21 Aug
2014
21 Aug
'14
6:02 p.m.
On Thu, 21 Aug 2014, John Rigg wrote:
On Thu, Aug 21, 2014 at 12:39:05PM +0200, Ralf Mardorf
wrote:
Not having anyting other than level certainly ecourages one to record the
right sound. It has with me.
IMO each channel by default
should provide your (Fons') parametric EQ and post fader aux sends.
Those who usually try to record the right sound in the first place might find
this a nuisance. Unfortunately one size doesn't fit all. The '70s Neve mentioned earlier would likely have
used Penny & Giles faders
with a roughly logarithmic taper (no VCAs). Since this type of fader is made
Ok, I have to ask this somewhere, it may as well be here :) Which log? I
would think .5 db for the same amount of movement the entire fader length
would be logarithmic (log 10). A linear fader would be +6 at top, 0 in the
middle and infinite at the bottom (assuming a 0 to 2 range as Ardour
uses). The standard fader seems to be half way in the middle...
logarithmic with a linear component. It is easy to see why we do not use
linear, and a log 10 would never get to ininity, it would need a special
step at -100 or so to jump there. In fact a log pot would have to have an
extra resistor at the bottom to keep it from ever turning completely off.
The audio taper seems to be made to give good mixing resolution in the
mixing range while still fading to 0 during a fade.
--
Len Ovens
www.ovenwerks.net