On Thu, 2010-02-25 at 22:42 -0700, Bearcat M. Sandor wrote:
...
> Am i correct in my
> understanding, that nothing can be utilized by ambisonic processing
> during playback if the source material is only stereo?
Nope. Domestic Ambisonic decoders have a
Super Stereo mode for "decoding" stereo
sources. They also include a stereo width
control which allows the stereo image to be
compressed to mono-like or expanded into a
horseshoe around the listener.
See the Ambisonic FAQ on my website at:
http://members.tripod.com/martin_leese/Ambisonic/faq_latest.html#SECTION10
The technical stuff is in the Ambisonia Wiki at:
http://www.ambisonia.com/wiki/index.php/Super_Stereo
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
Arnold Krille <arnold(a)arnoldarts.de> wrote:
...
> I am thinking about adding a 5.1-to-ambisonics mixer/panner to move the
> specialized channels with their defined positions to virtual sources in my
> ambisonics surrounding. Don't know if that works out...
If all you want to achieve is to move around
your 5 virtual speakers then you are onto a
winner. This is described at:
http://wiki.xiph.org/Ambisonics#5.1_to_Ambisonics
The problems come when you try to improve
the 5.1. If you make assumptions about how
the 5.1 was mixed then a little more can be
done. See:
http://www.ambisonia.com/wiki/index.php/5.1_surround#Using_a_UHJ_Transcoder
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
Hi list,
I'm planning to buy a good soundcard and like to have your opinions, if
you please.
The goal is to have 2 in, 2 out, MIDI, and maybe digital coax plugs.
Full duplex, integrated DSP, ASIO2, latency "zero", 24bits/96kHz ability
have to be there.
Choice from now is M-audio Delta audiophile 2496, but your suggestions
are really welcome !!
Oh, forget to say it have to run under Linux ;-)
Thanks for replies folks.
This started out as a pleasant chord progression using just Rosegarden
and ZynAddSubFX. However a friend of mine picked it up and created a
melody for it and some guitar backing.
He then made a rough mix for me to hear what he envisioned, and passed
back the individual parts for me to produce the final recording, which
was done in Audacity.
Here it is. I hope you like it.
http://www.musically.me.uk/music/Wandering.ogg
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
hi list,
I've been thinking about ergonomics a lot lately, and would like to
see pics of your setup.
my desk and chair are extremely uncomfortable - the desk is too high
and the chair isn't soft. to make matters worse, I can't get to my
keyboard easily, which sits in a L-shape to the desk. I keep thinking
that a DIY solution with a laptop and a short stand might be more
comfortable, and more productive.
with that said, I'd like to see pics of your work area. have you done
anything interesting to make it more enjoyable to make music with? if
you use a MIDI controller of some sort, where do you put it? what
kind of chair do you have?
thanks all,
--
Josh Lawrence
http://www.hardbop200.com
"The Clever Little Clock is a battery-powered travel clock that has been
modified using a number of highly specialized techniques. More than 19
steps are necessary to produce the The Clever Little Clock, even more for
the Signature version. The Clever Little Clock does not plug into the wall
and has no influence on house wiring, audio components, cables,
interconnects, power cords or acoustic waves in the room. Yet the Clever
Little Clock has a pronounced affect on the sound in the room. In
addition, the picture quality any video system will be improved - the
video picture will be clearer, with better color saturation and contrast,
with blacker blacks, more realistic skin tone and fabric texture, etc."
http://www.machinadynamica.com/machina41.htm
probably best visited with "NoScript" Firefox plugin enabled.
They also provide a quantum teleportation service to achieve the same
result, activated by calling them on your mobile!
Bearcat M. Sandor wrote:
...
> So the speaker angle is more important than distance? It's the angles
> relative to the listener, right?
Right.
> So a center channel is designed for
> people who are sitting off axis and otherwise not needed?
5.1 was designed for movies playing in
cinemas. One of the problems with cinemas is
that the owners stuff in as many paying
customers as possible.
This means that many people end up off to
one side sitting close a surround speaker.
Because of this, the centre channel has to be
used to lock the dialogue to the screen.
So, yes, the centre channel of 5.1 was
designed for people who are sitting off axis (or
way in the back of the cinema).
But this is not the only way a centre speaker
can be used.
If you wish, you can derive three new signals
for L, C, R from two stereo input signals, and
use the centre speaker to improve localisation
even for on-axis listeners. One such system is
called "Trifield", see:
M.A. Gerzon, "Optimum Reproduction Matrices
for Multispeaker Stereo", J. Audio Engineering
Society, vol. 40 no. 7/8, pp. 571-589 (1992
July/Aug.)
If you wish, you can record for three front
speakers. See:
M.A. Gerzon, "Microphone Techniques for
3-Channel Stereo", Preprint 3450 of the 93rd
Audio Engineering Society Convention, San
Francisco (1992 Oct. 1-4)
A centre speaker is not *needed*, but it can be
useful even for domestic on-axis listening.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
I was going to use sox for something, but I'm getting really angry.
Sox's syntax is a notorious clusterfudge, so for the last 10 years ago I've been working off of recipies that I'd either figured out for myself or pulled off the internets. And I'd gotten accustomed to just Googling for whatever it is I wanted to so, and finding that someone had already navigated the nightmare of syntax to figure out how to do it in sox.
No more.
Something big and evil has changed in sox, and none of the recipes on the interents seem to work anymore.
Example: I want to split a stereo JACK-compatible 32-bit float broadcast WAV file into two mono 32-bit float mono WAV files. Ohh kaaay...
Somewhere on the internets, it says to do this:
sox infile.wav outfile.l.wav remix 1
Um, no!
sox soxio: Can't open input file `remix': No such file or directory
Huh? "remix" isn't a file, you doofus, it's a command.
OK, I look some more, and I find a totally different syntax to do the same operation:
sox infile.wav -c 1 outfile.l.wav avg -l
Wrong again!
sox sox: Effect `avg' is deprecated; see sox(1) for an alternative
Great, so I go see sox(1), and I search for "avg", and it's nowhere mentioned in the manual.
If sox were a physical object, I would fling it out the window or smash it with my fist. Alas, it isn't, so the best I can do is rant here. And go looking for a different command line tool to replace sox with.
-ken
On Sun, 2010-02-07 at 12:42 -0500, Ivica Ico Bukvic wrote:
> Clemens,
>
> Sorry for taking this long to get back to this one. I am about to try
> this thing out and am wondering if the latest version would be ok to try
> out from the same URL
> (http://ftp.kernel.org/pub/linux/kernel/people/tiwai/alsa/alsa-driver/)
> or do I have to do use one from Dec. 14th 2009?
>
> Please advise.
>
> Best wishes,
>
> Ico
BTW, I just tested the latest snapshot against rt-version of the 2.6.31
kernel (the one that comes with Ubuntu 9.10) with an UVC webcam patch
(there is a bug in the original kernel regarding this), and the ua-101
now does not work at all. dmesg shows proper connects/disconnects of the
hardware but no alsa module is loaded nor is it reflected
in /proc/asound.
I installed the driver from the aforesaid URL with configure/make/make
install. No errors were reported.
I also tried manually loading the module. No errors were reported during
loading of the module yet no new devices showed up.
I tried this both in lo and hi modes for all 8 channels of the
soundcard.
Any ideas?
This definitely looks like a regression of some sort since before the
soundcard was at least properly detected and producing sound.
Best wishes,
Ico
hi!
are there any ladspa plugins that can do an octave effect? I'm
looking for something like a guitar pedal that doubles a note an
octave down/up.
thanks,
josh
--
Josh Lawrence
http://www.hardbop200.com