[linux-audio-user] Bringin the New Year with another song

R Parker rtp405 at yahoo.com
Sun Jan 2 10:07:46 EST 2005


--- tim hall <tech at glastonburymusic.org.uk> wrote:

> Last Saturday 01 January 2005 19:27, R Parker was
> like:
> > http://www.iaxs.net/~rparker/liquor_lyles.ogg
> >
> > We took the Linux multitrack recording van out for
> its
> > maiden voyage. Duane and his partner Nip have been
> > running live sound in the Minneapolis area about
> the
> > same amount of time that my partners and I have
> been
> > running the studio. It was about a year ago when
> we
> > first talked about running a remote van. It was a
> > great experience. Cheers to a great 2005 with
> Linux
> > Audio.
> 
> Wish we'd had a similar recording set-up for New
> Year. Hopefully I should be 
> able to set up an in-house system to record gigs at
> my local venue in a month 
> (or so ;-).

Doug, aka NoStar on irc #ardour, has an Ardour
recording setup in a venue. I don't know how long he's
been running it but it sounds to me like it's been
well recieved by the house engineers and musicians.

 Interesting sound quality on this piece.
> The top end is almost 
> cuttingly sharp to my ears, it sounds like you must
> have had the room sound 
> almost perfect, or you've been up all night fixing
> it.

Sorry, I have caused some confusion. That song was not
recorded at the bar. Liquor Lyles is part of the same
group of recordings that I've been posting for the
last month.

 Can't say I'm a huge 
> fan of Zappa's lyrics although they're slightly
> improved by not having to 
> listen to him sing them ;-]
> 
> The difficulty I have with introducing Linux tools
> into this sort of situation 
> (populated by Windows wide-boys and occasional anal
> Mac users) is that I'm 
> not a technician, therefore my technical suggestions
> tend to get dismissed.
> Plus it would involve training someone else to use
> Ardour who would rather be 
> using Wavelab *gnnn*. I shall persevere.

Show up as an engineer and not a musician--not at your
own jam sessions, do it for someone else. Nobody will
tell you how to do your job. Engineering live shows is
a great experience.

We're really not after the room when we do this sort
of thing. What we're doing is splitting the snake and
sending the mic sources to the house and a recording
setup. We'll use a couple "house" mics but it's only
to capture audience noise.

ron

> cheers
> 
> tim hall
> http://glastonburymusic.org.uk
> 



		
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