Denis, My application is that of a "non-commercial" mastering studio. I do a bit of mastering for my friends in Nashville, but so far I've only worked with the rough mixes, nothing that's made it onto a record. The reason I'm so excited about DRC is that it transforms my not-mastering-quality Klipschorns into something that is very accurate, or at least measures so, and in my opinion is comparable to the high-end mastering and mixing studios I've visted. For those who don't know, Klipschorns use a folded horn to load a 15" woofer and convetional horn-loaded midrange and tweeter into a cabinet that fits tightly in the corner of the room. They have extremely high efficiency and low distortion, but abysmal phase and frequency response. Luckily, these are EXACTLY the things that DRC is designed to fix. Most speakers have 10% or so distortion at low frequencies and moderate listening levels. As far as I know, this can't be removed by any sort of electronic correction. With this setup and some modest room treatment, I've got very low distortion, AND flat frequency response. -Ben Loftis http://www.harrisonconsoles.com http://www.studiooutfitters.com