Linux-audio-dev

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7516 discussions

[linux-audio-dev] Re: [ann] unmatched - a LADSPA amp tone

by Stuart Allie

re: tube amp simulations for guitar... from the music-dsp mailing list... Just thought I'd mention that the upsampling/nonlinear processing/decimation process that Line 6 performs was also descibed in Hal Chamberlin's Musical Applications of Microprocessors (1985 edition), pg. 120: "One modification technique that does not always work well when done digitally is nonlinear waveshaping. Since clipping and other waveshape distortions are likely to generate strong high-frequency harmonics, alias distortion can become a problem. If necessary, the distortion operation can be done at a much higher sample rate at which the alias distortion is less of a problem, then digitally low-pass filtered to less than half of the system sample rate, and finally resampled." ------------------------ and from http://www.metaltronix.net/basic%20tube%20FAQ.htm [how do i] have a smoother, less buzzy distortion? - Use a lowpass filter somewhere inside the amp in the signal path to cut higher harmonics; perhaps a capacitor to ground from the final preamp tube grid or plate -or- - Use series grid resistors to cut the high frequencies in and after distortion stages - Use a lowpass filter after the amplifier and before the speakers to cut out some of the higher overtones. How do I get... * Blues distortion? Made by overdriving preamp and power tubes a little, enough to just start compressing the peaks of the waveforms, and not very much high frequency content, by electronically cutting highs or running the signal into a speaker cab that acoustically cuts highs. Guitar Player magazine ran a construction article on this very topic, modifying a Fender Bassman to be the "Ultimate Blues Machine". The article ran in 1995, authored by John McIntyre. A recently voiced although intuitively applied idea in distortion is that tube distortion sounds best when each successive distortion stage is overdriven by less than about 12db. This has the effect of keeping the tubes inside the area where the signal is more compression-distorted than clipped. That is what those resistive divider chains between distortion stages are for inside those distortion preamp schematics. Mesa's distortion preamps are another good example. Overdriving a tube stage too much gives you harsher clipping, not the singing, sweet distortion we want. To really get sweet, crunchy distortion, keep each stage that goes into distortion no more than 6-9db into distortion. * Marshall/metal/Boogie/etc. distortion? Made by massively overdriving preamp tubes until the original waveform is massively compressed and clipped. Usually followed with a moderate amount of high frequency cut to remove some of the "insect attracting" overtones generated in the clipping process. There is commonly some output tube overdrive in this process, too. * Good distortion at low(er) volumes? overdrive preamp tubes until you get the clipping you want, then feed a limited amount of this to a power amp stage to get the loudness you want. This is how master volume controls work. ------------------------------------- All fuel for thought I hope. Cheers, Stuart

23 years

[linux-audio-dev] Musical instrument samples library

by Steve Harris

Recorded in an anechoic chamber at 44.1/16, stored by octave and modulation. http://theremin.music.uiowa.edu/MIS.html "Please feel free to use these samples in your research or music projects without restriction. You may also cite as a reference, link to our page from another web page, or provide a link in a publication using the following URL"... Would be very useful for a linux soft sampler projects, hint hint ;) - Steve

23 years

[linux-audio-dev] web/smtp hosting suggestions wanted

by Paul Davis

folks on ardour-dev and jack-devel will be aware of the email nightmare i have faced over the last 4 weeks when it comes to using any sf.net hosted mailing lists. first, my existing ISP destroyed the SMTP configuration of the domain my email is sent to. then i registered linuxaudiosystems.com with jumpline.net, and it turns out that they too do not have their SMTP configuration correct. both situations mean that sf.net's use of exim3's SMTP callback system for verifying email sender addresses fail with either pbd(a)op.net or paul(a)linuxaudiosystems.com and i have been unable to send mail to any sf.net mailing list for more than a month. i am writing to see if anyone has any experience of any web/smtp hosting services that are (1) definitely configured to permit SMTP callbacks to work correctly (2) appropriately priced (i.e. cheap!) and (3) preferably handle domain transfers smoothly and efficiently. i've set reply-to so that replies come to me rather than the list. thanks for your input. --p

23 years

RE: [linux-audio-dev] Re: image problem [was Re: [Alsa-devel] hel p for a levelmeter]

by STEFFL, ERIK (SBCSI)

> -----Original Message----- > From: Paul Davis [mailto:paul@linuxaudiosystems.com] > > > that's ok, I don't think everything has to be > understandable by a newbie, > >it's not the wording of what's there that is a problem, it's > the missing > >information that's a problem (I just sent an update about > what functionality > >I have found missing in sb live, I guess more of that should > be available > >(for other cards) as well). > > just as a sort-of aside, i would note that a discussion on the > vst-plugins list right now points out that the windows creative > drivers for the audigy *do not* work in ASIO mode with ACPI turned > on. to make them work, its necessary to "install the drivers in > standard mode", whatever that means. and I can't make rca inputs work in windows as well:-) in fact they work even less than in linux - in linux the sound at least gets through the card and I can hear it (not record it though) but in win98 they seem to be completely dead. > this information is not available on the creative web site. ALSA is > not alone in this type of failure to document missing or incorrect > functionality, and our existence as an open community makes it more > likely that, with the correct documentation infrastructure, we can > ensure that it gets added in a timely way. yes, and to prove it I have already send an update and it's already on the page! erik

23 years

RE: [linux-audio-dev] Re: image problem [was Re: [Alsa-devel] hel p for a levelmeter]

by STEFFL, ERIK (SBCSI)

> -----Original Message----- > From: Patrick Shirkey [mailto:pshirkey@boosthardware.com] > Sent: Wednesday, October 23, 2002 1:49 PM > To: linux-audio-dev(a)music.columbia.edu > Subject: RE: [linux-audio-dev] Re: image problem [was Re: [Alsa-devel] > hel p for a levelmeter] > > > > this is what's on the page: > > >Creative Labs | Soundblaster Live Platinum | EMU10K1 | Install | > >(4)[A][B] > > > bottom of the page: > > > >(4) Hardware mixing supported > > > >... > > > >NOTE: Just because an I/O is listed does NOT mean it is > guaranteed to > >be supported. Please check the mailing > >list archives before making purchase decisions based on > requirements > >forIEC958 or ADAT I/O. > > >[A] IEC958 RCA Input > >[B] IEC958 RCA Output > > >which does not have a lot of informational value (I know > what it does > >not mean but what does it mean?) and it definitely does not imply > there >is a problem of getting the docs to support certain > functionality. > > Hmm. It has a certain informational value although I will yes, but not useful when choosing sound card (as it appropriately says:-) - which was my point. > I'll try to think of a way to word it for users who may not have the > requisite knowledge. that's ok, I don't think everything has to be understandable by a newbie, it's not the wording of what's there that is a problem, it's the missing information that's a problem (I just sent an update about what functionality I have found missing in sb live, I guess more of that should be available (for other cards) as well). > Apart from that at the top of the page it's explicitely > stated that some > companies have not provided the required docs to enable > support for a > device. I have always noticed those comments however it may yes, but saying 'some companies' has close to no informational value. knowing WHICH companies is crucial. > just be my > angle on things. I have made some changes to the matrix to be more > obvious that even if we have the docs we may not have all the > necessary > parts. Although I would've thought that most people already know that > about Linux hardware support. again, having general knowledge is of no use... what does it help a user to know that _some_ cards are better supported and _some_ manufacturers offer better/worse docs? One needs to know the _specifics_ which are close to impossible to find. > As you know the known bugs section in the driver notes gives explicit > information about things that we know do not work. I'll look making a > form for adding specifically to this file. IMO it would be much better if the link to details about the card would not say "Install' but instead indicate that details about the card can be found there (alsa soundcard matrix), I mean the column is named appropriately drivers&docs but the item in column is always 'Install'. It has mostly install info but also module options, known bugs etc. > I would like to do that and also make it easier for people to > post info > about supported devices. I have most of the work done but not > finished > yet. As it is I currently stay up to 6:00 in the morning many > nights of > the month. I'm lucky though as I only have to work 16 hours a > week in my > paying job. I could be working many more hours but have made the > decision to sacrifice some of my current earnings in order to build > Boost Hardware and DJCJ. Along the way I have also picked up > the alsa > website :) it's very important work and I hope that you'll bring it up so that it's actually a good resource for information (at this point it's IMO in the 'almost' category (mostly speaking of soundcards I use, not sure how much information there is for other soundcards)). thanks a lot for doing it! erik

23 years

RE: [linux-audio-dev] Re: image problem [was Re: [Alsa-devel] hel p for a levelmeter]

by STEFFL, ERIK (SBCSI)

> -----Original Message----- > From: Paul Davis [mailto:paul@linuxaudiosystems.com] > > [ re: OSS ] > > >> code. It will > >> soon be available only through emulation. It forces use of > >> the blocking > >> model. > > actually, it doesn't. nothing would stop the implementation of an OSS > driver/client for JACK. > > >> ALSA is very powerful and complete, but very complex. > This will make > > > > <rant> > > > > it is also pretty much useless for general users. I mean > if I can't listen > >to mp3 and browse the web at the same time ... (without > sound servers which > >were discussed recently and as far as I can tell the general > consensus is > >that they are bad and not to be used). Is there any rationale for the > >blocking behaviour? I mean I can't imagine situation where I > would want > > to clarify: the "blocking model" that joshua was describing has > nothing to do with the "blocking behaviour" that you are describing. > jaroslav (aka "mr. alsa") has justified the block-on-open model by > reference to POSIX standards for the open system call. its a bit > debatable, but his point of view on it is at least as close to > standard POSIX behaviour as yours. applications can avoid this quite > easily using O_NONBLOCK in the OSS open call (or its equivalent for > ALSA), later followed by fcntl(2) if necessary. > > i personally it would have been better to make open return EBUSY, but > the problem is that there is no flag for open(2) that says "block even > if busy", so with that design there is no way to get "block-on-open" > if desired. IMO it does not matter how well justified it is by POSIX or whatever else if the end result is unusable system. In case of 'file' files it makes (some) sense to block, however in case of sound I can't really think of realistic situation where I would want to block. It's either busy (and let program handle that) or realtime mixing should be offered. If they are concerned about POSIX that blocking could be defualt, user would be able to change it to either non-blocking returning EBUSY or non-blocking real time mixing (sw, if card does not support it in hw) anyway, thanks for background info. > > except of the blocking of sounds (the problem mentioned > above) I am quite > >dissapointed by functionality of linux drivers I have tried, > I have sb live > >platinum and (last time I checked): > > "i am quite disappointed that a group of volunteers who work for no > monetary compensation have failed to implement all the features i > want. i haven't offered to pay them, but i really hope they get all > these features working really soon because its really irritating not > being able to ..." well: - let's kill the messenger, - that's what open source promises. erik

23 years

Re: [linux-audio-dev] soft synth as a plugin

by nikodimka

Guys, This answer appeared just after I decided to ask the very same question. Is it true that there is no _common_ "instrument" or "synth" plugin API on linux? Is it true that there is no the same kind of media for out-of-process instruments? I see that there are some kinds of possible plugin APIs: -- MusE's LADSPA extensions -- mustajuuri plugin -- maybe there's some more (MAIA? OX?) -- I remember Juan Linietsky working on binding sequencer with softsynths But I dont remember to hear anything about the results So can anyone _please_ answer: What is the right way to use the multiple (e.g. thirty) softsynths together simultaneously with one host? I mean working completely inside my computer to have just one (or even none) midi keyboard as input. So all the synthesys, mixing, processing goes on inside. And to send one audio channel out to any sound card. thanks, nikodimka =======8<==== Tommi Ilmonen wrote: ===8<================= Hi. Sorry to come in very late. The Mustajuuri plugin interface includes all the bits you need. In fact I already have two synthesizer engines under the hood. With Mustajuuri you can write the synth as a plugin and the host is only responsible for delivering the control messages to it. Alternatively you could write a new voice type for the Mustajuuri synth, which can lead to smaller overhead ... or not, depending on what you are after. http://www.tml.hut.fi/~tilmonen/mustajuuri/ On 3 Jul 2002, nick wrote: > Hi all > > I've been scratching my head for a while now, planning out how im going > to write amSynthe (aka amSynth2) > > Ideally i don't want to be touching low-level stuff again, and it makes > sense to write it as a plugin for some host. Obviously in the Win/Mac > world theres VST/DXi/whatever - but that doesnt really concern me as I > dont use em ;) I just want to make my music on my OS of choice.. > > Now somebody please put me straight here - as far as I can see, there's > LADSPA and JACK. (and MuSE's own plugins?). Now, I'm under the > impression that these only deal with the audio data - only half what I > need for a synth. Or can LADSPA deal with MIDI? > > So how should I go about it? > Is it acceptable to (for example) read the midi events from the ALSA > sequencer in the audio callback? My gut instinct is no, no, no! > > Even if that's feasible with the alsa sequencer, it still has problems - > say the host wanted to "render" the `song' to an audio file - using the > sequencer surely it would have to be done in real time? > > I just want to get on, write amSynthe and then everyone can enjoy it, > but this hurdle is bigger than it seems. > > Thanks, > Nick > > > _________________________________________________________ > Do You Yahoo!? > Get your free @yahoo.com address at http://mail.yahoo.com > Tommi Ilmonen Researcher >=> http://www.hut.fi/u/tilmonen/ Linux/IRIX audio: Mustajuuri >=> http://www.tml.hut.fi/~tilmonen/mustajuuri/ 3D audio/animation: DIVA >=> http://www.tml.hut.fi/Research/DIVA/ __________________________________________________ Do you Yahoo!? Faith Hill - Exclusive Performances, Videos & More http://faith.yahoo.com

23 years

Re: [linux-audio-dev] [ann] unmatched - a LADSPA amp tone (fwd)

by Tim Goetze

apologies if this reaches you twice, it seems to have been swallowed by that big black hole in the center of the net. ---------- Forwarded message ---------- Subject: Re: [linux-audio-dev] [ann] unmatched - a LADSPA amp tone From: Tim Goetze <tim(a)quitte.de> To: linux-audio-dev(a)music.columbia.edu Date: Mon, 28 Oct 2002 14:20:27 +0100 (CET) Steve Harris wrote: >On Mon, Oct 28, 2002 at 02:41:08 +0100, Tim Goetze wrote: >> http://quitte.de/easy.mp3 > >That sounds pretty good. The attack sounds a bit muted to me though, is >that deliberate or should it have more bite? it could do with a little more bite, yes. it's the neck pickup with the tone pot at the guitar closed slightly, that's the way i usually play the super 60. this way, it stress-tests our setup's capability of generating higher-order harmonics during attack. >> >Yeah, fix the rectifier. I had a quick look at it and it looks like I did >> >something fairly obvious (its basicly a compressor, but with a waveshaper >> >instead of a linear gain). >> >> the shaper code looks familiar. admit i'm hoping for a performance >> and quality gain. > >Yup, I adapted what I had around ;) I think something symmetric and harder >might be better though, I'l see what I can do. Maybe it should just be a >peak following compressor... my original though was that the power supply >sag would cause a distortion, but maybe it wont. whatever it does, it helps. ;) probably because it adds more distortion in the attack phase. so it may not do exactly what is intended on the smaller scale, but what is intended to be modeled overall. >I think the speed will go up dramatically when its bolted into one plugin. >I want to get the ordering right first though. OTOH there is still mic >effects to be added in :( speaking for my selfish self, i'm just glad i don't have to care about mic placement at all anymore. i'll be happy to create more iir 'convolvers' or extend 'unmatched' for more impulses though, as long as they can be made to converge. tim

23 years

Re: [linux-audio-dev] Free Publicity - DJCJ Linux Audio Developers Tech Support Database.

by Patrick Shirkey

>> The aim of the images at the top is to provide one click access to >>the most popular sites for information about Linux audio. I really >>don't want to move them. They could do with being slightly smaller >>perhaps. >>I'd like to suggest that you put them in a table at the top or side of >>the page rather than a frame -- I don't think they need to stay >>visible if you scroll down or follow a link. Yes or I could give them their own page. -- Patrick Shirkey - Boost Hardware Ltd. For the discerning hardware connoisseur Http://www.boosthardware.com Http://www.djcj.org - The Linux Audio Users guide ======================================== "Um...symbol_get and symbol_put... They're kindof like does anyone remember like get_symbol and put_symbol I think we used to have..." - Rusty Russell in his talk on the module subsystem

23 years

Re: [linux-audio-dev] Free Publicity - DJCJ Linux Audio Developers Tech Support Database.

by Patrick Shirkey

>Web-design seems a bit off topic, but... I don't understand that. Everyone always bitches about the lack of documentation for Linux audio. This site has been designed to address that problem specifically from a new user POV. Getting it right should be very much on topic. Just because it isn't hosted on Sourceforge doesn't mean it's not open source. -- Patrick Shirkey - Boost Hardware Ltd. For the discerning hardware connoisseur Http://www.boosthardware.com Http://www.djcj.org - The Linux Audio Users guide ======================================== "Um...symbol_get and symbol_put... They're kindof like does anyone remember like get_symbol and put_symbol I think we used to have..." - Rusty Russell in his talk on the module subsystem

23 years

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Linux-audio-dev