Linux-audio-dev

linux-audio-dev@lists.linuxaudio.org

4 participants
7502 discussions

[ANN] QjackCtl 0.5.8 - A Spring'19 Release

by Rui Nuno Capela

Howdy! ** QjackCtl - JACK Audio Connection Kit Qt GUI Interface [1] ** QjackCtl 0.5.8 (spring'19) is now released! QjackCtl is a(n ageing but still, modernized) Qt [2] application to control the JACK [3] sound server, for the Linux Audio [4] infrastructure. Website: https://qjackctl.sourceforge.io http://qjackctl.sourceforge.net Project page: https://sourceforge.net/projects/qjackctl Downloads: https://sourceforge.net/projects/qjackctl/files - source tarball: https://download.sf.net/qjackctl/qjackctl-0.5.8.tar.gz - source package: https://download.sf.net/qjackctl/qjackctl-0.5.8-37.rncbc.suse.src.rpm - binary package: https://download.sf.net/qjackctl/qjackctl-0.5.8-37.rncbc.suse.x86_64.rpm - AppImage [6] package: https://download.sf.net/qjackctl/qjackctl-0.5.8-10.x86_64.AppImage Git repos: https://git.code.sf.net/p/qjackctl/code https://github.com/rncbc/qjackctl.git https://gitlab.com/rncbc/qjackctl.git https://bitbucket.com/rncbc/qjackctl.git Change-log: - When enabled the current default preset settings are now read from the last known JACK D-BUS configuration. - Minor update to Debian packaging control file. - Removed all the remaining leftovers of old pre-FFADO 'freebob' driver support. License: QjackCtl [1] is free, open-source Linux Audio [4] software, distributed under the terms of the GNU General Public License (GPL) version 2 or later [5]. References: [1] QjackCtl - A JACK Audio Connection Kit Qt GUI Interface https://qjackctl.sourceforge.io [2] Qt framework, C++ class library and tools for cross-platform application and UI development https://qt.io/ [3] JACK Audio Connection Kit http://jackaudio.org [4] Linux Audio consortium of libre software for audio-related work https://linuxaudio.org [5] GPL - GNU General Public License https://www.gnu.org/copyleft/gpl.html [6] AppImage, Linux apps that run anywhere https://appimage.org/ See also: https://www.rncbc.org/drupal/node/2004 Enjoy && Keep having fun! -- rncbc aka. Rui Nuno Capela

6 years, 1 month

Resampling: SOX vs FFmpeg

by Louigi Verona

Hey everyone! I need advice on resampling. To give you context, I am working at SoundCloud, and one of the current projects is to refactor the transcoding pipeline. And proper resampling tools is a question that keeps coming up. One of the pipelines takes the uploaded file and transcodes it into an mp3. The general idea is to convert the original file to wav, resample it to 44100, and then finally convert it to mp3 using LAME. There are several questions here. 1. Which tool to use for transcoding. Should it be SoX, or FFmpeg, or something else? A lot of the info out there seems to favor SoX, but a lot of that info is pretty old. 2. Does it make sense to resample to 44100 or to 48000? If it were opus, the answer if simple: 48000, because that's what the opus spec actually recommends. There is no such recommendation for mp3 files. Also, upsampling is not an innocent procedure and the converter has to be of high quality as well. p.s.: the described pipeline is not the only one, the original file is transcoded into multiple formats, including formats with 48000 sample rate, but the one I am asking about focuses specifically on producing an mp3. Louigi Verona https://louigiverona.com/

6 years, 1 month

[ANN] B.Shapr v0.1.0 (envelope / beat shaper LV2 plugin)

by Sven Jaehnichen

Hello, the first version of the third B.Plugin is just out now: B.Shapr Features: * Four shapers, based on Bezier curves * Each shaper connectable to audio in, constant signal, or other shapers * Apply shape to level / gain, balance, stereo width, low pass filter or high pass filter * Time or beat / bar controlled Project page: https://github.com/sjaehn/BShapr Release: https://github.com/sjaehn/BShapr/releases Video: https://www.youtube.com/watch?v=DxYQJ_XJwbU

6 years, 1 month

Berlin Linux Audio meeting @ c-base 2019-05-14

by Daniel Swärd

Hi all. As usual the second Tuesday of the month is upon us. I'll be in the mainhall from 20:00. See you there. Cheers /Daniel PS Let's keep the follow-up discussion in the LAU thread. DS PPS Yes, I did copy-paste from the previous mail... DS

6 years, 2 months

Web Audio Conference 2019 - 2nd Call for Submissions & Keynotes

by Gerard Roma

*Apologies for cross-postings* # Fifth Annual Web Audio Conference - 2nd Call for Submissions https://www.ntnu.edu/wac2019 The fifth Web Audio Conference (WAC) will be held 4-6 December, 2019 at the Norwegian University of Science and Technology (NTNU) in Trondheim, Norway. WAC is an international conference dedicated to web audio technologies and applications. The conference addresses academic research, artistic research, development, design, evaluation and standards concerned with emerging audio-related web technologies such as Web Audio API, Web RTC, WebSockets and Javascript. The conference welcomes web developers, music technologists, computer musicians, application designers, industry engineers, R&D scientists, academic researchers, artists, students and people interested in the fields of web development, music technology, computer music, audio applications and web standards. The previous Web Audio Conferences were held in 2015 at IRCAM and Mozilla in Paris, in 2016 at Georgia Tech in Atlanta, in 2017 at the Centre for Digital Music, Queen Mary University of London in London, and in 2018 at TU Berlin in Berlin. The internet has become much more than a simple storage and delivery network for audio files, as modern web browsers on desktop and mobile devices bring new user experiences and interaction opportunities. New and emerging web technologies and standards now allow applications to create and manipulate sound in real-time at near-native speeds, enabling the creation of a new generation of web-based applications that mimic the capabilities of desktop software while leveraging unique opportunities afforded by the web in areas such as social collaboration, user experience, cloud computing, and portability. The Web Audio Conference focuses on innovative work by artists, researchers, students, and engineers in industry and academia, highlighting new standards, tools, APIs, and practices as well as innovative web audio applications for musical performance, education, research, collaboration, and production, with an emphasis on bringing more diversity into audio. ## Keynote Speakers We are pleased to announce our two keynote speakers: Rebekah Wilson (independent researcher, technologist, composer, co-founder and technology director for Chicago’s Source Elements) and Norbert Schnell (professor of Music Design at the Digital Media Faculty at the Furtwangen University). More info available at: https://www.ntnu.edu/wac2019/keynotes ## Theme and Topics The theme for the fifth edition of the Web Audio Conference is Diversity in Web Audio. We particularly encourage submissions focusing on inclusive computing, cultural computing, postcolonial computing, and collaborative and participatory interfaces across the web in the context of generation, production, distribution, consumption and delivery of audio material that especially promote diversity and inclusion. Further areas of interest include: * Web Audio API, Web MIDI, Web RTC and other existing or emerging web standards for audio and music. * Development tools, practices, and strategies of web audio applications. * Innovative audio-based web applications. * Web-based music composition, production, delivery, and experience. * Client-side audio engines and audio processing/rendering (real-time or non real-time). * Cloud/HPC for music production and live performances. * Audio data and metadata formats and network delivery. * Server-side audio processing and client access. * Frameworks for audio synthesis, processing, and transformation. * Web-based audio visualization and/or sonification. * Multimedia integration. * Web-based live coding and collaborative environments for audio and music generation. * Web standards and use of standards within audio-based web projects. * Hardware and tangible interfaces and human-computer interaction in web applications. * Codecs and standards for remote audio transmission. * Any other innovative work related to web audio that does not fall into the above categories. ## Submission Tracks We welcome submissions in the following tracks: papers, talks, posters, demos, performances, and artworks. All submissions will be single-blind peer reviewed. The conference proceedings, which will include both papers (for papers and posters) and extended abstracts (for talks, demos, performances, and artworks), will be published open-access online with Creative Commons attribution, and with an ISSN number. A selection of the best papers, as determined by a specialized jury, will be offered the opportunity to publish an extended version at the Journal of Audio Engineering Society. **Papers**: Submit a 4-6 page paper to be given as an oral presentation. **Talks**: Submit a 1-2 page extended abstract to be given as an oral presentation. **Posters**: Submit a 2-4 page paper to be presented at a poster session. **Demos**: Submit a work to be presented at a hands-on demo session. Demo submissions should consist of a 1-2 page extended abstract including diagrams or images, and a complete list of technical requirements (including anything expected to be provided by the conference organizers). **Performances**: Submit a performance making creative use of web-based audio applications. Performances can include elements such as audience device participation and collaboration, web-based interfaces, Web MIDI, WebSockets, and/or other imaginative approaches to web technology. Submissions must include a title, a 1-2 page description of the performance, links to audio/video/image documentation of the work, a complete list of technical requirements (including anything expected to be provided by conference organizers), and names and one-paragraph biographies of all performers. **Artworks**: Submit a sonic web artwork or interactive application which makes significant use of web audio standards such as Web Audio API or Web MIDI in conjunction with other technologies such as HTML5 graphics, WebGL, and Virtual Reality frameworks. Works must be suitable for presentation on a computer kiosk with headphones. They will be featured at the conference venue throughout the conference and on the conference web site. Submissions must include a title, 1-2 page description of the work, a link to access the work, and names and one-paragraph biographies of the authors. **Tutorials**: If you are interested in running a tutorial session at the conference, please contact the organizers directly. ## Important Dates March 26, 2019: Open call for submissions starts. June 16, 2019: Submissions deadline. September 2, 2019: Notification of acceptances and rejections. September 15, 2019: Early-bird registration deadline. October 6, 2019: Camera ready submission and presenter registration deadline. December 4-6, 2019: The conference. At least one author of each accepted submission must register for and attend the conference in order to present their work. A limited number of diversity tickets will be available. ## Templates and Submission System Templates and information about the submission system are available on the official conference website: https://www.ntnu.edu/wac2019 Best wishes, The WAC 2019 Committee

6 years, 2 months

[ANN] Qtractor 0.9.7 - Spring-Break'19 Release batch #3

by Rui Nuno Capela

Hi there, trice again, Like some post-LAC2019 [8] frenzy hangover, here comes the third and final 'batch-of-one': Qtractor 0.9.7 (spring-break'19) is out! The changes for this seasonal release are as follows: - Re-defined all main application UNIX signal handling. - Fixed possible crash in drawing clips while rare loop-recording/takes situations. - Main window stabilizing is now kind of asynchronous re. menus, tools and status bars. - MIDI Controller's Latch mode attribute on tracks and plugins are now properly saved/loaded as meant to be. Description: Qtractor [1] is an audio/MIDI multi-track sequencer application written in C++ with the Qt framework [2]. Target platform is Linux, where the Jack Audio Connection Kit (JACK [3]) for audio and the Advanced Linux Sound Architecture (ALSA [4]) for MIDI are the main infrastructures to evolve as a fairly-featured Linux desktop audio workstation GUI, specially dedicated to the personal home-studio. Website: http://qtractor.org https://qtractor.sourceforge.io http://qtractor.sourceforge.net Project page: https://sourceforge.net/projects/qtractor Downloads: https://sourceforge.net/projects/qtractor/files - source tarball: https://download.sf.net/qtractor/qtractor-0.9.7.tar.gz - source package (openSUSE Tubleweed): https://download.sf.net/qtractor/qtractor-0.9.7-42.rncbc.suse.src.rpm - binary package (openSUSE Tubleweed): https://download.sf.net/qtractor/qtractor-0.9.7-42.rncbc.suse.x86_64.rpm - AppImage [7] packages: https://download.sf.net/qtractor/qtractor-0.9.7-12.x86_64.AppImage Git repos: https://git.code.sf.net/p/qtractor/code https://github.com/rncbc/qtractor.git https://gitlab.com/rncbc/qtractor.git https://bitbucket.org/rncbc/qtractor.git Wiki (help still wanted!): https://sourceforge.net/p/qtractor/wiki/ - static rendering: http://qtractor.org/doc http://qtractor.sourceforge.net/doc https://qtractor.sourceforge.io/doc - user manual & how-to's: http://download.sf.net/qtractor/qtractor-manual-and-howtos.epub http://download.sf.net/qtractor/qtractor-manual-and-howtos.pdf License: Qtractor [1] is free, open-source Linux Audio [5] software, distributed under the terms of the GNU General Public License (GPL [6]) version 2 or later. Trice again, References: [1] Qtractor - An audio/MIDI multi-track sequencer http://qtractor.org https://qtractor.sourceforge.io http://qtractor.sourceforge.net [2] Qt framework, C++ class library and tools for cross-platform application and UI development http://qt.io/ [3] JACK Audio Connection Kit http://jackaudio.org [4] ALSA, Advanced Linux Sound Architecture http://www.alsa-project.org/ [5] Linux Audio consortium of libre software for audio-related work http://linuxaudio.org [6] GPL - GNU General Public License http://www.gnu.org/copyleft/gpl.html [7] AppImage, Linux apps that run anywhere http://appimage.org/ [8] LAC2019@CCRMA-Stanford, March 22–26 2019 https://lac.linuxaudio.org/2019/ See also: https://www.rncbc.org/drupal/node/1998 Enjoy && Please, have (lots of) fun. -- rncbc aka Rui Nuno Capela

6 years, 2 months

Is this sort of window function used? (can't identify)

by Nikita Zlobin

While experimenting with window functions for spectral analyzis, I compared Hann, Sin and Lanczos. It is easy to notice, that Hann is really same as sin(x)^2. Lanczos is tiny bit better, because its sides are tiny bit smoother, compared to sin(). It seems, that unsmoothed corners between sides and zero axis for sin() is reason why sides are so high, compared to Hann. Hamming and more over Gaussian have ideal smooth sides, but narrower middle (probably this one reason why central leaf is wider for them). Just for experiment i tried to change sin(x)^2 to just sin(x)^f, where 1.0f < f < 2.0f. And it looks like any f>1 causes derivative to be =0 at zero axis. The only thing, affected by exact amount in this range, is how fast it will become zero. While it is easy to notice with Hann example, factor around 1.2 or 1.1 make it hard to notice without very deep zoom. With f=1.25 or 1.26 it nearly reproduces Lanczos, thought difference may be noticed, if plotted at the same time. Though still not have enough precise integral for weakening correction, i noticed that side leafs falldown slightly faster than for Hann. Now I'm curious, is such function is in use? I don't know how to call it for search request. E.g., after reinventing Welch window by just multiplicating y=2x with y=2-2x, I already knew it is parabola. For sin(x)/x i know it is sinc. But what is sin(x)^y, at least at some 'y' between 1 and 2 ? I feel, that this is also something reinvented. Just like writing sin(x)^2, i discovered later that it is Hann. Need help. One of professors, who are still aware of signal processing stuff, adviced me to reed this book (found localized to russian): https://www.scirp.org/(S(351jmbntvnsjt1aadkposzje))/reference/ReferencesPap… but i still have to find time to learn it (besides of deepening my math knowledge).

6 years, 2 months

How do you improve optimization for integer calculations?

by Nikita Zlobin

Hello. I just have attempt, writing serious application, considering language (C), tookit (gtk3, cairo, pango, etc) and that it is audio app. Besides that many audio things use simple "float" for audio data, i noticed some posts, where tension towards integer math appeared. While it is not my case (my app is jack-based, and audio data have FP type everywhere), i slightly distracted from audio side. My app for now is spectrum analyzer, which later should evolve into couple of spectral editing helper utilities (more exactly to generate spectrogram and apply changes either by resynth or by filtering with diff spectrogram). I distracted to experiments with graphics post-processing for instant spectrum view rendering. Due to cairo nature, color data in cairo image surface may be at best argb32, rgb24 and rgb30 (for now i implemented uspport only for first two). As result post-processing is all done in integer mode. I can understand this, as i noticed that channel orders in memory depends on endianness, what points that cairo relies more on masks and bitshifts than for byte value arrays where is possible. I decided to look in debugger for how gcc does optimize these ops. Noticed following. Below is code chunk from kdbg with some asm blocks expanded. There is only one line, where i tried to use floating point ops, just for comparison (plus some context for better understanding). for (int l = 0; l < 3; l++) for (int c = 0; c < 3; c++) { unsigned char * p = bpix[l][c]; col[0] += p[0] , 0x5b27 movzbl 0x60(%rsp),%esi col[1] += p[1] , 0x5a34 movzbl 0x65(%rsp),%eax col[2] += p[2] , 0x5a42 movzbl 0x62(%rsp),%edx col[3] += p[3]; 0x5a47 movzbl 0x67(%rsp),%esi 0x5a4c mov 0x10(%rsp),%rbp } col[0] /= 9.0, col[1] /= 9.0, col[2] /= 9.0, col[3] /= 9.0; 0x5a39 pxor %xmm0,%xmm0 op[0] += col[0] , 0x5b8d add %sil,0x0(%rbp) op[1] += col[1] , 0x5b94 add %cl,0x1(%rbp) op[2] += col[2] , 0x5b97 add %dl,0x2(%rbp) op[3] += col[3]; 0x5b91 add %al,0x3(%rbp) for (int l = 0; l < 3; l++) ip[l] += 3; op += ch_n; } Notice, how line, containing chain of divisions, is compiled to single sse operation. What is interesting, this is only asm line, involving xmm or imm - i can't find anything else like mov, involving these registers. With division to integer 9 - it is still one line, but no xmm is involved. col[0] += p[0] , 0x5b17 movzbl 0x64(%rsp),%eax col[1] += p[1] , 0x5a35 movzbl 0x65(%rsp),%eax col[2] += p[2] , 0x5a4a movzbl 0x7e(%rsp),%esi col[3] += p[3]; 0x5a4f movzbl 0x7f(%rsp),%ecx } col[0] /= 9, col[1] /= 9, col[2] /= 9, col[3] /= 9; 0x5a3a mov $0x38e38e39,%r8d op[0] += col[0] , 0x5b78 add %dl,0x0(%rbp) op[1] += col[1] , 0x5b3a add %dil,0x1(%rbp) As for GCC opts, i used unusual combo "-march=native -O3 -g" in order to get exhausing optimization, but still keep it readable for kdbg disasm to get a look. While searching for info about sse integer support, search pointed me to wikipedia page about x86 instructions, where i found almost enough instruction set - logical, add, sub and mul, signed and unsigned, words and bytes (at least in SSE2 which according to description enabled MMX set to use SSE registers, where integer support was primary in MMX). So, i'm in maze - why doesn't gcc involve such ops in integer mode? Could it be possible, that what it did is better without SSE? I'm about to eventually try more FP ops in this place but unsure, about possible conversions, since source and dest are anyway cairo surfaces with integer data.

6 years, 2 months

ALSA hi-res timer not found until Jack is run

by Tim

On 4/14/19 5:42 PM, Tim wrote: > Hi list. > When I fist boot each day, this is what I get, > no hi-res timer: > > cat /proc/asound/timers > G0: system timer : 4000.000us (10000000 ticks) > P0-0-0: PCM playback 0-0-0 : SLAVE > P0-0-1: PCM capture 0-0-1 : SLAVE > P2-0-1: PCM capture 2-0-1 : SLAVE > > > But after I start Jack, I get this: > > cat /proc/asound/timers > G0: system timer : 4000.000us (10000000 ticks) > G3: HR timer : 0.001us (1000000000 ticks) > Client sequencer queue -1 : running <<< Jack I believe > P0-0-0: PCM playback 0-0-0 : SLAVE > P0-0-1: PCM capture 0-0-1 : SLAVE > P2-0-1: PCM capture 2-0-1 : SLAVE > > > But curiously, after I *quit* Jack and Jack dbus > and ensure they are not running, I still get this: > > cat /proc/asound/timers > G0: system timer : 4000.000us (10000000 ticks) > G3: HR timer : 0.001us (1000000000 ticks) > P0-0-0: PCM playback 0-0-0 : SLAVE > P0-0-1: PCM capture 0-0-1 : SLAVE > P2-0-1: PCM capture 2-0-1 : SLAVE > > Notice the hi-res timer is now still available. > What's happening? > I can only see that Jack uses pcm and seq but no timers. > Seems by virtue of Jack using pcm/seq, ALSA loads a module > or something. Ah, that would be snd_hrtimer I suppose. Module Size Used by snd_hrtimer 16384 1 <<< Jack It's been a while since I had to force a module to load or think about these things. Let's see, how to do it these days... And how to do it through our app. Could it be considered a bug that it is not available? Sorry for the noise. Tim. > > How can I ensure that the hi-res timer is available > always from boot up? Must I manually load a module? > Most *importantly*, can I do this through our application > software so that users do not have to load a module? > > Thanks. > Tim.

6 years, 2 months

[ANN] Vee One Suite 0.9.7 - Spring-Break'19 Release batch #2

by Rui Nuno Capela

Wholly cheers! The 'Vee One Suite' of 'old-school' software instruments are here again and now released for the second QStuff* Spring-Break'19 batch post-LAC2019 [12] frenzy: * synthv1 0.9.7 [1] * samplv1 0.9.7 [2] * drumkv1 0.9.7 [3] * padthv1 0.9.7 [4] All still delivered in dual form: - a pure stand-alone JACK client with JACK-session [5], NSM (Non Session management [6]) and both JACK MIDI and ALSA MIDI [7] input support; - a LV2 instrument plug-in [8]. Changes are that there are quite a few fixes since previous releases: - Corrected sample offset and loop range internal reset (samplv1 [2] and drumkv1 [3] only). - All audio input now get through without being processed by any or whole effects stage anymore. - Re-defined all JACK stand-alone client application UNIX signal handling. - Probable fix to sample offset and loop range changes across native UI and loading and saving state. (samplv1 [2] and drumkv1 [3] only). The 'Vee One Suite' are free, open-source Linux Audio [10] software, distributed under the terms of the GNU General Public License (GPL) [11] version 2 or later. Make the fun great again! **synthv1 - an old-school polyphonic synthesizer [1] ** synthv1 0.9.7 (spring-break'19) is out! synthv1 is an old-school all-digital 4-oscillator subtractive polyphonic synthesizer with stereo fx. LV2 URI: http://synthv1.sourceforge.net/lv2 website: https://synthv1.sourceforge.io http://synthv1.sourceforge.net downloads: http://sourceforge.net/projects/synthv1/files - source tarball: http://download.sf.net/synthv1/synthv1-0.9.7.tar.gz - source package: http://download.sf.net/synthv1/synthv1-0.9.7-44.rncbc.suse.src.rpm - binary package (openSUSE Tumbleweed): http://download.sf.net/synthv1/synthv1-0.9.7-44.rncbc.suse.x86_84.rpm - AppImage [9] package (JACK stand-alone only): http://download.sf.net/synthv1/synthv1-0.9.7-11.x86_64.AppImage git repos: https://git.code.sf.net/p/synthv1/code https://github.com/rncbc/synthv1.git https://gitlab.com/rncbc/synthv1.git https://bitbucket.org/rncbc/synthv1.git **samplv1 - an old-school polyphonic sampler [2]** samplv1 0.9.7 (spring-break'19) is out! samplv1 is an old-school polyphonic sampler synthesizer with stereo fx. LV2 URI: http://samplv1.sourceforge.net/lv2 website: https://samplv1.sourceforge.io http://samplv1.sourceforge.net downloads: http://sourceforge.net/projects/samplv1/files - source tarball: http://download.sf.net/samplv1/samplv1-0.9.7.tar.gz - source package: http://download.sf.net/samplv1/samplv1-0.9.7-44.rncbc.suse.src.rpm - binary package (openSUSE Tumbleweed): http://download.sf.net/samplv1/samplv1-0.9.7-44.rncbc.suse.x86_84.rpm - AppImage [9] package (JACK stand-alone only): http://download.sf.net/samplv1/samplv1-0.9.7-11.x86_64.AppImage git repos: https://git.code.sf.net/p/samplv1/code https://github.com/rncbc/samplv1.git https://gitlab.com/rncbc/samplv1.git https://bitbucket.org/rncbc/samplv1.git **drumkv1 - an old-school drum-kit sampler [3]** drumkv1 0.9.7 (spring-break'19) is out! drumkv1 is an old-school drum-kit sampler synthesizer with stereo fx. LV2 URI: http://drumkv1.sourceforge.net/lv2 website: https://drumkv1.sourceforge.io http://drumkv1.sourceforge.net downloads: http://sourceforge.net/projects/drumkv1/files - source tarball: http://download.sf.net/drumkv1/drumkv1-0.9.7.tar.gz - source package: http://download.sf.net/drumkv1/drumkv1-0.9.7-40.rncbc.suse.src.rpm - binary package (openSUSE Tumbleweed): http://download.sf.net/drumkv1/drumkv1-0.9.7-40.rncbc.suse.x86_84.rpm - AppImage [9] package (JACK stand-alone only): http://download.sf.net/drumkv1/drumkv1-0.9.7-11.x86_64.AppImage git repos: https://git.code.sf.net/p/drumkv1/code https://github.com/rncbc/drumkv1.git https://gitlab.com/rncbc/drumkv1.git https://bitbucket.org/rncbc/drumkv1.git **padthv1 - an old-school polyphonic additive synthesizer [4]** padthv1 0.9.7 (spring-break'19) is out! padthv1 is an old-school polyphonic additive synthesizer with stereo fx. padthv1 is based on the PADsynth algorithm by Paul Nasca, as a special variant of additive synthesis. LV2 URI: http://padthv1.sourceforge.net/lv2 website: http://padthv1.sourceforge.net https://padthv1.sourceforge.io downloads: http://sourceforge.net/projects/padthv1/files - source tarball: http://download.sf.net/padthv1/padthv1-0.9.7.tar.gz - source package: http://download.sf.net/padthv1/padthv1-0.9.7-11.rncbc.suse.src.rpm - binary package (openSUSE Tumbleweed): http://download.sf.net/padthv1/padthv1-0.9.7-11.rncbc.suse.x86_84.rpm - AppImage [9] package (JACK stand-alone only): http://download.sf.net/padthv1/padthv1-0.9.7-11.x86_64.AppImage git repos: https://git.code.sf.net/p/padthv1/code https://github.com/rncbc/padthv1.git https://gitlab.com/rncbc/padthv1.git https://bitbucket.org/rncbc/padthv1.git References: [1] synthv1 - an old-school polyphonic synthesizer http://synthv1.sourceforge.net/ [2] samplv1 - an old-school polyphonic sampler http://samplv1.sourceforge.net/ [3] drumkv1 - an old-school drum-kit sampler http://drumkv1.sourceforge.net/ [4] padthv1 - an old-school polyphonic additive synthesizer http://padthv1.sourceforge.net/ [5] JACK Audio Connection Kit http://jackaudio.org/ [6] NSM, Non Session Management http://non.tuxfamily.org/nsm/ [7] ALSA, Advanced Linux Sound Architecture http://www.alsa-project.org/ [8] LV2, Audio Plugin Standard, the extensible successor of LADSPA http://lv2plug.in/ [9] AppImage, Linux apps that run anywhere http://appimage.org/ [10] Linux Audio consortium of libre software for audio-related work http://linuxaudio.org [11] GNU General Public License http://www.gnu.org/copyleft/gpl.html [12] LAC2019@CCRMA-Stanford, March 22–26 2019 https://lac.linuxaudio.org/2019/ See also: https://www.rncbc.org/drupal/node/1997 Enjoy. -- rncbc aka. Rui Nuno Capela

6 years, 2 months

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Linux-audio-dev