On Wed, Apr 28, 2010 at 2:34 PM, Ralf Mardorf <ralf.mardorf@alice-dsl.net> wrote:


Ralf Mardorf wrote:
Louigi Verona wrote:
Difficult to explain. let me draw:

C5 is a note

C5 _ _ _ _ _ _ _

A 3/16 would create this kind of echo:

C5 _ _ c5 _ _ c5 _

On Wed, Apr 28, 2010 at 1:40 PM, Ralf Mardorf <ralf.mardorf@alice-dsl.net <mailto:ralf.mardorf@alice-dsl.net>> wrote:

       None of the LADSPA ones I tried just give you a normal 3/16 delay.


   What exactly do you mean with this? Are you talking about
   triplets? Just use the calculator to find out how long a triplet
   is regarding to the BPM and round the result to the available ms.
   Or is 3 for left to center to right, for semiquavers?


Please add your reply under the quote.

You're talking about triplets, especially because you do dub music ;).

This is possible.

60000/120BPM=500ms for a 1/4 note. E.g. 500ms/3=166.7ms for triplets, reps. 166.7ms/x or 166.7ms*x for other triplets.

Resp. you aren't talking about triplets if e.g. one _ is for 1/8 note. Do you wish to have a delay were not all delays do come at a steady note?

I am not sure guys what you are talking about.

I understand that you can multiply something - this is very clear. You can even forget about plugins and just take the sound and paste it with a lower volume.
I cannot always point a finger to what exactly i do not like about delays. CALF vintage delays is nice, but the fact that I can make it pan ping-pong only by setting different time in L and R is not good. And the whole Subdivide control is very confusing. In many simple VSTs you have 1, 2/4, 3/16 kinda settings and it is all tied to a tempo. Echoverse in Rakarrack is very good.