Linux-audio-dev May 2003

linux-audio-dev@lists.linuxaudio.org

71 participants
56 discussions

[linux-audio-dev] Jack Audio Connection Kit version 0.71.2

by Taybin

Updated README with tip for better performance. Removed fltk example client from package. This should fix any problems with building the fltk client. Taybin Rutkin

20 years, 11 months

[linux-audio-dev] Kylix bummer

by nickt

after all that getting everyone worked up about it, it doesn't work for me. It doesn't support Red Hat 8.0. After a huge amount of hacking I got it to run and compile, but it won't link anything. Delphi runs fine, but Pascal sucks, and I am not using it. So I will go with the Linux spirit and work with Qt/Designer. It looks really smartly done and I'm sure I can get the hang of it in a while. I know that GNOME started because Qt used to have a proprietary license right? I don't really care which desktop (Red Hat all looks the same anyways) I use but GTK was the most awkward GUI toolkit I ever used. FLTK is really pretty good and I hope 2.0 will address some issues with it (like more tutorials on doing graphics/drawing with it). Oh well! Adios kylix.

20 years, 11 months

Re: [linux-audio-dev] ladspxmlgui needs numeric input controllers

by peschler＠t-online.de

>I've looked, but can't find anything about ladspaxmlgui.dtd ... can > someone give me a URL or something which points to this DTD? I got this from http://www.ladspa.org at the bottom of the page. Or directly try: http://www.ladspa.org/ladspaxmlgui.dtd -- "Without music, life would _O_/ \_O_/ +----------------------+ be a mistake - I would / )) [] | Peter Eschler | only believe in a god who \\ // | peschler(a)t-online.de | knew how to dance." (Nietzsche) // \\ +----------------------+

20 years, 11 months

[linux-audio-dev] ladspxmlgui needs numeric input controllers

by peschler＠t-online.de

Hi, i'm new to this list but tried to catch up by reading the archives. I'm currently playing around with a gui-backend based on Qt which uses the proposed ladspaxmlgui.dtd. If have some questions concerning the controller element. <!ELEMENT controller (graphics-context?)> <!ATTLIST controller port CDATA #REQUIRED label CDATA #IMPLIED label-position (top | bottom | left | right | upper-left | upper-right | lower-left | lower-right) "top" type (knob | hslider | vslider | spinner | image) "knob" image-regexp CDATA #IMPLIED > First, what is the label intended to contain ? - the port name - user definable text - the port value Second, imagine a normal slider or knob in an everyday plugin. Surely it is fine to use the slider/knob to go wild changing the value interactively. But what if i want to specify a value precisely . Fiddling around with my mouse until i managed to set the desired value ? What if, even worse, the gui doesn't snap to my value according to pixel inaccuracy. IMHO the solution to this problem is a numeric input for LADSPA_Data values, that could be placed above/below/... the slider to display and edit the value. In fact the input could be placed everywhere in the gui, theres no actual connection between them apart from the numeric input being attached to the same port as the slider is. Is this possible (dont see why it shouldn't) ? The numeric input might be usable not only in combination with a slider, but also as a standalone controller. Thus i propose an additional control element of type "numinput". One problem arising from the slider example (and not when used standalone) is : If used in the way described above (slider + numinput below) we have a label for both controls. What to do with these two ? According to the documentation in the dtd, the label "should always be supplied for user-convenience". The solution in this case might be to add the attribute "none" to the label-position attribute list. According to the comments in the dtd this is one of the rare situation one of the labels is optional. To put this altogether my controller element section would look like this: <!ELEMENT controller (graphics-context?)> <!ATTLIST controller port CDATA #REQUIRED label CDATA #IMPLIED label-position (none | top | bottom | left | right | upper-left | upper-right | lower-left | lower-right) "top" type (knob | hslider | vslider | spinner | image | numinput ) "knob" image-regexp CDATA #IMPLIED > There might arise questions about display precision for float values, but i would leave this up to the gui element itself. In my Qt implementation i adopt the number of decimal places according to the value displayed. The larger the absolute value the lesser decimal places ( e.g.: 1.214, -10.23, 935.3, 16003 ); Comments are welcome. //Peter -- "Without music, life would _O_/ \_O_/ +----------------------+ be a mistake - I would / )) [] | Peter Eschler | only believe in a god who \\ // | peschler(a)t-online.de | knew how to dance." (Nietzsche) // \\ +----------------------+

20 years, 11 months

[linux-audio-dev] MVC References?

by David Arney

I've found a large number of references to MVC with google and citeseer, but I wonder if someone could point out the classic or canonical papers on this system? It would save a lot of reading about smalltalk. thanks! Dave Arney

20 years, 11 months

[linux-audio-dev] (Sydney) Music/ Audio group meeting (fwd)

by Conrad Parker

hey, for anyone in Sydney, Australia, we're starting up a monthly Linux Audio and music SIG, with the first meeting this saturday ... this is a special interest group of the Sydney Linux Users Group, hosted by the Department of Contemporary Music Studies at Macquarie University. It's being organised by Denis Crowdy of that department. I'll demo some JACK stuff because it rocks, and we can all make some noise. Erik of Secret Rabbit Code (libsamplerate, oh and libsndfile) will be there, as will Steve K of the Debian ALSA Psychos. It's free, bring your gear, hubs, speakers, mics and headphones, and let's crank it up cos there's no neighbours for a mile around :) details at http://www.slug.org.au/, announcement copied below! Conrad. ----- Forwarded message from Denis Crowdy <dcrowdy(a)pip.hmn.mq.edu.au> ----- From: Denis Crowdy <dcrowdy(a)pip.hmn.mq.edu.au> To: announce(a)slug.org.au Date: Thu, 8 May 2003 18:45:07 +1000 Subject: [SLUG-ANNOUNCE] Music/ Audio group meeting First Meeting of SLAG (Slug Linux Audio/ music Group) (or the more rhythmic SLUGAMuSIG - best said in three I reckon). When: Saturday, May 17; 10am onwards Where: Macquarie University, Department of Contemporary Music Studies, building W6A, room 607 As discussed briefly at the last SLUG monthly meeting, a place and time has been organised for people interested in music and audio with Linux. The plan: 10am - Arrive and set up machines for those bringing computers in. Coffee, getting organised. 11am - Conrad Parker will present a demonstration of Jack (http://jackit.sourceforge.net/) - an audio connection kit, and associated apps. Lunch (bring with you, or bring money...); options include The Ranch (pub) and Macquarie Centre. After lunch - general discussion, assistance with installation (ALSA, for example), audio and the 2.5 kernel, demos, playing, making music and so on. A relevant map of Macquarie is at http://www.ccms.mq.edu.au/crowdy/macmap.html. The best way to get to the Music Department (on the 6th floor of building W6A) is from the Balaclava Rd entrance (opposite Woolies from Epping Rd). The closest parking is "W4", and costs $6.00 for the day. For people arriving at various times through the day, the front door might be locked, but we'll keep an eye out, or call me on 0408 478 802. Denis Crowdy -- Department of Contemporary Music Studies Macquarie University NSW 2109 Australia, ph: +61 (0)2 9850 6787, fax: 9850 6593 http://www.ccms.mq.edu.au -- SLUG - Sydney Linux User Group Announcements List - http://slug.org.au More info: http://lists.slug.org.au/listinfo/announce ----- End forwarded message -----

20 years, 11 months

[linux-audio-dev] Kylix

by nickt

What does the Open source community think of Kylix? I am thinking of using it for my projects. I have experience with Borland C++ Builder and I would be able to do much better looking work with it. So far I think the GUI kits on Linux are a bit primitive compared to what I was using on Windows. I could do cool stuff with Kylix very easily. I think Borland C++ Builder was the best development tool ever made for Rapid development work. And since I am a Rapid kind of guy it suited my way of doing things perfectly. FLTK and GTK are not rapid tools, sorry, they just aren't, they are very clumsy for doing rapid prototyping with (but FLTK is better than GTK at this). The only downside is people would need Kylix to compile my programs. It's a huge download and not everyone has cable modems. I am most likely going to take the plunge and head to it. I think Kylix is the best thing to come to Linux yet. I just don't see anyone using it right now. I am not sure why. I have got it and I am going to set it up and see what goes on. It said the open version can be used to make GPL programs with it.

20 years, 11 months

Re: [linux-audio-dev] Re: [Jackit-devel] Re: [linux-audio-user] JACK 0.71.1 released

by Taybin Rutkin

Sorry. I thought the fltk-config patch was from you. Taybin -------Original Message------- From: Jack O'Quin <joq(a)io.com> Sent: 05/10/03 06:38 PM To: Taybin <taybin(a)earthlink.net> Subject: [linux-audio-dev] Re: [Jackit-devel] Re: [linux-audio-user] JACK 0.71.1 released > > Taybin <taybin(a)earthlink.net> writes: > Grr. Looks like the fltk patch doesn't work as well as it should. > > Jack? Yep. It's broken for me, too (see earlier post). -- Jack O'Quin Austin, Texas, USA >

20 years, 11 months

[linux-audio-dev] JACK 0.71.1 released

by Taybin

JACK 0.71.1 JACK is a low-latency audio server, written primarily for the GNU/Linux operating system. It can connect a number of different applications to an audio device, as well as allowing them to share audio between themselves. Its clients can run in their own processes (ie. as normal applications), or can they can run within the JACK server (ie. as a "plugin"). JACK is different from other audio server efforts in that it has been designed from the ground up to be suitable for professional audio work. This means that it focuses on two key areas: synchronous execution of all clients, and low latency operation. **CHANGES** * fltk macros/detection from bob ham * tmpdir configure-time patch from jesse chappell * socket error handling change (with additional graph sort!) from stephane letz * xrun init patch from gunter geiger Taybin Rutkin

20 years, 11 months

[linux-audio-dev] Fwd: The New Csound LGPL License - At Last Free...

by Kevin Conder

Here's some exciting news... Csound is now Open Source! ---------- Forwarded message ---------- Date: Sat, 10 May 2003 02:42:51 -0400 From: "Dr. Richard Boulanger" <csound(a)attbi.com> To: "Dr. Richard Boulanger" <rboulanger(a)berklee.edu> Subject: The New Csound LGPL License - At Last Free... Dear Students, Colleagues, Friends, On May 1, 2003 - the Licensing Office of MIT authorized me to notify you that they and Barry Vercoe had decided to change the Csound License and make it "Open Source under the GNU-LGPL." Below is a note that Barry Vercoe asked me to forward you regarding this incredibly wonderful decision. After his note, I have included the email message that I sent to the Csound List accounting the details of the meetings and emails that led to this event. Lastly, I have included the LGPL and FDL licenses so that any and all of you who use Csound and make music with Csound can now understand and appreciate all of your new freedoms! ===== Dear all Each time I have developed a major system for Musical Sound Synthesis I have tried to make the sources freely available to the musical community. With MUSIC 360 in 1968 that meant running to the Post Office every day to mail off a bulky 300 ft reel of 9-track digital tape, but I really did enjoy the many hundreds of pieces this caused during the late 60's and 70's. With my MUSIC -11 for the ubiquitous and less costly PDP-11, I chose to pass the maintenance and distribution task off to a third party. This was easier on me, and led to even more pieces in the community during the late 70's and early 80's. At the time I wrote Csound in 1985 the net had now made it possible for would-be users to simply copy the sources from my MIT site, so I put my time into writing a Makefile that would compile those sources along with the sound analysis programs and the Scot and Cscore utilities. And though this was initially Unix, I worked with others to port it to Apple machines as well. After I was awarded an NSF grant in 1986, it became necessary to add a copyright and permission paragraph to the sources and the accompanying Manual. The spirit of my contribution however remained unchanged, that I wished all who would use it, extend it, and do creative things with it be given ready access with minimal hassle. Today the original wording of the permission no longer conveys that spirit, and the dozens of developers to whom I paid tribute in my Foreword to Rick Boulanger's The Csound Book have felt it a deterrent to making the best extensions they can. So with the graceful consent of MIT's Technology Licensing Office, I am declaring my part of Public Csound to be Open Source, as defined by the LGPL standard. This does not compromise the work of others, nor does it make the whole of Public Csound into Free Software. But it does create a more realistic basis upon which others can build their own brand of Csound extensions, in the spirit of my efforts over the years. I am indebted to John ffitch for having protected me from the enormous task of daily maintenance in recent years. His spirit is even greater than mine, and I trust you will continue to accord him that recognition as you go forward. Sincerely, Barry Vercoe ===== -- kwconder at yahoo dot com __________________________________ Do you Yahoo!? The New Yahoo! Search - Faster. Easier. Bingo. http://search.yahoo.com

20 years, 11 months

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

Linux-audio-dev May 2003