On Thu, Aug 21, 2014 at 12:39:05PM +0200, Ralf Mardorf wrote:
IMO each channel by default
should provide your (Fons') parametric EQ and post fader aux sends.
Those who usually try to record the right sound in the first place might find
this a nuisance. Unfortunately one size doesn't fit all.
If
people start mixer automation for the fist time, a notification should
pop up and mention, that:
> Fades are rare in music mixing
Some might find that patronising. I personally mix a lot of recordings with
fade outs, even if it's just to fade the end of the last note or a long reverb
tail.
Regarding fader mappings, faders on analogue mixers vary a lot in their
characteristics. Control panel markings are rarely accurate and don't
necessarily provide a reliable basis for software emulation (unlike actual
measurements).
The '70s Neve mentioned earlier would likely have used Penny & Giles faders
with a roughly logarithmic taper (no VCAs). Since this type of fader is made
by varying the characteristics of the resistive track along its length it's
very tricky to achieve consistency. A "logarithmic" fader is unlikely to match
one from a different manufacturer, which makes replacement difficult if the
original type is obsolete - often all the channel faders need to be replaced
at once if this is the case.
One thing most analogue faders do have is better resolution than a 128 step
midi controller, so slow fades without audible steps are easier to achieve.
John