On Sat, Jun 18, 2005 at 07:24:26PM +0200, Tim Goetze wrote:
Dividing computed audio into a 'professional'
and an 'amateur' camp
only serves to defend obsolete categories and the arbitrary borders
inbetween.
I can assure you that from a POV of a paying customer, the difference
is neither obsolete nor arbitrary. It has little to do with equipment,
training, skill, or competence. It's all about a different attitude
taken to the work, and the consequences thereof. This means that some
things that may seem 'utterly stupid' to an amateur will make perfect
sense for a professional.
--
FA