<br><br><div class="gmail_quote">2011/7/7 James Stone <span dir="ltr"><<a href="mailto:jamesmstone@gmail.com">jamesmstone@gmail.com</a>></span><br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class="im">On Thu, Jul 7, 2011 at 12:16 PM, Jeremy Jongepier <<a href="mailto:jeremy@autostatic.com">jeremy@autostatic.com</a>> wrote:<br>
> On 07/07/2011 12:57 PM, Brett McCoy wrote:<br>
</div>>> That's a strange way to do it... there are some techniques that<br>
<div class="im">>> require sustain and distortion or they won't sound right, even if<br>
</div>>> added in post-production. But like I said, it's rare to do it this<br>
>> way.<br>
><br>
> It's common practice in the metal world afaik. One of my bandmates has a<br>
> little (Reaper) based homestudio and virtually all metal bands he<br>
> records are re-amped through his collection of tube amps.<br>
><br>
<br>
Interesting - but that's still a home studio. Is it common practice in<br>
pro studios that record heavy metal bands? </blockquote><div><br>let's keep it simple as possible: IMHO a professional guitar player in the world should not blend his guitar in a mix without using a tube amplifier and his set of pedals.<br>
<br>you can re-amp or not but that's all.<br><br>moreovrer, a recording engineer should not satisfy other whims.<br><br>regards<br>-r <br></div></div><br clear="all"><br>-- <br><i><span></span><span>L'unica speranza di catarsi, ammesso che ne esista una,
resta affidata all'istinto di ribellione, alla rivolta non isterilita
in progetti, alla protesta violenta e viscerale.</span></i><br>