On Sunday 11 July 2004 08:36, linux-audio-user-request(a)music.columbia.edu
wrote:
> Only, Knoppix is a bit weak with audio applications. Demudi also has
> Knoppix-based Live-CDs
After you are up and running, apt-get all the nice stuff like ardour, etc.
Guys,
Many thanks for the time and effort spent on giving advice, it's much
appreciated.
Basically, you guys have recommended:
-Mandrake + Thac's RPMs (Robert)
-DeMuDi (Tim and Stefano)
-Planet CCRMA (Jan)
..Which basically boils down to: Mandrake vs Debian vs Redhat. Not sure if
it's a wise decision, but I'm then thinking about choosing the distro based
on:
-Is ALSA supported on the distro or did you have to download and install
ALSA separately?
-Did you find the kernel easy to patch for low latency? (I assume all
Thac's, DeMuDi and Planet have some patch set for this).
Any thoughts much appreciated.
Yours,
Alex
PS: starting a new thread soon to briefly explain what note tuning and audio
quantizing is for the ones who are interested, glad to contribute somehow
:-)
_________________________________________________________________
¿Estás pensando en cambiar de coche? Todas los modelos de serie y extras en
MSN Motor. http://motor.msn.es/researchcentre/
This evening turned out to be exceptional. Just three of us were around to
play and Don called early (has an early call in the morning for serious golf).
So at seven the three of us started; second time to find the chords and line
to "Begin the Begin the Beguine"; made progress then switched to "Theme for
the Eulipians" to relax. Me on alto sax; Randall on flute/basss; Don guitar.
Then (big bad, phd drama) John shows up; in a good mood. Then my daugher
Julie and Sher, my wife; both good singers, good ears. Don changed his plan
and kept playing way past 9:00. And at 10:30 he suggested we move down to the
CCI to hear Rodger; I said OK if we take our axes.
All but Sher move there and it clicks. Rodger is fun to play to. Good crowd
and great weather (small neighborhood club; opens to padio in back). Home
by 1:00 listening to "Jazz After Hours" on my Planet-CCRMA machine.
All of the above to say: Thanks audio-folks. Our playing is improving and
Songbird2 (the Linux machine) is a major asset. For me, the major benefit
has been from listening. I'm a student of theory and a ear player. Good
equipment helps. Two fine altos; good flute; Linux powered keyboard, jazz
radio most anytime, ...
So thanks, folks. I enjoyed playing tonight.
Marv
Hi,
Recently I have configured amaroK player (from current CVS HEAD) to work
with lirc. All works fine except for seek(int i) command. I suppose this
coomand must seek back/forward some seconds, but seeking back (I have set
argument as "-5") does nothing, and seeking forward (argument is "5")
plays current track from the beginning.
Is anybody more happy here?
Andrew
Dear All,
I had just decided to give DeMuDi a try, I had decided this for simplicity
because now there's a beta available which comes as a single CD, that's
single instalation for OS (Debian) + music studio.
But I've just come accross this article:
http://www.debianplanet.org/node.php?id=831
entitled "An Unbiased Review of Debian 3.0". They say things like you are
supposed to know the name of your drivers (name of the files, not the name
of the hardware to be supported that usually comes as a description in a
database!). I've been very dissapointed to read this. I know that people
here who have recommended it say they had it running in little time and
effort, but is that due to you having quite some background?
I have installed Debian years ago, then Redhat recently. I've found Debian
installation a nightmare compared to Redhat, but I always thought it was a
matter of evolution with years. I don't know what to think anymore, the
article says pretty scary stuff actually in the areas that have
traditionally been grey in Linux (compared to our friend Windows).
Do you share these views and experiences? Will I need to figure out the
names of my files during install and stuff like that? (I definitely recall
having to do that with Debian but that was years ago.)
Many thanks.
Yours,
Alex
_________________________________________________________________
Descarga gratis la Barra de Herramientas de MSN
http://www.msn.es/usuario/busqueda/barra?XAPID=2031&DI=1055&SU=http%3A//www…
photoshop works under wine, a lot of stuff works under wine, but if you
look at cinepaint, it actually kicks photoshop's butt in terms of image
quality (which is why its used professionally in film editing), so often
times it turns out that the open source alternatives are better than
commercial software.
The only thing I have to dual boot for is to use flash, but I believe that
it runs under cross-over office, so there's just fewer and fewer reasons
to have to dual boot back to windows.
Hi
Being new to soundfonts I baically needed a decent piano soundfont for
arranging stuff for my students, but after shopping around, I thought it
maybe could be taken a step further. So my question is: Are soundfonts
good enough for "real" music production? And where can I find nice ones
to download? I guess I'm looking for imitations of real instruments,
mostly piano, accoustic drums and bass, but expressive strings and other
orchestral sounds would also be nice.
So far I found the "FluidR3 GM.SF2" (142M), how does that compare to
what's outthere? I also found alot of .sfArk sounds but it seems they
are in som kind of windows-only compressed format. I downloaded the
sfarkxtc_lx86.tar.gz but it complains "This file was created with sfArk
V1, and this program only handles sfArk V2+ files. Use sfArk instead."
on all the .sfArk-files I downloaded. Is there a linux utility that will
uncompress those files?
I run debian/unstable and plan on using fluidsynth and rosegarden if it
matters...
--
peace, love & harmony
Atte
http://www.atte.dk
Hello,
I've finally found another CD player and tested the CD in question. It
played with no distortions!
Therefore, the very frequent clicks, which I thought could be just
clipping, are after all the results of playing a copy protected CD on a
computer with digital playback :(
I ripped it with cdparanoia, bnut cdparanoia found no errors, and the
sound was the same as when playing on the computer.
Of course I can borrow the CD player, take the analog output and
re-degitize, or search for a computer with spdif in and player with
spdif out. Are there any otehr ways of tackling the protection, so I can
hear the music copy that I bought on the device of my choice?
Yours, Mikhail Ramendik
Matthew Barber:
>
> ->My impression is that the more maths an audio professional knows, the
> more
> sure the audio professional is that higher sampling rates is a
> bad thing. (unless you are recording sounds that is later going to be
> downsampled a lot of course)
>
> Perhaps its impossible for us non-skilled-mathematicians to
> understand properly why 96 kHz is a bad thing...<-
>
>
>
> One thing 96K provides is plenty of headroom for aliasing if you're
> doing some kind of novel synthesis technique that tends to generate tons
> of high partials... the 24 bits are nice, too.
>
I was actually just thinking about 96kHz for recording/playback, not
processing. I guess I lost the context of the discussion.
--
BEAST/BSE version 0.6.2 is available for download at:
ftp://beast.gtk.org/pub/beast/v0.6/
or
http://beast.gtk.org/beast-ftp/v0.6/
This is a development version of BEAST/BSE, the BEdevilled Audio SysTem
and the Bedevilled Sound Engine. BEAST is a powerful music composition
and modular synthesis application released as free software under the
GNU GPL and GNU LGPL, that runs under unix.
The project is hosted at:
http://beast.gtk.org
A mailing list is available at:
http://mail.gnome.org/mailman/listinfo/beast/
This new development series of BEAST comes with a lot of
the internals redone, many new GUI features and a sound
generation back-end separated from all GUI activities.
Outstanding new features include support for skins, many sample
file formats, MIDI file import abilities, an improved piano roll
widget, the track editor which allows for easy selection of
synthesisers or samples as track sources, loop support in songs
and unlimited Undo/Redo capabilities.
Overview of Changes in BEAST/BSE 0.6.2:
* Rewrote scrollbar sizing, so tracks and parts are easily resizable
* Lots of small GUI enhancements and fixes
* Added CPU usage information view
* Enabled tooltips on menu items
* Rewrote logging, messaging and error reporting system
* Fixed attack time handling in SimpleADSR
* Added support for 1/32, 1/64 and 1/128 notes and quantization steps
* Added skin and row highlighting support to the pattern editor
* Adjusted skins (pacified some of the more disturbing ones)
* Added British English translation [Gareth Owen]
* Added Canadian English translation [Adam Weinberger]
* Added Brazilian Portuguese translation [Raphael Higino]
* Updated Catalan translation [Xavier Conde Rueda]
* Updated Czech translation [Miloslav Trmac]
* Updated Dutch translation [Tino Meinen]
* Updated Croatian translation [Robert Sedak]
* Updated Spanish translation [Francisco Javier F. Serrador]
* Updated Russian translation [Alexandre Prokoudine]
* Updated Portuguese translation [Duarte Loreto]
* Updated Albanian translation [Laurent Dhima]
* Various sfidl fixes [Stefan Westerfeld, Tim Janik]
* First steps taken towards mixer infrastrukture
* Fixed user configurable debugging support
* Lots of adaptions to GLib/Gtk+-2.4
--
-* Stefan Westerfeld, stefan(a)space.twc.de (PGP!), Hamburg/Germany
KDE Developer, project infos at http://space.twc.de/~stefan/kde *-