Linux-audio-dev

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7538 discussions

[linux-audio-dev] Aeolus and OSC - comments requested

by Alfons Adriaensen

Hello all, I'm planning the OSC-fication of Aeolus, and would like to have some comments / feedback on the current ideas (they could well be braindead, in which case you are kindly requested to say so). The setup I have in mind is as follows: - There will be one UDP server socket. This socket is left unconnected, and will receive OSC commands from any source. These commands give you complete control over most aspects of Aeolus (excluding the stop definition editor which will remain in the local GUI only). They will also include note on/off comnmands, and that leads to my first question: is there any "standard" OSC format for these ? - This interface will provide everything required by sequencers etc. that want to 'play' Aeolus. Clients that want to implement their own user interface will need more: they also require feed- back on the current state (e.g. if a midi messages recalls a program, this should be reflected in the user interface). The way I currently foresee providing for these is to add the commands: /addclient ,s host:port and /remclient ,s host:port Registered clients can request information (e.g. a list of all available stops), and will receive notification of everything that may affect a user interface, again by UDP messages to their port of choice. They will still send all their commands to the unique server port above. Second question: is this a good idea, or would it be better to create a TCP connection for this type of client ? Comments invited !! -- FA

20 years, 9 months

[linux-audio-dev] new seq24 article on-line

by Dave Phillips

Greetings: Linux Journal has published my little article about seq24 : http://www.linuxjournal.com/article/8304 In case anyone's interested... Best, dp

20 years, 9 months

[linux-audio-dev] [ANNOUNCE] Smack 0.1.0 Released

by Lachlan Davison

Hey LADs The first public release of smack is now here. Smack is a drum synth, 100% sample free. In this release there are TR808 bass, snare, hihats, cowbell and clave, TR909 bass and snare, a frequency shifter based snare and some FM hihats. It's built with LADSPA plugins and the Om modular synth. For source and rpms go to http://smack.berlios.de/ Some audio demos are also on the site. Cheers, Loki

20 years, 9 months

[linux-audio-dev] oh, the irony.

by Paul Davis

"Camel Audio has released PhatSpace, a bundle of two multi-effects designed for musicians rather than engineers." now check out the screenshots: http://news.harmony-central.com/Newp/2005/CamelSpace-CamelPhat-30.html --p

20 years, 9 months

[linux-audio-dev] microsleeping

by Tim Blechmann

hi all.. i'm trying to sleep for some very low time slices ... about 100 to 1000 us ... but i can't get below about 1 ms ... are there any workarounds to sleep for very small time slices? i tested nanosleep(), usleep() and select(0, 0, 0, 0, &timout) ... thanks .... tim -- mailto:TimBlechmann@gmx.de ICQ: 96771783 http://www.mokabar.tk latest mp3: kMW.mp3 http://mattin.org/mp3.html latest cd: Goh Lee Kwang & Tim Blechmann: Drone http://www.geocities.com/gohleekwangtimblechmannduo/ After one look at this planet any visitor from outer space would say "I want to see the manager." William S. Burroughs

20 years, 9 months

[linux-audio-dev] Common synthesizer interface -or- microtonal alternative to MIDI?

by Toby

Dear list, I am currently designing a new kind of music sequencer and I need your help in making some crucial decisions. Introduction My project is a sequencer for composing Just Intonation music. Just Intonation is not a new idea in the music landscape, not by a long shot: it has roots in the first studies of music by the ancient Greeks. The GUI I'm designing though will (hopefully) be the first of its kind. My sequencer is going to be just that: a sequencer. It will be hard enough to design an efficient, user-friendly and solid GUI for composing music without a scale (yes, you read it right) so I'm not going to put synthesis modules in the same software package. Not at first, anyway. MIDI Here comes the biggest problem. I cannot use MIDI as a protocol between my sequencer and the syntesizers, because most (if not all) of the notes produced by my software will not lie in the equal tempered scale (the 12 notes per octave everyone knows) nor in any other scale for that matter. Please correct me if I'm wrong: MIDI doesn't allow for microtonal notes. The best next things MIDI has to offer are Custom Scales and Pitch Bend. Custom Scales is not a feature of MIDI, it's more like a reinterpreta- tion of the protocol. It happens when both the sequencer and the synthesizer are still talking of C, C#, D, D#... but the synthesizer renders those notes with custom pitches, coming from a custom scale set by the user. This approach is unsuitable to my project, mainly because there could be more than 12 notes (pitches) in an octave. Pitch Bend is not any better, because (to my knowledge) there is only one pitch bend setting per channel. I could certainly use it to play microtonal notes, but the pitch bend applies simultaneously to ALL notes being played. This limits the applicability of pitch bend to monophonic instruments, or at least to playing one voice per MIDI channel. Alternatives Is there a common protocol with the same scope as MIDI (transferring notes from a sequencer to a synthesizer) but which allows for microtonal notes? I fear not. So I am left with the only option of manually interfacing my sequencer to a select few software syntesizers. I'm designing my project in an extensible way (support for plugins) so that's not so bad as it seems. The problem is that I don't know of any software synthesizer that is: 1. good enough for decent music production; 2. easy to use by non-experts (this is a direct stab at CSound, or better at its lack of a decent GUI, of a standard instrument exchange file format and of a decent, centalized library of presets) 3. free software. A final note: outputting SCO files for use in CSound seems like an obvious solution, but this would greatly limit the usability of my project. This is because (to my knowledge) there is no decent GUI one can use to merge the SCO file coming from a sequencer with a few ORC/SCO file-couples coming from an instrument library, without having to know the CSound language. I don't want to target CSound programmers only. I hope I've managed to explain my problem. Please feel free to dicuss on these matters. Any constructive criticism, any note of mistakes on my part and any practical advice for my project will be appreciated. Toby -- «A computer is a state machine. Threads are for people who can't program state machines.» —Alan Cox

20 years, 9 months

[linux-audio-dev] Sequencer

by Juhana Sadeharju

>From: Thorsten Wilms <t_w_(a)freenet.de> >Subject: Re: [linux-audio-dev] Common synthesizer interface -or- > microtonal alternative to MIDI? > >A sequencer is a device for recording and playback of signals >with the possibility to arrange several recordings. [ ... ] Thinking of differences between "sequencer" and "editor", I would call a sequencer which with one can place events to a timed sequence. The events may cause a MIDI data to be sent or an audio player to be started. Juhana -- http://music.columbia.edu/mailman/listinfo/linux-graphics-dev for developers of open source graphics software

20 years, 9 months

Re: [linux-audio-dev] impulse convolution LADSPA plugin

by Stefan Turner

Hi Steve, thanks for the reply. I will definitely look into using DSSI, looks like it could be good once as supported as LADSPA is (I'd never even heard of it before your post, although that's probably just me). Is it intended as an eventual LADSPA replacement? I never really saw the need to divide plugins into 'instruments' and 'effects', and it seems like DSSI can do both. Stefan Turner > It would be more practical to do it as a DSSI plugin, LADSPA has no way > to > indicate that you want to load files during runtime, and no UI. > > In DSSI you can load the impulse in the "UI" process, perform the FFT > on > it and send it ot hte DSP code with configure(). Once there the DSP > code > can the overlap-add/save on it. > > - Steve ___________________________________________________________ Win a castle for NYE with your mates and Yahoo! Messenger http://uk.messenger.yahoo.com

20 years, 9 months

[linux-audio-dev] Re: ZynAddSubFX 2.2.1 released

by Juhana Sadeharju

>From: Jens M Andreasen <jens.andreasen(a)chello.se> > >Suggestion for running headless: > > if(getenv("DISPLAY")) > isGraphic = TRUE; > else > isGraphic = FALSE; I hope there is a command line option for turning the GUI off. Otherwise I would always get the GUI. Juhana -- http://music.columbia.edu/mailman/listinfo/linux-graphics-dev for developers of open source graphics software

20 years, 9 months

[linux-audio-dev] [ANN] One more delay meter

by Fons Adriaensen

Hi all, The round-trip delay meter mentioned recently on jackit-devel is now available at <http://users.skynet.be/solaris/linuxaudio> The tarball is just 2.6k, so you won't waste much bandwidth :-) Jdelay is a JACK client that measures the delay between its output and input, assuming the channel in between has a linear phase response (i.e. delay is independent of frequency). If you connect it to your soundcard and make a loopback from out to in, it will give you the round-trip latency of your system. Precision is around 1/1000 of a sample if you have a decent sound card. Even in adverse conditions (S/N ratio reduced to 0 dB by adding white noise) it will still measure the delay to within 1/10 of a sample. Enjoy ! -- FA

20 years, 9 months

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