Linux-audio-dev

linux-audio-dev@lists.linuxaudio.org

4 participants
7538 discussions

by Taybin Rutkin

Sorry, I meant GObject. http://developer.gnome.org/doc/API/2.0/gobject/gobject-Signals.html Taybin -----Original Message----- From: Juhana Sadeharju <kouhia(a)nic.funet.fi> Sent: Mar 29, 2005 11:38 AM To: linux-audio-dev(a)music.columbia.edu Subject: [linux-audio-dev] Re: OSC-Question >From: Jan Depner <eviltwin69(a)cableone.net> > >> >No, imho one of the main advantages is Qt's Signal/Slot mechanism > >> sigc++ How to implement signal/slot mechanism in simplest terms with C? In my opinion, sometimes it is unnecessary to link to a massive code libraries if only one feature is needed. AlsaModularSynth uses Qt's signals and slots in audio processing, and thus requires the whole Qt and mixes GUI toolkit to audio side. It could be wise to use sigc++ or minimal S/S code in audio processing and Qt only in GUI. But because Qt comes with every Linux distribution, maybe bad dependencies can be allowed. Juhana -- http://music.columbia.edu/mailman/listinfo/linux-graphics-dev for developers of open source graphics software

20 years, 11 months

Re: [linux-audio-dev] Re: OSC-Question

by Taybin Rutkin

How to implement signal/slot in C? I'd look at glib-2. I think their event mechanism might come close. Taybin -----Original Message----- From: Juhana Sadeharju <kouhia(a)nic.funet.fi> Sent: Mar 29, 2005 11:38 AM To: linux-audio-dev(a)music.columbia.edu Subject: [linux-audio-dev] Re: OSC-Question >From: Jan Depner <eviltwin69(a)cableone.net> > >> >No, imho one of the main advantages is Qt's Signal/Slot mechanism > >> sigc++ How to implement signal/slot mechanism in simplest terms with C? In my opinion, sometimes it is unnecessary to link to a massive code libraries if only one feature is needed. AlsaModularSynth uses Qt's signals and slots in audio processing, and thus requires the whole Qt and mixes GUI toolkit to audio side. It could be wise to use sigc++ or minimal S/S code in audio processing and Qt only in GUI. But because Qt comes with every Linux distribution, maybe bad dependencies can be allowed. Juhana -- http://music.columbia.edu/mailman/listinfo/linux-graphics-dev for developers of open source graphics software

20 years, 11 months

[linux-audio-dev] Re: [OSC_dev] [PATCH] liblo & pattern matching callback

by Steve Harris

On Sun, Mar 27, 2005 at 09:39:31AM -0800, Matt Wright wrote: > When we wrote that part of the OSC Spec, we were thinking > of the case in which an OSC Method doesn't need to know > the address through which it was invoked, i.e., "usual" > cases like setting a parameter. That's why the spec > doesn't mention sending either the expanded or unexpanded > OSC address to a handler --- sorry about that. > > Why not simply always send both? That seems more general > and easier to understand than a special case, at least for > me. Well, that would require changing the API, which is a Bad Thing, and there is a user_data parameter than can encode that kind of contextual information when its needed. Also, the method callback functions are too complicated allready :) - Steve

20 years, 11 months

[linux-audio-dev] Looking for simple and good multichannel audio soluution.

by Hans Davidson

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20 years, 11 months

[linux-audio-dev] Fwd: Open instruments mailing list

by Christian Henz

(Forwarding to LAD) cheers, Christian -------------------------------------- I've created a mailing list for the discussion of defining an open instrument standard. So far the agreement seems to be to create an XML standard which references external audio files. The use of FLAC has also been mentioned. All who are interested may join at the following link: http://resonance.org/mailman/listinfo/open-instruments The address to post is: open-instruments at resonance.org Archives: http://resonance.org/pipermail/open-instruments/ If you feel another email list should be notified, please send this information on. Perhaps CC the new list so that others may check which lists have already been notified (check the archives). At this point I have sent this to: swami-devel linuxsampler-devel fluid-dev (FluidSynth devel list) Best regards, Josh Green

20 years, 11 months

[linux-audio-dev] Fakiir 0.4 - an RPC code generator

by jaromil

-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 re all, i'm writing a software that can read a C++ header and generate code to expose the public functions in classes found: the generated code can be compiled together in the original app, which should also link to a library, then with 4 new lines OSC and XMLRPC servers will be active accepting remote calls to the functions. in fakiir, i make use of liblo-0.18 also published on this list. the software it's in a early phase of development, but since today is able to accept concurrent OSC and XMLRPC calls in the testclass.cpp application that is bundled with the source. http://fakiir.dyne.org i'm happy to hear comments, suggestions or any criticism that comes ciao - -- jaromil, dyne.org rasta coder, http://rastasoft.org -----BEGIN PGP SIGNATURE----- Version: GnuPG v1.2.4 (GNU/Linux) Comment: Cryptographically signed mail, see http://gnupg.org iD8DBQFCQvU3WLCC1ltubZcRAsP3AJwKkEKeXc4GrWoyTXOqkPUuStKLHwCfReBE NN7TpeyfrNxTIC7dNNN4BPE= =uqyK -----END PGP SIGNATURE-----

20 years, 11 months

[linux-audio-dev] Jack and sample rate conversion : realtime or not ?

by Olivier Guilyardi

Hi, If playing a sound file that has a different framerate from Jack, using libsamplerate, should I : - convert in real time, in the process callback ? - convert the whole file into memory when loading it ? Actually, I've already coded the second option, but just discovered the jack_set_samplerate_callback() method, which seems to require the first option... Is it important to support framerate changes while rolling ? -- og

20 years, 11 months

[linux-audio-dev] Re: jack-udp

by Jordan

Thanks for the replies everyone! :) I was afraid that the computers would not be able to handle more than 8 channels of recording which is why I was limiting them that way. How many channels can one computer handle? What kind of specs (ie: processor/RAM) would that computer need? What interfaces can handle more than 8 analog mics? I would need to record about 32 mic inputs. Also, the OpenMosix would be disabled while recording, and would only be active when in a non-recording mode. Also, this network would be an island. The gigabit ethernet switch would be dedicated to just the audio stuff. -jordan

20 years, 11 months

[linux-audio-dev] Jack-udp

by Jordan

Hello all. I don't really have any business asking, but I am more and more interested in digital HD recording, and I have spent many hours recently studying hardware, software, techniques, et cetera. I don't really have the funds to create such a system, but it is fun to plan it out, in case my church or someone else would be interested in such a system in the future. The recent discussion of jack over networks has gotten me wondering a few things. Here is my current fantasy rack setup: 1U: UPS 1U: KVM 2U: RAID 2U: Master/DAW 1U: Slave Recorder/Node 1U: Slave Recorder/Node 1U: Slave Recorder/Node 1U: Slave Recorder/Node 1U: Gigabit ethernet switch (all computers connected through it) Basically, all slaves would boot off of the RAID server (for easier maintenance) into a cut-down Linux kernel, and will boot into text-only mode, starting only the programs absolutely required to run Ecasound. The slave node would begin recording when the master tells it to, and all audio data would be sent to the RAID server. I am thinking that each slave would be able to handle 8 channels of mono input. All nodes would be equipped with the OpenMosix software, so that they can assist the Master when they are not busy. The master would boot into GUI mode, so that the operator wouldn't be intimidated by learning Linux command line. The master would be able to see the status of all slaves, and what each channel is doing. The master would able to assign friendly names to each of the input channels (ie: vocal 1, vocal 2, drums 1, bass, etc.). When the operator checks a box at each channel, to indicate whether it should record or not (no point in recording if nothing is plugged into it). The operator can also enter a friendly name for the project. When the operator issues forth the "BEGIN RECORDING!!!!" command, a directory is created on the server, and all nodes begin recording. The all data is sent directly to the server, then opened on the DAW from there. The DAW operator would be able to record a live mix into a JACK-capable recorder, such a ReZound, then burn it to CD. The operator would also be able to back-up the project (ie: all of the raw audio) to a data DVD. So, I guess the question is, would this work? -jordan

20 years, 11 months

[linux-audio-dev] jack.udp issues

by Antonio "Willy" Malara

jack.udp for me means many underrun in this configuration: x86 pc jackd -d alsa -d hw:0 jack.udp recv ^ | (FastEthernet network (100mbps)) | | powerpc pc jackd -d dummy jack.udp -r IP send the first thing that came in my mind was some network troubles like mtu.. further investigation (like involving two x86 hosts, or working directly without the switch, working with 802.11b networks...) made me think that jack.udp uses the audiocard driver for some kind of timing. now, i've some troubles running an audiocard with jack in the powerpc (my main computer) there is a way to make this system usable with dummy driver? i've noticed that this dummy driver has a "delay in microsecs" parameter, now i think if i can calculate the right number the problem will fade away, but i dont know how to do the math :( some one has an idea on this? or has solved a similar trouble? another question out of this trouble: someone knows how to raise the IRQ priority of the USB controller to an usable value? possibly not involving the use of the realtime patch, inusable on ppc-powermac, thanks for attention and eventual replies, and keep the good work on this audio software :) willy

20 years, 11 months

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Linux-audio-dev