossible to really understand what you're doing without some idea of why different intervals have different effects, different levels of consonance, etc. There are some fragmented resources online, if you search for "musical interval", "frequency ratio", "just intonation", or some combination of those things. Just knowing B flat, F sharp, D sharp, etc. doesn't help you understand much.
<br><br>If you like, you can then apply this knowledge to the ABC's and treble clef stuff, but learning that system alone doesn't tell you much about what's really happening. Most "music theory" books and classes focus on the vocabulary, rather than the theory.
<br><br>-Chuckk<div><span class="e" id="q_115bd390c79cec18_1"><br><br><div><span class="gmail_quote">On 10/19/07, <b class="gmail_sendername">Julien Claassen</b> <<a href="mailto:julien@c-lab.de" target="_blank" onclick="return top.js.OpenExtLink(window,event,this)">
julien@c-lab.de</a>> wrote:</span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hello!<br> Does anyone know some nice internet literature on composition? to be more<br>precise I'm looking for a book/guide to arrangements/harmony. I found a<br>practical book on composition, as used in German, the act of creating a piece,
<br>general temporal structure, musical figures and gestures, but it seems to lack<br>the special aspect I'm looking for.<br> If anyone knows something helpful, please tell me.<br> Kindest regards<br> Julien
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