Hallo,
Paul Winkler hat gesagt: // Paul Winkler wrote:
Guitar effects on a microphone is very hard to manage
without uncontrollable
feedback. But I saw it done - on a saxophone yet! - by a trio called
Spongehead (guitar/bass, sax, and drums).
Cool. I even have a record by them, on Shimmy Disc, I think.
The sax player used wah, echo, and an octave divider
(which on a
tenor or bari gave him some very nice deep notes, allowing the sax
to function as the bass player on some songs!). I don't remember if
he ever used distortion. He played through a big guitar amp, i
think.
That was my plan, as well.
Basically you want to:
1) use a very directional mic that mounts on the sax itself -
there are some made for this purpose. I don't know what kind of
pickup the Spongehead guy used, but it seemed to have a cable
coming from near the mouthpiece???
My microphone then wasn't directional enough, I guess.
3) don't stand right in front of your amp :)
But that was the main problem: the room was so small, I had to standing
near the amp. I tried squeezing myself behind it, with some success
squeezing-wise, but not feedback-wise.
ciao
--
Frank Barknecht _ ______footils.org__