[LAU] [OT] Re: Bitwig: what we can learn from it

Simon Wise simonzwise at gmail.com
Wed Apr 2 11:12:56 UTC 2014


On 02/04/14 20:12, Ralf Mardorf wrote:
> On Wed, 2014-04-02 at 08:42 +0000, Fons Adriaensen wrote:
>> The are some very strong emotions in La Traviata, and they are
>> expressed by the music, but they are certainly not Verdi's,
>> neither those of the performers.
>
> A story of a song or opera might be fictional and the composer and
> musicians might never have been in the situation the story is about, but
> they have a stock of experiences and emotions they could and should use.
> Peter Ustinov once claimed that he dislikes method acting, he claimed
> that he is (was) an actor, he doesn't need to feel what the character he
> plays feels, he is able to fake the emotion without feeling it. IMO
> there are many method actors who are much, much better than Peter
> Ustinov ever was. IMO we can notice if an artists does use a stock of
> experiences and emotions when making art or if he just use craftsmanship
> to fake emotions.

you might find reading a little of other methods is interesting, and there is 
plenty written in German. especially about your comments above.

Simon


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