Mark C.,
A couple of days ago, you posted:
> tool that it would be better in 90% of usage cases that a
> simple set of reliable but convincing presets
Past history, current use, and the proliferation of reverb models strongly
suggest that users don't agree what the presets should be, and that's the
problem. Even so, I did offer a set to those who request.
You also suggested that I somehow "condemned" you to "never use" my programs.
Linux is user-supported software. Anyone who uses any type of Linux software,
whether it be audio or whatever, should be prepared to roll up their sleeves
and work on the software as well as "just make music," or whatever they
really wanted to do. Those who aren't willing to do this condemn themselves.
Now I realize that getting really involved is tough, but anyone who would
be critical should understand that I didn't know anything about all this
when I started out, either. I especially hate working on GUI's, yet I learned
all about Gtk+ and Glade, then created some for potential users --- so I'm
"walking the walk."
---------------------------------
To a more general audience:
I would strongly encourage anyone who wants to "just make music" or "just
whatever" to go back to Windows or Mac. Such people who insist on trying
to use Linux because they despise Microsoft or Bill Gates or because they
want to make some sort of political statement are setting themselves up for
repeated disappointment and disillusionment. This message should be
communicated more often than it is, especially here in Linux Audio or other
multimedia where Linux is far, far behind Windows and Mac for general users.
What I see is that most LAUer's who claim that they "just want to make music"
also "want to save money," "want to stick it to Microsoft," "want to use
only open source software" and so on....
Regards,
Dave.
How can I get the line in from my soundcard routed into ams? I tried
adding a PCM IN module and a PCM OUT module, then connecting them
together. I've connected the ams out to alsa_pcm playpack 1 and 2,
and alsa_pcm captures 1 and 2 are connected to the ams ins (I did all
that with qjackctl).
I know jack and everything else are working because I can load the
example_basic.ams patch, plug in my USB contoller, connect them in
qjackctl and hear the output.
What I want to do now is send the signal from my bass guitar into ams,
then back out (i.e. use it as an effect processor).
Also, is there a module that will convert an audio signal to CV? I
know MCV converts MIDI to CV.
Finally, is there another modular synth-type app that makes what I'm
trying to do any easier?
On Friday 28 January 2005 22:40, Mark Constable wrote:
> It's also interesting to be able to use standard linux shell
> tools like grep and awk, plus any scripting language or any
> text editor, to tweak and even create MIDI files from scratch.
>
> There is another text to midi "compiler" here that I ported
> from some older code a few years ago...
>
> http://alsa.opensrc.org/midicomp/
It is nice to know that there are several alternatives to choose. I've found
more references at linux-sound.org:
- Folly: a text-to-MIDI program written in Perl/Tk
Dead link, http://homepage.ntlworld.com/serissa/
- Midge: Midi sequencing from the comfort of your text editor
http://www.dmriley.demon.co.uk/code/midge/
(This is a Perl based programming tool)
- GMC: Guenthers Midi Compiler, a tool to convert text to midi.
http://www.geocities.com/SiliconValley/Software/8918/linux/index.html
Both Midge and GMC are based on some kind of music description languages. In
this area is worth to mention Lilypond because it generates MIDI files and
nice scores at the same time, using also an input text describing the music.
OTOH, midicomp and midicsv are very similar, based on a text format
representation very near to the SMF format.
> There is even a pure PHP based implementation of the same old
> codebase somewhere on the net... a neat way for a website to
> manipulate MIDI files online.
I think you mean this one (PHP MIDI Class)
http://staff.dasdeck.de/valentin/midi/
Regards,
Pedro
I have to run 'alsaconf' every time I boot my Debian Sarge 2.6.8-1 box
to get sound to work.
It detects the 'intel8x0 Silicon Integrated Systems [SiS] Sound
Controller (rev a0)'.
I say 'OK'.
It says...
Configuring snd-intel8x0
Do you want to modify /etc/modprobe.d/sound
(and /etc/modprobe.conf if present)?
I say 'Yes'.
(incidentally, /etc/modprobe.conf doesn't exist. /etc/modprobe.d/sound
reads...
options snd device_mode=0660
alias snd-card-0 snd-intel8x0
alias sound-slot-0 snd-intel8x0
[EOF])
It says...
OK, driver snd-intel8x0 is configured.
I say 'OK'.
Woohoo. Sound works. Until I reboot...
I have 'i810_audio' (the OSS driver, right?) blacklisted in
/etc/hotplug/blacklist along with these...
acquirewdt
advantechwdt
alim1535_wdt
alim7101_wdt
cpu5wdt
eurotechwdt
i810_tco <--- !!!
i8xx_tco <--- !!!
ib700wdt
indydog
machzwd
mixcomwd
pcwd
pcwd_pci
pcwd_usb
sa1100_wdt
sbc60xxwdt
sc1200wdt
sc520_wdt
scx200_wdt
shwdt
softdog
w83627hf_wdt
w83877f_wdt
wafer5823wdt
wdt285
wdt977
wdt
wdt_pci
usb_midi
usb_audio
i810_audio <--- !!!
What is going on here?
-J
Is there an automated way to create separate wav files from a DAT's
SPDIF stream using the start ids, something like
DAT -> SPDIF -> hdsp -> 1.wav 2.wav ... ?
Wolfgang
On Thursday 27 January 2005 00:07, Smith, Rob M \(GE Healthcare\) wrote:
> My only question is - why would you want to convert MIDI to text?
> I assume this would mainly be a debugging tool?
Yes, it can be very useful for debugging purposes, but it is not limited to
that. Perhaps it has something to do with the fact that John Walker lives in
Switzerland, but his tool is like a Swiss Army Knife.
> More information:
> http://www.fourmilab.ch/webtools/midicsv/
A little quotation from Fourmilab:
MIDI music files are a simple and elegant representation of musical
compositions, but are stored in a somewhat arcane binary format which is
difficult to process without specialised libraries. MIDICSV includes two
utilities, midicsv and csvmidi, which inter-convert MIDI files and
Comma-Separated Value (CSV) files preserving all information. CSV
representations of MIDI file may be loaded into spreadsheets and database
programs, and can be easily processed with text processing languages such as
Perl and Python. A variety of examples, written in Perl, illustrate
generation and transformation of MIDI music files in CSV format. Complete
source code in portable ANSI C and ready-to-run WIN32 executables are
available.
Regards,
Pedro
Just an idea but if anyone with recording gear (probably
most people on this list) then please consider creating
some podcasts of how you run your setups with examples
of software techniques you use to create your music on
linux... especially in ogg :-)
There is finally a reasonable channel for publishing 30
to 40 minute lo-fi shows and there is already enough good
and bad material abounding but nothing like linux nerds
describing and demonstrating their audio wares.
For those not aware of podcasting (it's NOT just for Macs),
this is arguably the best example of the genre and I am
amazed at the quality of this guys 64kbit/22khtz productions
from his Mac... can we on linux match this fine level of
production ? I'd like to think so, and hear so.
http://homepage.mac.com/dailysourcecode/DSC/DSC-2005-01-26.mp3
The presence and seperation of some of the radio-like
cuts are excellent considering the bitrate used.
--markc
I have been trying to get dssi up and running on my machine this
afternoon and I have run into a snag. It appears to compile correctly
(both CVS and tarballs). But whenever I try to do the tests I get a
segfault. I know its some user error, but its difficult to track down
with only a segfault.
Is there a common mistake I am doing?
thanks
m.
I need that reverb impulse response which creates good
vocal (say) sound. You may forget all other effects now.
Only the pure delay + echo + reverb combination.
Juhana
--
http://music.columbia.edu/mailman/listinfo/linux-graphics-dev
for developers of open source graphics software
OK. I will look at the reverb problem. I want to have the impulse
responses of known good reverbs for:
(1) Vocals.
(2) Guitars.
(3) Flutes.
(4) Drums.
Check impulses at "http://www.noisevault.com" or record yourself.
Please convert to wav format and upload to
ftp://ftp.funet.fi/incoming/audio/
Were (1)-(4) the most wanted reverb settings? What else?
How to get most spacious but nearby vocals? Does people use other
effects together with reverb for vocals? I can provide examples of
good vocals if you want to examine them.
Juhana
--
http://music.columbia.edu/mailman/listinfo/linux-graphics-dev
for developers of open source graphics software