4 Nov
2010
4 Nov
'10
5:05 p.m.
If you were at LAC in Parma, you'd have heard a 3-part strictly
invertible counterpoint fugue I wrote, used as
an example for some distortion synthesis instruments. Just a bit of fun.
Victor
On 4 Nov 2010, at 15:48, Jörn Nettingsmeier wrote:
On 11/04/2010 01:18 PM, Victor Lazzarini wrote:
Not to mention Jazz musicians, arrangers,
Debussy, Ravel,
Stravinsky...
Sounds like a teutonic idea of Musik (sorry Joern...), rather than
anything else.
of course it is. in strict counterpoint, parallel perfect consonances
are streng verboten, on account of being unsanglich and straight out
hässlich.
and where would we be today if such eternal truths were open to
dispute?
oh, erm, wait, you mean people actually do that stuff these days?
(three muses exeunt, mumbling something about tempora and mores...)