[LAU] ASCAP Assails Free-Culture, Digital-Rights Groups

david gnome at hawaii.rr.com
Wed Jun 30 20:01:49 UTC 2010


When it comes to making money from our art, just because we as artists 
can create something doesn't mean people have any obligation to listen 
to it (regardless of if anyone pays us for it).

If you don't produce what people want to listen to, they won't steal 
your music or pay for it. They won't listen to it.

I think a lot of musicians make little or no money in music because 
they've chosen to pursue music that pleases only them or their chosen 
"in" / "cool" crowd. (I blame it all on the Romantic movement and its 
idea that creative people are somehow specially touched by the gods, 
therefore worthy of greater honor than other people.)

When I was playing professionally many decades ago, there was a local 
band in my home town that was making about $200K a year without selling 
a single record. What they sold was their live performance, which was 
entertaining and people wanted to listen to.

A bigger example of that in action was the Grateful Dead. They 
officially allowed bootlegging - IOW, copying of their concerts. They 
still sold out concerts, sold recordings, didn't do it with big 
commercial "hit" songs. They seemed to be more commercially successful 
at it than that well-known English singer/songwriter who blogged about 
how every time she performed live, she lost money and was seriously 
talking about no longer touring.

An old example of musicians making a living at it were the bards. They 
wrote and shared music and news. The more successful they were at 
pleasing their audience, the better they were paid. They also shared 
songs among themselves, I think because they knew that improving each 
bard's ability to survive and prosper made it easier for the whole group 
of bards. If your village had a great time when one bard had been there, 
you're more likely to think better of the next bard that comes through 
town. (And lest you think people back then didn't have the means to 
readily copy a bard's song - they did. People back then were much much 
better at memorizing and singing than people in our present "passive 
consumer" culture.)

Anyway, I support copyright with reasonable limitations. What I think 
the recording industries are trying to do under the guise of copyright 
protection is force it to become a "pay per play" thing: If you want to 
listen to a particular song 20 times, you pay for it 20 times.

-- 
David
gnome at hawaii.rr.com
authenticity, honesty, community


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