On Friday 20 February 2004 21.27, Paul Winkler wrote:
Think of the variables introduced by common
picking techniques:
at the least you have to consider stiffness of plectrum (or
finger), force of pluck, and distance from bridge.
How about *recording* it instead of trying to emulate it? That is,
separate the excitation impulses from the string resonance, ...
Interesting. How the heck do you record that?
--
Paul Winkler