[linux-audio-user] jack -> realtime mastering

[ish at sarai.net]

I feel JAmin will require with multiple tracks a lot of hardware resources
while running and I think it only takes one stereo input(can not check it
up because im re-installing my mach :) But I have used JAmin with ardour
with multiple tracks/final mixdown and  it works pretty well . To play
these things live will require a nice sound card, which can give you
low-latency audio that is very crucial with live audio. LADSPA Pugins are
very good and some audio people will totally  disagree that software can
replace good hardware for live sound, but you can always trust your ears.

boom
<<>ISh


On March 26, 3:50 am Iain Duncan <iainduncan at telus.net> wrote:
> I would like to set up a small mastering rack just before sound
> output for live shows, this is on linux. Essentially I'm hoping to
> have about 8-12 channels of audio go out of csound5 via jack and into
> some sort of host for plugins and mixing down to four channels of
> final audio out. All I want to run are a few compressors and some eq,
> with easy access to the control parameters and graphic vu meters of
> the compression. Ideally these plug ins would also be controllable
> via midi cc's and some form of API so I can make my own gig front end
> integrated with my csound user interface. Questions:
>
> Is this feasable with csound5 now? Has anyone gotten multi-output
> working well with Jack?
>
> What should host the plugins? Ecasound looks promising, but will I be
> able to get graphic vu meters of the compression action? Does that
> even work properly, ie can the screen respond fast enough? Anything
> else I should look into? Jammin seems heavy me thinks.
>
> Which plugins should I use? I'd like minimal cpu use, but a good easy
> over compressor ( soft-knee ), a good final limiter, graphic eq, and
> paramateric eq. Compressor must have accurate controls for attack,
> release, ratio, threshold, and some form of knee control.
>
> Is this even feasable? Are the LADSPA plug-ins good enough now to
> replace hardware in the $300 compressor, $100-200 eq range? I don't
> expect it to sound as good as TL-Audio tubes or anything, but I won't
> drop $300 on an FMR or buy a bunch of ProSonus's if a plugin can
> sound as good as that.
>
> All suggestions welcome, thanks.
> Iain
>