18 Oct
2006
18 Oct
'06
6:50 a.m.
John Rigg wrote:
Soft clipping always sounds better than hard clipping,
and there are
analog compressors that behave like this. Unfortunately even a soft
clipper generates significant harmonic distortion, largely 3rd and 5th.
But this should only be happening on transients and the clipping
should stop as soon as the attack portion of the compression
process kicks in.
Most instruments with fast transients usually *already* have a high
levels of higher harmonics (and inharmonics) that die away far more
quickly than the lower harmonics.
The 3rd harmonic alone potentially increases the
signal bandwidth by
three times
Ok, lets say we're sampling at 44.1kHz, which makes the highest
3rd harmonic we can represent is 22.0/3 kHz which is about 7kHz.
Do you really listen to many instruments where the fundamental
is at 7kHz?????
and aliasing will occur if the sample frequency
isn't
high enough to accommodate all harmonics
These higher harmonics will be transitory. As soon as the attack
portion of the compressor's action is over they're gone. In
addition, any aliasing that does occur will be almost indistinguishable
from the inharmonics frequencies already in transient part of the
sound.
I say again, nearly all instruments with very fast transients have
a high number of inharmonics frequencuies that die off almost
immediately. For instance, think of instruments like acoustic guitars
and pianos.
Its very easy to get carried away with trying to reach some sort
of audio perfection. Things like upsampling in order to apply
compression is over-engineering.
Erik
--
+-----------------------------------------------------------+
Erik de Castro Lopo
+-----------------------------------------------------------+
"Attacks by Microsoft Chairman Bill Gates on the GNU General
Public License, under which much open source and free software is
distributed, have been driven by a fear that the GPL creates a
domain of software that Microsoft cannot privatize and control"
-- Richard Stallman