19 Mar
2010
19 Mar
'10
4:17 p.m.
On March 19, 2010 07:53:23 am Ralf Mardorf wrote:
I do not really understand what the problem is with
using MIDI control
change for mixers. The resolution? For 2 data bytes there are 127 * 127
= 16129 steps. The number of channels? It's unlimited when using as much
IOs as needed. IMO there already is a standard for all apps, it's called
MIDI.
IMO automation is overrated, it's useful, but OTOH how often is it
needed to change settings during an opus? Most times a mix, selected
synth etc. are fixed from the start to the end of an opus. For example,
normally a musician plays an instrument dynamically by the touch or by
using a volume pedal. Dynamic for the loudness seldom is done by a fader
after the recording is done.
I disagree.
Automation, especially audio automation, is extremely important.
Some examples:
When recording real musicians playing real instruments, you don't just
record one take, you record several takes, then pick the best one and
use the others to patch up the odd mistakes within the best take.
Without automation, it is impossible to do this.
It is easy to say "just cut and paste the corrected takes into the best take",
but this is not good because you cannot just place the tail end of one
wave up against the beginning of another wave - you will get a 'pop'.
(Advanced apps might do the joining for you, with averaging or filtering).
With audio automation, you do a quick, but not sudden, fade out of the
best take at the correction point, and simultaneously do a quick,
but not sudden, fade in of the corrected take. Then you do the reverse
when the end of the corrected take arrives.
This makes the transitions sound smoother.
If the editing is done on the waves themselves, that's destructive
and when your session ends, well, you're stuck with those waves.
(Non-daw claims to have unlimited 'go-back', but I've not tested this).
You also want to be able to correct a track with a portion which is just
a bit too quiet or a bit too loud, without editing the waves themselves.
I would say not altering the original waves is most important, to me.
Apart from that, even simple song fade-outs are impossible without
automation, unless you like to do everything by hand, 'live' as the
song is playing.
There are many cases where automation is required even in the simplest
of songs. If none of the linux mid/audio apps had automation, I would
certainly have given up! I would not have been able to produce
my songs without it.
Tim.