[LAU] Bell characteristics (list of partials)

thijs van severen thijsvanseveren at gmail.com
Mon Dec 12 09:09:17 UTC 2011


this article might also interest you :
http://www.soundonsound.com/sos/Aug02/articles/synthsecrets0802.asp

grtz
Thijs


2011/12/11 Fons Adriaensen <fons at linuxaudio.org>

> On Sun, Dec 11, 2011 at 10:52:31PM +0100, Julien Claassen wrote:
>
> > This sounds valuable. My first experiments - mainly trial and error,
> > based on basic theory - weren't good at all. :-(
>
> Depends on what you consider 'basic theory'. The simple fact is
> that the partials of a bell sound are _not_ a simple harmonic
> series. In its most basic form, a bell sound will consist of
> five partials:
>
> 1. Nominal  - this is the nominal frequency of the bell.
> 2. Prime    - one octave below the nominal.
> 3. Hum      - two octaves below the nominal.
> 4. Tierce   - a minor (sometimes major) third above the prime.
> 5. Quint    - a fifth above the prime.
>
> There will be higher components as well in many cases, in
> particular higher thirds and fifths, but these are never
> exact harmonics of the lower ones.
>
> This is a much simplified model. In most cases the two
> octaves are not exact (the 'hum' is usually higher) and
> this does not necessarily mean a bad sound. Same for the
> smaller intervals.
>
> The reason why inexact intervals are perfectly possible
> and do not produce an ugly sound is that none of these
> partials have significant higher harmomics - they are
> pure sine frequencies. So there is no beating of higher
> harmonics, which is what makes most detuned instruments
> sound bad.
>
> Except for the 'hum', these components will usually
> have a normal exponential decay (roughly). The 'hum'
> is different: it starts at low amplitude, and rises
> during a second or two before decaying.
>
> Ciao,
>
>
> --
> FA
>
> Vor uns liegt ein weites Tal, die Sonne scheint - ein Glitzerstrahl.
>
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>



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