[LAD] [ANN] IR: LV2 Convolution Reverb

Thomas Vecchione seablaede at gmail.com
Sun Feb 27 11:21:29 UTC 2011


Yes film and TV post is where I have heard of it being more useful, but
since I just got up I will leave that for the moment until my brain is more
awake;)

Fons replied off list and we discussed his example some, The situations was
similar to what i had thought, where a 4 point edit was one possible way to
do it, but far from the only.solution, and probably wouldn't be what I
personally used.  The real issue was A2's lack of an ability to move
automation with regions, which Carl has addressed in A3 IIRC.  I didn't
spell this out as much as I should have in my reply to Fons on list however
due to typing on my cell phone at the time:)

    Seablade

PS For the record yes I understand an overdub wouldn't be likely in
classical recording, an even less so in tracking live performances which is
more of what I am used to doing obviously, but in that particular situation
is something I could see doing since the singer had requested it I assume
they were present.  However this wasn't the situation presented above, thus
my post above.

2011/2/27 Andres Cabrera <mantaraya36 at gmail.com>

> Hi,
>
> This feature is actually also very useful in post production for film
> or TV, where often you get a video edit after you've started doing
> your mixing, and you have to move big blocks of tracks in time. I'd
> also like to know if there's a simple way to do this in ardour, or to
> add my vote for it =)
>
> Cheers,
> Andres
>
> 2011/2/27 Jörn Nettingsmeier <nettings at folkwang-hochschule.de>:
> > On 02/27/2011 01:05 AM, Thomas Vecchione wrote:
> >>
> >> Fons
> >>
> >> Being someone that tracks recordings live constantly, I am curious, if
> >> the singer only wanted to overdub one section of their vocals with
> >> another, and you are not touching the remainder of the recorded tracks,
> >> exactly what stops you from doing a standard punch in/out in your
> example?
> >
> > in classical recording sessions, overdubs happen rarely if ever.
> > i guess the situation here is that multiple full or partial takes were
> > recorded with the full ensemble, and the editing happens afterwards, when
> > all musicians are gone.
> > iiuc, the soloist requested one section to be replaced with another take.
> > since there is no "click", this usually means that the part after the new
> > spliced-in section will move in time, slightly.
> > which is a bit of a problem in ardour while you haven't consolidated
> region
> > fragments (which often you don't want to do until the very end), because
> you
> > have to be very careful to move all subsequent regions.
> > easy in the vertical thanks to edit groups, but quite hard in the
> > horizontal. or maybe i'm overlooking yet another feature?
> >
> > best,
> >
> > jörn
> >
> >
> >
> > _______________________________________________
> > Linux-audio-dev mailing list
> > Linux-audio-dev at lists.linuxaudio.org
> > http://lists.linuxaudio.org/listinfo/linux-audio-dev
> >
> _______________________________________________
> Linux-audio-dev mailing list
> Linux-audio-dev at lists.linuxaudio.org
> http://lists.linuxaudio.org/listinfo/linux-audio-dev
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.linuxaudio.org/pipermail/linux-audio-dev/attachments/20110227/d73f38c2/attachment.html>


More information about the Linux-audio-dev mailing list