On April 28, 2010 06:05:22 pm Tim E. Real wrote:
On April 28, 2010 08:37:14 am Renato wrote:
On Wed, 28 Apr 2010 12:17:51 +0400
Louigi Verona <louigi.verona(a)gmail.com> wrote:
Hey guys!
Read it here:
http://www.louigiverona.ru/?page=projects&s=writings&t=linux&a=…
ec tronic
Any comments are welcome.
Cheers!
L.V.
Just two comments:
1) yes, rakarrack *does* rock - incredible sounds you can get from that
creature (for anyone interested, git version has many more goodies
than last release)
I agree. Louigi seems to be as excited about it as I was when I found it.
A rack effects that 'just works' and looks nice.
Take it from a demanding axe player - it's good.
Distortion/overdrive defines our sound, and rakarrack shines here
with many types of drive to suit everyone.
Just a request: Would be awesome as a DSSI plugin so that we
don't have to use rakarrack in a 'send and return' loop within our apps,
which causes latency due to the round trip...
Tim.
Just a follow-up about plugins:
Wow, man! I just spent an hour playing with
Guitarix Distortion (ladspa plugin) +
caps C* Amp VTS (ladspa amp sim plugin)
in MusE's plugin rack.
Gotta tell ya, by the end of the session I had the
sweetest, most pleasant sounding, longest
yet cleanest sustain, from just two ladspa plugins.
Strumming, appegios, pick sweeps, chunka chunka power chords,
long sustain, esp with hammer-ons...
I don't know what it was about the combination
but I can't wait to try tomorrow (it's late).
Am I correct in what I thought I heard?
2nd order harmonic 'style' all the way through the chain?
I know C* amp is tube and I think Guitarix is as well, am I correct?
It seemed to help with the picking.
I saw some other quite capable looking tube preamp ladspa plugins
as well, can't wait to try them with the C* amp series, which I never
realized was so good !
I suppose I've always been looking for a monolithic solution.
Been disappointed by one single plugin. Sort of give up looking, you know?
But two really is better than one.
I learned that from studying pedal schematics, I had built simple
two-diode fuzz boxes and began to wonder how they get that 'metal' or
'crunch' sound. So I knew that more than one 'diode stage' was required,
but never tried it with ladspa plugins till now. I had also learned a key
difference between fuzz and other types - asymmetrical clipping.
Rakarrack made it easy to experiment, with its two independent drive stages.
Once I tried Rakarrack, I was finally able to retire my analog FX box
(Boss SE70) from its send-and-return (insert) loop in MusE.
Ramble ramble...
Cheers. Tim.
2) If you want to have more and more precise
control on your effects
(like the 3/16 delay you mentioned) you really should look into pd or
supercollider. Don't fool yourself saying "I am no coder". You can
learn, at various degrees. And while it may be more difficult to learn
than playing with a gui, the time investment will be rewarded. If
your focus is on electronic music, you really should learn to use (at
least to some degree) the more advanced tools: on a computer, these are
things like pd and sc.
If you're italian (which your name strongly suggests ;) ) there's an
excellent supercollider book by Andrea Valle (in italian) on this page:
http://www.fonurgia.unito.it/andrea/wikka.php?wakka=SuperCollider
cheers
Renato
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