<div class="gmail_quote">On Mon, Feb 7, 2011 at 6:35 PM, Leigh Dyer <span dir="ltr"><<a href="mailto:lsd@wootangent.net">lsd@wootangent.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class="im"></div>
Nice :) I loved the delays, and the vocals, and that almost ominous-sounding distorted synth pad -- was that the Supercollider part?
<br></blockquote><div><br>The really distorted drone-y synth that comes in and out is a cheap<br>old-ish casiotone keyboard with its volume maxed through this little<br>behringer mixer with its gain also maxed. It's got separate little<br>
bass keys so I was mostly holding down two notes a 9th apart and was<br>fading the volume for the bass note in and out<br><br>In Supercollider I'm using a granular synth with really big grains,<br>and tweaking its parameters programatically. The input to each of the<br>
two granular synths is one of the two vocal parts you can hear in the<br>left and right channels. It's doing the pitch shifted loop-y and<br>stuttery sounds you hear throughout. <br><br>Glad you enjoyed it!<br><br><br>
paul<br></div></div>