Hello,
I am trying to build qtractor with proper lV2-support (all
distropackages I tried, froze on listing LV2)
I have installed slv2 from
http://drobilla.net/blog/software/slv2/
but alas!
waf configure tells me:
checking for slv2.h... yes
checking lv2_event.h usability... no
checking lv2_event.h presence... no
checking for lv2_event.h... no
checking lv2_event_helpers.h usability... no
checking lv2_event_helpers.h presence... no
checking for lv2_event_helpers.h... no
checking lv2_uri_map.h usability... no
checking lv2_uri_map.h presence... no
checking for lv2_uri_map.h... no
configure: WARNING: *** LV2 event extension will be disabled.
LV2 Plug-in support (libslv2) . . . . . . . . . .: yes
LV2 Plug-in Event/MIDI support . . . . . . . . . .: no
LV2 Plug-in External UI support . . . . . . . . .: no
LV2 Plug-in Save/Restore support . . . . . . . . .: no
what can I do?
Hello,
Maybe this is not the best place to ask, but this is the only Linux list
that I actively attend.
I am talking to the head-teacher at the school where I am teaching about
laptops/notebooks with Linux pre-installed that can be used for educational
purposes. Not necessarily music based, more general purpose.
If you know any recent info/links, especially UK based retailers, I will be
thankful for that.
Viktor
Hi, all!
I want to compress my bass track in Ardour using LADSPA plugin
SC4_mono, like an area between green lines on this screenshot:
http://picasaweb.google.com/lh/photo/rWUnqubFxa_Vf1jlRvCQQQ?feat=directlink
But after "freezing" in Ardour track waveform seems like on this
screenshot: http://picasaweb.google.com/lh/photo/sqr7LA3s6XFvmmldc03Ehw?feat=directlink
I have expected that bottom part waveform(under bottom green line)
will be smoothed like an top part... Am I misunderstand compressing
fundamentals? May be I have wrong plugin settings, I mean "attack",
"release" and so on...
--
Truly yours, Oleg Ivanenko aka Ash
[if it wasn't so sad, it would be funny]
Hi all,
Please excuse the cross-post to LAU and Alsa-User.
I haven't been as involved as much here in the last year as I was
earlier, and I'm on actually leaving anytime soon. However my systems
are RME HDSP 9652 based and it appears that with new machines and the
more-or-less forced move to Windows 7 RME has required a flash
firmware update that will make my systems incompatible with Alsa going
forward. This makes me sad, but with no real continuing development
happening for these RME cards in a long, long time (at least none I
know of...) it appears that I will finally become unable to use Alsa
after the next few days.
If anyone knows a way to keep these RME-based machines compatible
with both Windows 7 64-bit as well as Gentoo AMD64/Alsa I would sure
like to hear about it as it finally seems that I no longer can live
with outdated firmware which worked as long as I was running Win XP
32-bit.
I hope this doesn't mean that I end up disappearing completely from
Linux Audio as I love it but without support for these cards I would
certainly be around a lot less.
Thanks in advance for any ideas.
Cheers,
Mark
hi all,
I'm looking for a ladspa effect that will allow for rhythmic gating of
incoming audio (what I call "studder" effect). I've been looking
through the list of available plugins on my system, randomly trying
out different things, which is not giving me any good results. if
anyone has any recommendations, I would very much appreciate it.
thanks!
--
Josh Lawrence
http://www.hardbop200.com
Hi,
Some questions about qtractor:
- You can't render the midi track to wav? How do you get an whole session
into an audio file?
- Why are there no new audio tracks showing up in Jack when you add a new
audio track, like ardour has? Wouldn't this make it more easy to use it with
other apps (for example ardour)?
So far so good... all though apps like non-sequencer and epichord have a
point when they talk about the disadvantages in workflow if you have to open
a new windows to edit midi imho...
Regards,
\r
So I am recording the band's vocals tomorrow for this record, and, due to acute poverty and our practice-room-mates absconding with all the mics, the only mics we have available to us now are:
1) Shure PG-58 (with on-off switch! woo-hoo!)
and
2) Zoom H2
Which of these not-very-good choices would you recoomend would be slightly less crappy for recording vocals?
The Zoom has condenser mics, which to my ears are quite good, but are designed for ambient recordings and might not handle sound pressure levels of close-range vocal use. Also, it has that 188ms delay in it too, and no way to turn off hardware monitoring. How bad is the PG-58 though?
-ken
Hi
I'm happy to announce a new album from my electronica project "modlys".
The album is called "Flow" and was written, recorded and produced during
February as part of rpm2010.
http://modlys.bandcamp.com/album/flow
Any feedback, comments, critique, praise or questions are more than welcome!
--
Atte
http://atte.dkhttp://modlys.dk
Hi all,
I'm the author of the aforementioned Multimedia Audio Course.
I'd like to know what is so wrong with the text. Could you make some
examples? It would be helpful to me.
This text has been available on Internet for some years and some people
helped me out in fixing some specific errors, which can occur when
dealing with so many informations.
Among the schools they are using this textbook, there are universities
and music academies, I don't think that all these people don't have a
clue about sound and audio...
Anyway, the aim of this book is to provide a good basic knowledge in
sound engineering, so if you want to outline the errors you found I will
be glad to improve the text.
Cheers
Marco Sacco
From: <fons@email-addr-hidden
<mailto:fons@email-addr-hidden?subject=Re:%20%5BLAU%5D%20audiosonica&replyto=20100315113737.GA1638@zita2>>
Date: Mon Mar 15 2010 - 13:37:37 EET
On Sun, Mar 14, 2010 at 10:42:50PM -0700, sevol wrote:
/> "The Multimedia Audio Course is a Sound engineering course /
/> adopted by audio schools. The online version is completely /
/> free and under Creative Commons license." /
I wouldn't recommend anyone paying for a 'school' using
that course. Or even not paying for it. Just 15 minutes
of cursory reading shows it is full of errors. And I do
no mean typos or the type of simplifications you could
expect in an introduction, but things that are plain
wrong.
Ciao,
--
FA
O tu, che porte, correndo si ?
E guerra e morte !
_______________________________________________
Linux-audio-user mailing list
Linux-audio-user@email-addr-hidden
http://lists.linuxaudio.org/listinfo/linux-audio-user
I have been boxed into a little corner here since the band that shares our practice room has run off with all of our mics and cables, so I can't use my M-Audio FastTrack for recording, and instead have been reduced to using a Zoom H2 as a mic.
It sounds good, but the latency is horrendous, like seconds, even though it supposedly has the same latency settings 128/n3 that I use on the M-Audio.
I've been tracking with it and it's a huge PITA to always have to be shifting tracks over in Ardour after they're recorded.
What's worse, there's no way to turn off hardware monitoring on it, so I can't use Fons' excellent jack_delay tool to measure the latency.
Any ideas how to measure latency on this thing a "manual" way, not using Fons's tool, and given that there's no way to turn off monitoring, so I can't just pipe the line out into the line in as a loop without getting some awful digital feedback.
Finally, once I theoretically do obtain that information, is there any way in Ardour to shift a region over by an exact number of milliseconds or samples? i.e. instead of dragging it, to set it's start position by typing in a number?
Thanks.
-ken
