Linux-audio-dev July 2004

linux-audio-dev@lists.linuxaudio.org

104 participants
77 discussions

[linux-audio-dev] ICMC 2004 Eearly Bird Registration Deadline Approaching Soon!

by tae hong park

Please pardon cross-listing... The deadline for the ICMC 2004 "Early Bird Registration Rate" is coming up soon. Please register on-line by July 29, 2004 to take full advantage of reduced rates. Regular rates will be applied after July 29, 2004 and on-site registration rates after October 27, 2004. Please refer to http://www.icmc2004.org for details. Thank you. Sincerely, Tae Hong Park

21 years, 1 month

[linux-audio-dev] DSSI (Disposable Soft Synth Interface) 0.4

by Chris Cannam

I'd like to announce a new version (numbered 0.4) of the DSSI synth plugin API proposal. http://dssi.sourceforge.net/ Disposable Soft Synth Interface (DSSI, pronounced "dizzy") is a proposal for a plugin API for software instruments (soft synths) with user interfaces, permitting them to be hosted in-process by audio applications. DSSI 0.4 was constructed by Steve Harris, Chris Cannam, and Sean Bolton. DSSI is intended to be simple, especially for plugins; GUI-toolkit-agnostic; and slightly biased towards familiarity with MIDI. It's proposed as an interim measure until bigger and better things come along: hence "disposable". The 0.4 release addresses the problem of efficiently managing shared resources among instances of a plugin by providing explicit support for plugins that may be run in a group. It also clarifies issues such as thread-safety and fixes a few other problems with the 0.1 API identified on LAD and elsewhere. We think the 1.0 release could look pretty much the same as this 0.4 version, barring any more stupid mistakes. The release contains the RFC, the dssi.h header file, example host and plugin code, and now the all-important FluidSynth wrapper plugin. Comments to LAD please. Chris

21 years, 1 month

[linux-audio-dev] initial announcement: softwerk 2.0.0

by Paul Davis

As mentioned briefly, Dave Phillips innocently asked me about SoftWerk while we were riding on the train from Paris to Bordeaux last week. I thought "how hard could it be to get it working again?" and thereby hangs a tale (and a tail). To cut a short story shorter: http://linuxaudiosystems.com/softwerk/softwerk-2.0.0.tar.bz2 is an *initial* re-release of my "analog pattern MIDI sequencer". It is modelled on the Doepfer Schaltwerk, a gorgeous beast of a machine, except that SoftWerk can do everything the SchaltWerk can, and then quite a bit more :) To compile it, you will need (i think): gtk+ 1.2 ALSA with sequencer support gcc/g++ < 3.4 This is a provisional release - I believe that this tarball will ccompile and install and be usable by most people, but what I'd like is for a few people to try it out before I update sourceforge and make other announcements. The documentation at softwerk.sf.net is still reasonably accurate, except that mouse motion is no longer used for editing step values, only typed numerical values or the arrow keys. have fun, --p

21 years, 1 month

[linux-audio-dev] WONDER release

by Marije Baalman

Hi, I am happy to announce the first release of WONDER. The program WONDER (Wave field synthesis of new dimensions of electronic music in realtime) is designed to provide an interface between a wave field synthesis system and the software or hardware composers and performers of electronic music are used to. The program is still in development and trying to reach its eventual goal step by step. The current version (v2.0) allows the user to either create a composition for the movement of the sound sources in his composition or to control the movements in realtime, either via the gui or via open sound control. The program is released under the GNU General public license. Feedback and bug reports are very welcome: wonder(a)nescivi.de The program is created by Marije Baalman and Daniel Plewe (OSC implementation) and is developed in the Electronic Studio of the TU Berlin. WONDER is created for Linux (X11) and uses the Free Qt-Libraries (v3.0.2b or higher), libOSC++ libraries and BruteFIR (v0.99n or higher). Basic installation info can be found in the package in the INSTALL text. The README file lists some extra requirements and necessary adaptations for BruteFIR. Furthermore a soundcard with a lot of outputs and a lot of speakers are required, to make practical use of the program. At: http://gigant.kgw.tu-berlin.de/~baalman/ you will find a description of what Wave Field Synthesis is and under: program - download you will be able to download the program as a tar-ball. The manual with screenshots is also online. The software is by far not yet bug-free, but in my experience it is usable and generally it does not crash when running the audio (except if external conflicts happen or the processor is overloaded). See the KNOWBUGS file that comes with the package... sincerely, Marije Baalman --

21 years, 1 month

[linux-audio-dev] Re: [a-users] Re: [a-devel] File system and Voluntary Kernel Preemption

by Lee Revell

On Thu, 2004-07-15 at 04:53, Damien Cirotteau wrote: > On Thu, Jul 15, 2004 at 10:35:47AM +0200, Free Ekanayaka wrote : > > |--==> "DC" == Damien Cirotteau <damien.cirotteau(a)agnula.org> writes: > > > > DC> Hi all, > > DC> some very interesting links submited by simmo on IRC > > > > DC> File system: > > DC> http://kerneltrap.org/node/view/3466 > > > > DC> Voluntary Kernel Preemption: > > DC> http://kerneltrap.org/node/view/3440 > > > > Yes these are definitively interesting! > > > > I'll read them carefully and see if we can adopt some new trick :) > > Two first thing that i can retain: > - Don't use reseirfs for now (especially with 2.6) > - Enable CONFIG_SND_DEBUG in the kernel so it will be easier to trace > the xruns. It looks that it is a very useful feature to understand where > the xruns comes from and is very good feedback to send to kernel folks The intrepid user in need of low latency should try 2.6.8-rc1-mm1. I sent a bunch of XRUN traces to Andrew Morton, and this kernel contains numerous latency fixes as a result. Some of these fixes were to extremely important areas (get_user_pages, a fix for framebuffer-scrolling issue, and more). The improvement should be major. He is going to be unavailable until July 26th, so the next few weeks are a great opportunity to test and collect data. You are correct in that reiserfs as shipped with the kernel should probably not be used for now if you need low latency. However, I strongly suspect that SuSe (which users reiser by default) contains fixes for this which are not in the mainstream kernel. By enabling CONFIG_SND_DEBUG *and* turning on XRUN debugging at runtime (echo 2 > proc/asound/cardX/pcmX/xrun_debug) you will be able to see whether this is affecting you. Here is the announcement: http://www.ussg.iu.edu/hypermail/linux/kernel/0407.1/1453.html Lee

21 years, 1 month

[linux-audio-dev] softwerk moves on

by Paul Davis

correction to a minor build issue: http://linuxaudiosystems.com/softwerk/softwerk-2.0.1.tar.bz2

21 years, 1 month

[linux-audio-dev] Re: desktop and multimedia as an afterthought?

by Andrew Morton

Paul Davis <paul(a)linuxaudiosystems.com> wrote: > > >It's too bad that the multimedia community didn't participate > >much during the 2.5.xx development leading up to 2.6.0. If they > >had done so, the situation might be different today. Fortunately, > >fixing up the multimedia problems isn't too risky to do during > >the stable 2.6.xx series. > > I regret that this description is persisting here. "We" (the audio > developer community) did not participate because it was made clear > that our needs were not going to be considered. We were told that the > preemption patch was sufficient to provide "low latency", and that > rescheduling points dotted all over the place was bad engineering > (probably true). With this as the pre-rendered verdict, there's not a > lot of point in dedicating time to tracking a situation that clearly > is not going to work. No, this is wrong. 2.6+preempt can satisfy your latency requirements without any scheduling points. All it requires is that the long-held locks be addressed. I've already done a metric ton of work in that area (notably removal of the buffer_head LRUs and rewriting the truncate code) but more apparently remains to be done. We know that reiserfs has problems. But what can I do? I set up a preempt-on-ext3 test box, thrash the crap out of it and see 300 usecs worst-case latency. So I am left empty-handed, wondering what on earth is happening out there. I am deeply skeptical about claims that autoregulated swappiness can make any difference. I am deeply skeptical about claims that CPU scheduler changes make any difference. A scheduler change shouldn't improve responsiveness of !SCHED_OTHER tasks at all, so perhaps there are application priority inversion problems, or applications aren't setting SCHED_FIFO/RR correctly. I do not know. I am also fairly skeptical about claims that voluntary-preempt helps, because it only pops a couple of locks, and I doubt that testers are hitting the code paths which those changes address anyway. So Something Is Up, and I don't know what it is. Please double-check that there are no priority inversion problems and that the application is correctly setting the scheduling policy and that it is mlocking everything appropriately. And please ensure that people are setting xrun_debug, and are sending reports. > The kernel is not going to provide adequate latency for multimedia > needs without either (1) latency issues being front and center in > every kernel developer's mind, which seems unlikely and/or (2) > conditional rescheduling points added to the kernel, which appears to > require non-mainstreamed patches. > Nope, the conditional rescheduling points provide zero benefit on a preemptible kernel. Something weird is happening, I don't know what it is, I cannot reproduce it and I need help understanding what it is, OK? The sooner we can do that, the sooner it gets fixed up.

21 years, 1 month

[linux-audio-dev] Linux music notation editor criteria

by Dave Phillips

Greetings: As promised, here's a set of test criteria used by Alan Belkin in his 1994 review of notation programs for the Macintosh. I hope that the authors of Linux music notation software will consider this list against the features of their own efforts. I'm not interested in comparing "ours against theirs". The Mac programs tested were all WYSIWYG notation editors, including Finale, Composer's Mosaic, Encore, Lime, and Nightingale, while some of the best Linux music notation software is devoid of any GUI. Nevertheless, the criteria seem adequate as base requirements for any music notation software, and I'm very interested in the opinions and evaluations of the Linux developers of such software. I know that the authors of NoteEdit, LilyPond, MusE/Musescore, Denemo, Rosegarden, Common Music Notation, and perhaps other significant notation editors are represented on the LAD/LAU lists, and I hope they will respond on-list to the criteria presented here. I also welcome comments from users regarding the presence or absence of the listed features in their favorite Linux notation program. I have only slightly altered Mr Belkin's original criteria where it was Mac-specific. The evaluations in his original article were either qualitative (good, bad, ugly, etc), quantitative, (1, 4, 12, etc), or affirmative/negative (yes/no). So, here we go: Note entry: mouse & keyboard MIDI step-time MIDI realtime w. flexible quantization audition other saves while recording retain performance data for playback number of independent rhythmic layers per staff maximum number of staves per system Entry of slurs, articulations, dynamics, etc.: intelligent default placement apply to multiple staves at once Selection in regional edits: vertical, horizontal slices within and across measures, staves, system, pages, etc. non-contiguous conditional selection Editing: click & drag positioning of symbols transposition (note, staff, selection, etc) enharmonic change by region rhythm: change note values (ease of use) rhythm: auto-rebar cut/copy/paste: music cut/copy/paste: non-musical items, formats, etc. mirroring (intelligent copies) Special/custom notation: unusual staves simultaneous key signatures unconventional time signatures additive time signatures simultaneous different time signatures drawing tool user-created symbols user-selectable fonts for all elements chord notation: graphic, playback, learn via MIDI fretboard notation figured-bass notation unusual note heads (slashes, harmonics, etc) easily adjustable cross-staff beaming Lyrics: mass create create on page import from text editor auto layout multiple fonts flexible placement MIDI playback: ALSA or OSS support channel support playback includes modifiers (crescendi, dynamics, etc) direct editing of MIDI data import patch lists (GM, GS, etc) scrolling playback edit during playback Entry layout: flexible engraver spacing within measure account for dynamics, slurs, annotative text, etc. Page layout: auto layout with engraver spacing reduce or enlarge symbols, staves, text, systems, by any percent, locally or globally full control of measures per system full control of systems per page remove empty staves within systems flexible spacing of staves within systems Part extraction: automatic with new layout dynamic links to master score File operations: follow Linux standards (?) simultaneous multiple files open printed output: PS, PDF, DVI, etc. Interface/overall ease of use: undo/redo any operation user-defined key bindings user control over notational defaults views: scroll, page, template, any percent, multiple simultaeous views priorities clear logical organization simple language and icons overall speed on-line help documentation ease of learning general solidity and stability In his article Mr Belkin also addressed the problem of tuplets, noting that at that time only Finale realized anything other than triplets when converting from MIDI input (file or realtime). I should also note that this list is hardly meant to be a complete set of expected features: after all, it's from an article published ten years ago. I'm sure we've advanced well beyond the state of the art in 1994... right ? :) Best regards, Dave Phillips

21 years, 1 month

Re: [linux-audio-dev] Tutorial on Professional Audio GNU/Linux Tools

by Maarten de Boer

Hello, aaron(a)nquit.com wrote: > And did you find RoseGarden and Ardour we're sync'd up tightly? > I have yet to find them REALLY syncing really tightly.... > > what distro are you on? what versions of the software? what hardware? Sorry for not replying earlier. We wanted to do some tests first, and that got delayed a little. About syncing: first of all, we have been using JACK for the sync mechanism. We also tried using MTC, but we could not get that to work. Syncing seems to work okay, in the sense that things keep in sync over time, but we had to adjust offsets to correct the initial sync. We made some tests to get a more clear picture, and in fact we got rather confused instead. I will just give you the results, without trying to explain what happens. I am sure some of you will be able to shed more light on these results. And maybe they can help ardour/jack/rosegarden developers in some way or another Test setup: - jack configured at 44100 Hz, and we tried with 2 buffers of 2048 and 2 buffers of 4096 - A MIDI track in rosegarden4, with a beat at 120 BPM. - MIDI output (USB MIDI-Sport 2x2) connected to an external MIDI module - Audio output from the external MIDI module connected to an Emagic EMI 2|6 USB audio device. - In Ardour, we create two tracks, one to record the audio from the MIDI module, one to record the ardour click (jack loopback). I know the buffersize of jack is very big, but for doing this test, the larger audio latency makes things more obvious. Also, we have not been able to use the EMI 2|6 with ALSA with a period smaller then 2048 without strange ticks. I should contact the ALSA list about this, but on the other hand, this device is a horrible piece of overpriced plastic crap with lousy connectors, that I would not recommend to anyone even with smaller buffer-sizes... Results: About the recorded (jack loopback) ardour-click: Strangly enough, the first click occurs before time=0. Looking at the second click, which should be at 0.5 sec = 22050 frames, we can see how much the clicks are ahead of time: - jack@2x2048: click at 20002 frames; offset = -2048 frames - jack@2x4096: click at 17954 frames; offset = -4096 frames Indeed: exactly 1 buffer. Strange, isn't it? More complicated is the recorded MIDI click. These occur even BEFORE the recorded jack clicks. Now, I am not 100% certain if maybe we set the delay of the MIDI track in Rosegarden (I don't have access to the machine right now, but I will tell you as soon as I do), but I don't think so, and even so, the results are strange. - jack@2x2048: click at 18450 frames; offset = -3600 frames - jack@2x4096: click at 14100 frames; offset = -7950 frames I don't see the relation between those numbers... Versions used: Hardware * Emagic EMI 2|6 * USB Midi-Sport 2x2 (in a Steinberg box) * Acer Travelmate 800 Sofware * Kernel 2.4.26 - patches: Preemptive 2.4.26-pre5-1, RTC 2.4.25, 2.4.25-low-latency * Alsa 1.0.5a * Jack 0.98.1 * Ardour 0.9 Beta 17.1 (Ardour/gtk 0.520.9, libardour 0.820.1) * Rosegarden4 0.98 Maarten

21 years, 1 month

Re: [linux-audio-dev] Re: [announce] [patch] Voluntary Kernel Preemption Patch

by Patrick Shirkey

Lee revel wrote: >> Note that this info because available because someone set >> /proc/asound/*/*/xrun_debug. We need more people doing that. >> - >This goes back to the need for ALSA documentation. Someone needs to >write some. This will probably require paying that person. Hopefully >SuSe is working on this, though I suspect I would have heard something. Nope. It requires someone letting people like me know about it. I will add the info to somewhere accesble and obvious RSN. -- Patrick Shirkey - Boost Hardware Ltd. Http://www.boosthardware.com Http://www.djcj.org/LAU/guide/ - The Linux Audio Users guide Http://www.djcj.org/gigs/ - Gigs guide Korea Http://www.nana7.net - Bar Nana - Itaewon, Seoul, Sth Corea ======================================== Apparently upon the beginning of the barrage, the donkey broke discipline and panicked, toppling the cart. At that point, the rockets disconnected from the timer, leaving them strewn around the street. Tethered to the now toppled cart, the donkey was unable to escape before the arrival of U.S. troops. United Press International Rockets on donkeys hit major Baghdad sites By P. MITCHELL PROTHERO Published 11/21/2003 11:13 AM

21 years, 1 month

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Linux-audio-dev July 2004