<div dir="ltr"><br><div class="gmail_extra"><br><div class="gmail_quote">On Sun, Jun 17, 2018 at 11:34 PM, Felix Homann <span dir="ltr"><<a href="mailto:linuxaudio@showlabor.de" target="_blank">linuxaudio@showlabor.de</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="ltr">No matter how close the Behringer Model D actually gets to the Minimoog - and it seems to get very close - it is a great mono synth. Even more so for the price. I've been having quite some fun with it for some months now :-)</div><div class="gmail-HOEnZb"><div class="gmail-h5"><br><div class="gmail_quote"><div dir="ltr">Ralf Mardorf <<a href="mailto:ralf.mardorf@alice-dsl.net" target="_blank">ralf.mardorf@alice-dsl.net</a>> schrieb am Mo., 18. Juni 2018 um 07:07 Uhr:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><a href="https://www.youtube.com/watch?v=pYxc8R_Qys0" rel="noreferrer" target="_blank">https://www.youtube.com/watch?<wbr>v=pYxc8R_Qys0</a><br>
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<br></blockquote></div><br></div><div class="gmail_extra">I have the reissue D from Moog, and in general lots of Moog products and zero from Behringer so from that perspective ... <br><br></div><div class="gmail_extra">I find the idea of comparing a digitally recorded analog synth to another digitally recorded analog synth to be a flawed way of looking at things. I couldn't tell a digital piano recording, from a real Steinway recording neither though piano is my main instrument. <br><br></div><div class="gmail_extra">However imho, the magic of analog synths, compressors, eq, effects, and real piano comes alive before hitting the converters. After the converters so much is lost. <br><br></div><div class="gmail_extra">IOW a double blind test of two of these synths in the same room before the converters, is the only way I would try to compare these things. Like in a music shop back in the day. <br><br></div><div class="gmail_extra">I may be snowflake, but after many years of collecting gear and moving it across continents a few times as a former expat I find build quality to be of utmost importance. I bought a $600 road case for the D, and since the originals from the 70's still are in high demand I expect the same from the Moog reissue. The new Behringer longevity is TBD. Life is too short for me to go down the Behringer path ymmv. <br><br></div><div class="gmail_extra">That being said, I have no doubt the Behringer D is a huge step up from the plugins - best I can tell that is good enough reason to buy things for most people. <br><br></div><div class="gmail_extra">Robert<br></div><div class="gmail_extra"><br><br></div></div>