[LAU] Audigy too

S. Massy lists at wolfdream.ca
Fri Mar 18 23:10:38 UTC 2011


On Thu, Mar 17, 2011 at 11:23:40PM +1030, Batz wrote:
[...]
> I need to see Linux sampler/fluid synth, etc, working. It doesn't
> matter to me upon what distro. The reason is that I need to know
> that they are going to work in this situation. There's not much
> point pouring time and resource into something only to find that
> it's design philosophy is anathema to the limitations of my
> methodology. On the other hand, I might find a workaround. Or even a
> better way of doing things. I just don't know till I can see it
> working. And then I'd know if it's worth putting in the hard work of
> nailing a system down. That's all I'm saying.
> 
> From what I'd been reading there seems to be a couple of big flaws
> in the design of both fluid and LSP. But I can't tell from just
> reading about it. On the other hand they seem tantalizingly
> comprehensive. I really need to see that for myself. That's really
> the only point I'm making about that. It's actually a small point
> and I'm sorry to have had to labor it so. What I was asking is if
> there was any sure fire way I can get to that point so I can
> audition them. What's the quickest path? However you want to phrase
> that.
> 
> Once I can see it's efficacy, once I can evaluate the behavior, then
> I can invest time in the nuts and bolts. With a view to honing it
> into a semi-embedded system perhaps.
> 
> The thing is that everybody seems to be concerned with recording.
> And to a slightly lesser extent, sequencing. Sampling and
> soft-synths are seen as add-ons and plug-ins to those things. This
> philosophy presents us with a conundrum. Those solutions work well
> in the short term. However in the long term they are redundant. I
> need an instrument that is independent of those things and yet
> completely controllable. Future proof to an extent. Because once I
> start composing with this instrument, there's no going back. If I
> want to play the same song in 10 years time, I have to know that the
> instrument that makes the sounds is going to be there. Even if
> everything else changes around it. And that's just one issue.


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