<br><br><div class="gmail_quote">On Wed, Mar 11, 2009 at 2:11 AM, Jörn Nettingsmeier <span dir="ltr"><<a href="mailto:nettings@folkwang-hochschule.de">nettings@folkwang-hochschule.de</a>></span> wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class="im">alex stone wrote:<br>
> I'm having a journey of discovery here with Ambdec, and i've made some<br>
> presets of sorts, that are at least....unique (Humour to the fore.)<br>
><br>
> A quick question.<br>
><br>
> For a medium orchestra template driven by Lsampler, with 60 outs (30<br>
> stereo pairs), will i need multiple instances of Ambdec? (As a coarse<br>
> experiment, 10)<br>
> Or am i approaching this from the wrong direction?<br>
<br>
</div>probably.<br>
in an ambisonic listening system, ambdec's job is to *render* the<br>
b-format signal as appropriate for your speaker layout.<br>
hence, there will only be a single ambdec instance and configuration for<br>
any given speaker layout.<br>
<br>
i'm not sure i understand what you do with your 60 stereo pairs, but you<br>
will probably want to mix them into a b-format master bus, using an<br>
ambisonic stereo panner. listen closely for comb filtering, though, if<br>
you ever end up putting the two signals of a stereo pair very close<br>
together. coincident stereo works best here.<br>
<br>
regards,<br>
<font color="#888888"><br>
jörn</font></blockquote><div><br>Jorn, you've just answered another question i had about speaker configuration as well.<br><br>Thanks for the info.<br><br>Back to the books.<br><br>Alex. <br></div></div><br><br clear="all">
<br>-- <br>Parchment Studios (It started as a joke...)<br>