1 Nov
2002
1 Nov
'02
2:57 p.m.
And the DigiFace/MultiFace are very nice products. It
was my understanding
from one of RME's vendors that at least under ASIO both the DigiFace and
MultiFace support multiple breakout boxes with a single PCI or cardbus
adapter card. I was keeping this in the back of my mind for the day when I
can dump Pro Tools completely. Does this work under Linux or has anyone
tried?
its simply false. there is a single 1394 connector on the back of the
PCI card and a single connector on the cardbus dongle, so you can only
connect a single breakout box to one interface unit. whoever told you
this either knows something that i don't or they are misinformed/confused.
this is the main area i am aware of where the MOTU units look more
appealing than the RME ones. SMPTE sync is the other one.
These RME products use an RME proprietary interface
that looks and smells
like 1394, uses 1394 cables, but isn't 1394, so you can't hang a 1394 audio
drive on it like I use on my systems. (I do not know if there is any danger
in making a mistake when you plug the wrong device into their cable...)
it is 1394. it just uses a proprietary mid-level protocol for the
communication. you don't have any access to the 1394
firmware/controller on the card, but if you did, you could write a
driver for it and use it as a general 1394 interface. alas, RME saw
the (commercial) danger of putting everything in the external box and
having you use a $50 1394 interface. as a result, we get this from
them and for the same reasons, the MOTU stuff from MOTU.
All of this seems pretty high end for what I thought
the requestor was
originally looking for at 22KHz, but I know of no answer for that market
specifically. I think the AI-3 or one of the other devices similar to that
that's true, i forgot the AI-3 units. they are a good deal for this
kind of thing.
I wonder if there's a business to be made in
developing hardware for apps
like this? I'm looking for a good business idea like that.
given the tiny size of the computer audio market as it is, it seems
unlikely to me. what i think would be a great success is a properly
priced 24 channel A/D-D/A converter. +10/-4 switchable balanced
inputs, ADAT I/O for the digital side or some 1394 standard once it
emerges as an option. that would be great, and would have an instant
home in many studios of many different sizes. 16 is enough for many
people though, and the creamware and rme solutions might have this all
sewn up.
--p