Re: [LAD] Kobo II: Another song WIP

Hello! Thanks! I'm basically thinking chiptune sound and methods - but I'm using 50-150 voices rather than the usual 3-8 or so. Sort of like what the old grand masters of game music might have done if the C64 had had 16 SID chips instead of one. :-) It's an interesting exercise, trying to create a "full" sound (also including sound effects for the game) using only the built-in waveforms and noise. Sticking with that might make for an interesting item in the Tech Trivia section about the game as well. :-D I was planning on adding a resonant filter early on, but I have yet to come to the point of actually needing it...! Being able to actually script your own waveforms (ie switching waveforms and modulating oscillator parameters at different points during each period), covers a whole lot of things that would normally require specific features in the synth engine. Sure, one could always phatten things up with a 24 dB resonant LPF - but then again, that would just sound like all the other five billion virtual analog synths out there...! ;-) I'll get to samples, filters, effects and all that eventually, but I'm actually more interested in running ChipSound programs off-line to render complex waveforms that are then played by other programs in real time. For example, for the strings/pad sounds, I use a dozen or two "nervously" modulated saw waves. Imagine using a dozen voices, each one playing a pre- rendered loop of saw banks like that. I was planning on using IFFT synthesis for that kind of sounds (like strings that actually sound real), but I don't really see much need for that now... As to the control, that's pretty much defined by how you implement your sounds. The single-argument "Velocity" and "Pitch" entry points are just a convenient "standard" I've been using so far. As of now ("arbitrary" implementation limits, to keep things simple, small and fast), you can have up to 8 entry points (0 being the main program launched when starting a new voice), and each entry point can take up to 8 arguments. What these entry points do is entirely defined by the code; nothing hardwired there. Think of ChipSound as a huge pile of sound chips, each with an MCU running user defined code, but without the noise, artifacts and timing issues. :-) Anyway, thanks for your response! Hopefully, I'll get around to update the documentation and release that thing soon - but now, time to get that game out the door and see what happens! :-) Regards, //David On Sunday 06 November 2011, at 20.40.22, Julien Claassen <julien(a)mail.upb.de> wrote: -- //David Olofson - Consultant, Developer, Artist, Open Source Advocate .--- Games, examples, libraries, scripting, sound, music, graphics ---. | http://consulting.olofson.net http://olofsonarcade.com | '---------------------------------------------------------------------'