<br><br><div class="gmail_quote">On Mon, May 14, 2012 at 9:42 PM, Brett McCoy <span dir="ltr"><<a href="mailto:idragosani@gmail.com" target="_blank">idragosani@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div class="HOEnZb"><div class="h5"><br>
</div></div>I know what some of those tools are (or know of similar kinds), some<br>
composers love those, and others hate them.<br><div class="HOEnZb"><div class="h5"></div></div></blockquote><div><br>indeed. but after you've seen stylus RMX in action for grooves, its hard to imagine someone whose paid by the seconds-of-music-produced using anything even slightly less efficient :)<br>
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