Hey,<br><br>Very engaging read, I must say! A tad harsh perhaps to call a synth "inert" and "artificial". But on the other hand, if you have to watch five musicians leave to be replaced by a synth, then I guess the words are entirely justified.<br>
<br>Any links to the discussion on U.S vs European live performances? I'd be quite interested to read it!<br><br>Andrew.<br><br><div class="gmail_quote">On Sun, Jul 11, 2010 at 11:33 PM, Mark Knecht <span dir="ltr"><<a href="mailto:markknecht@gmail.com">markknecht@gmail.com</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Possibly of interest to readers here thinking back to some<br>
observations Paul and others made about live performances in the U.S.<br>
vs Europe. No idea if Linux is in use or not and truly it doesn't<br>
really matter for the sake of this story. It's getting harder and<br>
harder to be an old-school instrument player. I've seen reports of<br>
Kurtzweil being used in Chicago and here in San Jose we had short run<br>
of Wicked where it was apparently 100% GigaStudio.<br>
<br>
<a href="http://www.nytimes.com/2010/07/11/opinion/11woodiel.html" target="_blank">http://www.nytimes.com/2010/07/11/opinion/11woodiel.html</a><br>
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