Hi,
I haven't followed this thread all the way through, but it looks like
you're all having an interesting time on an interesting subject.
I record mostly through a Pod Pro these days. I've set up a number of my
own amp models. Having used the device for about a year, I'll point out that
(for me anyway) the most interesting changes come from changing the speaker
box part of the equation. A Hi-Watt sounds very different through a closed
single 10" speaker vs. a 4x12 box.
If the scope traces are from a microphone you on the right track. If
they're not, well then you're probably modeling only part of the system.
Mark
-----Original Message-----
From: linux-audio-dev-admin(a)music.columbia.edu
[mailto:linux-audio-dev-admin@music.columbia.edu]On Behalf Of Paul
Winkler
Sent: Thursday, October 24, 2002 8:24 AM
To: linux-audio-dev(a)music.columbia.edu
Cc: Paul Winkler
Subject: Re: [linux-audio-dev] [ann] unmatched - a LADSPA amp tone
On Thu, Oct 24, 2002 at 08:41:36AM +0100, Steve Harris wrote:
Looking at the scope traces from that guys site (which
I will read later
today), there is some fairly serious HP filtering going on sometime after
one of the amp stages.
Output transformer? Certainly they don't have infinite response...
It's not clear to me where and how those scope shots were taken.
--
Paul Winkler
http://www.slinkp.com
"Welcome to Muppet Labs, where the future is made - today!"