Hi,
in a recent thread (*) I've finally discovered that my beloved Terratec DMX 6Fire is an old school audio
interface so I wonder if switching to a more recent one would result in performance gain
or not in the same situation.
/raffaele
(*) http://lists.linuxaudio.org/pipermail/linux-audio-user/2015-January/100436.…
--
« Nunc est bibendum, nunc pede libero pulsanda tellus »
Hi
For quickly transforming a few samples into something playable I really
liked specimen, which is now petri-foo, which now seems abandoned and
has some show-stopping issues here.
So I'm looking for an alternative, preferrably:
* does splits aka zones aka multi-samples
* configurable from GUI
* can read flac
* can save a "patch" in one file
* has basic synth capabilities (envelopes, filter, lfo)
* can "layer" samples
Any ideas?
--
Atte
http://atte.dkhttp://a773.dk
I have a resident position at a local live venue haunt doing live sound. Nothing super fancy but we get a great variety of quality acts thru there.
I need some more returns to the stage. Probably 2 for live monitors and maybe a cpl for I ear mixes. Rather than going for wired solutions, could u get the latency low enough on netjack to not be a nuisance over wireless? I could also run a single cat 5e or 6 and gig ports too I suppose. Easier than running 4 + shielded pair in this particular instance. Have several older laptops laying about.
Is anyone doing something similar to success?
Thnx!
~ Russell
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hi,
I came to revisit my MOTU 828mk2 support in Linux; I first thought
everything is fine, but today in a rehearsal I was back to random
beeps and muted outputs.
So... I'm looking for a USB class compliant interface with at least 8
analog I/O, better if it has an additional ADAT input, works totally
reliable on Linux (I'm using Debian Jessie), and costs <1000 EUR.
Has anyone made good use of either of the following:
- - Roland UA-1610 Studio Capture
- - Roland UA-1010 Octa-Capture
- - MOTU 828x
- - MOTU 828 Mk III Hybrid
- - MOTU UltraLite MkIII Hybrid
- - Allen & Heath ICE-16
- - Steinberg UR824
- - Focusrite Scarlett 18i20
- - Phonic FireFly 808 U
- - Tascam 16x08
I was very happy with an RME Fireface UCX, and the Fireface UC would
be in my price class, but I couldn't see the ADATs, so it's a bit of
wasted money.
Also no tricks like heaving to boot under OS X to switch phantom power
and this kind of crap.
Thanks!
best, .h.h.
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Hi
I build linuxsampler + qsampler and have succesfully loaded and played a
few sfz files, the resulting linuxsampler sessions(?) are saved in lscp
files.
How do I start linuxsampler with one of these files from the commandline?
--
Atte
http://atte.dkhttp://a773.dk
Hi All,
I'm have still been struggling for a month, trying to connect mpd (possibly through jack) and brutefir. The present problem is to make the ports assignments through amixer. I tried :
amixer cset numid=5 ......
but it looks as if numid=5 is not the proper figure for HDSPe AIO (as it is for HDSP 9652, Multiface...). To make sure it doesn't work, I used Klaus Schulz's scan script, limited to 38 input channels (input 0-17, playback 18-37) and 20 output channels (0-19) for my card. No sound out (whereas I can listen to music through Hdspmixer).
Here is my controls.txt file :
numid=1,iface=HWDEP,name='Mixer'
numid=27,iface=MIXER,name='Phones Level'
numid=16,iface=MIXER,name='ADAT Frequency'
numid=10,iface=MIXER,name='ADAT SyncCheck'
numid=22,iface=MIXER,name='ADAT internal (AEB/TEB)'
numid=14,iface=MIXER,name='AES Frequency'
numid=8,iface=MIXER,name='AES SyncCheck'
numid=28,iface=MIXER,name='Chn',index=1
numid=29,iface=MIXER,name='Chn',index=2
numid=30,iface=MIXER,name='Chn',index=3
numid=31,iface=MIXER,name='Chn',index=4
numid=32,iface=MIXER,name='Chn',index=5
numid=33,iface=MIXER,name='Chn',index=6
numid=34,iface=MIXER,name='Chn',index=7
numid=35,iface=MIXER,name='Chn',index=8
numid=36,iface=MIXER,name='Chn',index=9
numid=37,iface=MIXER,name='Chn',index=10
numid=38,iface=MIXER,name='Chn',index=11
numid=39,iface=MIXER,name='Chn',index=12
numid=40,iface=MIXER,name='Chn',index=13
numid=41,iface=MIXER,name='Chn',index=14
numid=42,iface=MIXER,name='Chn',index=15
numid=43,iface=MIXER,name='Chn',index=16
numid=6,iface=MIXER,name='External Rate'
numid=25,iface=MIXER,name='Input Level'
numid=2,iface=MIXER,name='Internal Clock'
numid=26,iface=MIXER,name='Output Level'
numid=4,iface=MIXER,name='Preferred Sync Reference'
numid=19,iface=MIXER,name='S/PDIF Input'
numid=20,iface=MIXER,name='S/PDIF Out Optical'
numid=21,iface=MIXER,name='S/PDIF Out Professional'
numid=15,iface=MIXER,name='SPDIF Frequency'
numid=9,iface=MIXER,name='SPDIF SyncCheck'
numid=18,iface=MIXER,name='SYNC IN Frequency'
numid=12,iface=MIXER,name='SYNC IN SyncCheck'
numid=24,iface=MIXER,name='Single Speed WordClock Out'
numid=3,iface=MIXER,name='System Clock Mode'
numid=5,iface=MIXER,name='System Sample Rate'
numid=17,iface=MIXER,name='TCO Frequency'
numid=11,iface=MIXER,name='TCO SyncCheck'
numid=13,iface=MIXER,name='WC Frequency'
numid=7,iface=MIXER,name='WC SyncCheck'
numid=23,iface=MIXER,name='XLR Breakout Cable'
numid=1,iface=HWDEP,name='Mixer'
numid=27,iface=MIXER,name='Phones Level'
numid=16,iface=MIXER,name='ADAT Frequency'
numid=10,iface=MIXER,name='ADAT SyncCheck'
numid=22,iface=MIXER,name='ADAT internal (AEB/TEB)'
numid=14,iface=MIXER,name='AES Frequency'
numid=8,iface=MIXER,name='AES SyncCheck'
numid=28,iface=MIXER,name='Chn',index=1
numid=29,iface=MIXER,name='Chn',index=2
numid=30,iface=MIXER,name='Chn',index=3
numid=31,iface=MIXER,name='Chn',index=4
numid=32,iface=MIXER,name='Chn',index=5
numid=33,iface=MIXER,name='Chn',index=6
numid=34,iface=MIXER,name='Chn',index=7
numid=35,iface=MIXER,name='Chn',index=8
numid=36,iface=MIXER,name='Chn',index=9
numid=37,iface=MIXER,name='Chn',index=10
numid=38,iface=MIXER,name='Chn',index=11
numid=39,iface=MIXER,name='Chn',index=12
numid=40,iface=MIXER,name='Chn',index=13
numid=41,iface=MIXER,name='Chn',index=14
numid=42,iface=MIXER,name='Chn',index=15
numid=43,iface=MIXER,name='Chn',index=16
numid=6,iface=MIXER,name='External Rate'
numid=25,iface=MIXER,name='Input Level'
numid=2,iface=MIXER,name='Internal Clock'
numid=26,iface=MIXER,name='Output Level'
numid=4,iface=MIXER,name='Preferred Sync Reference'
numid=19,iface=MIXER,name='S/PDIF Input'
numid=20,iface=MIXER,name='S/PDIF Out Optical'
numid=21,iface=MIXER,name='S/PDIF Out Professional'
numid=15,iface=MIXER,name='SPDIF Frequency'
numid=9,iface=MIXER,name='SPDIF SyncCheck'
numid=18,iface=MIXER,name='SYNC IN Frequency'
numid=12,iface=MIXER,name='SYNC IN SyncCheck'
numid=24,iface=MIXER,name='Single Speed WordClock Out'
numid=3,iface=MIXER,name='System Clock Mode'
numid=5,iface=MIXER,name='System Sample Rate'
numid=17,iface=MIXER,name='TCO Frequency'
numid=11,iface=MIXER,name='TCO SyncCheck'
numid=13,iface=MIXER,name='WC Frequency'
numid=7,iface=MIXER,name='WC SyncCheck'
numid=23,iface=MIXER,name='XLR Breakout Cable'
Does anyone have an idea of which numid to use ? Is there a config file where to watch the working hdspmixer settings ?
Thank you
François
--
francois juigner <francois.juigner(a)bluewin.ch>
[Sorry for cross-posting, please distribute.]
Linux Audio Conference 2015 - Call for Participation
(Due to exceptional circumstances, this announcement comes a bit late,
so please note the early deadline of Feb 1st for submissions. We
apologize.)
We are happy to announce the next issue of the Linux Audio Conference
(LAC), April 9-12, 2015 @ JGU | Johannes Gutenberg University, in
Mainz, Germany.
http://lac.linuxaudio.org/2015/
The Linux Audio Conference is an international conference that brings
together musicians, sound artists, software developers and researchers,
working with Linux as an open, stable, professional platform for audio
and media research and music production. LAC includes paper sessions,
workshops, and a diverse program of electronic music.
*Call for Papers, Workshops, Music and Installations*
We invite submissions of papers addressing all areas of audio processing
and media creation based on Linux and other open source software. Papers
can focus on technical, artistic and scientific issues and should target
developers or users. In our call for music, we are looking for works
that have been produced or composed entirely/mostly using Linux and
other open source music software.
The online submission of papers, workshops, music and installations is
now open at http://lac.linuxaudio.org/2015/participation
The deadline for all submissions is Feb 1st, 2015 (23:59 HAST).
You are invited to register for participation on our conference website.
There you will find up-to-date instructions, as well as important
information about dates, travel, lodging, and so on.
This year's conference is hosted by the Computer Music Research Group
(Bereich Musikinformatik) at the IKM (Institut für Kunstgeschichte und
Musikwissenschaft) of the Johannes Gutenberg University (JGU) at
Mainz. Being founded in 1991, our research group has been among the
first German academic institutions in this interdisciplinary field at
the intersection of music, mathematics, computer science and media
technology. In our media lab students are working almost exclusively
with Linux, and in our research we are also devoted to contributing to
the growing body of open source audio and computer music software.
http://www.musikwissenschaft.uni-mainz.de/Musikinformatik/
We look forward to your submissions and hope to meet you in Mainz in
April!
Sincerely,
The LAC 2015 Organizing Team
Hi there,
anyone using FreeBSD for audio stuff? I've installed latest release as guest os using qemu
and just wondering if porting of ardour and other audio stuff has been done by someone
else and if it's worth.
/raffaele
--
«My mama said
to get things done
You'd better not mess
with Major Tom»
D.Bowie
greetings!
most CD manufacturers require a printout of the CD layout (track
start/end, pre-gaps, ISRC, CD-text, etc.) along with the burned CD,
before manufacturing. a lot of commercial mastering software seems to
have a facility, linked to the CD layout functions, which formats such
data in a printable form.
on linux, i've always just transferred all that stuff by hand into a
document, but i'm wondering if anyone has an easy way of automating this
at all. it doesn't look like there's a direct way to do that in Mixbus,
which is my DAW at the moment...
cheers!
.pltk.
--
Peter Lutek
improvising musician in Toronto, Canada
http://peterlutek.com
Hi list
It is not often people talk about metal music on this list, but I
thought somebody might find this interesting if for nothing else, then
for the tools used and the resulting production.
I would like to share an EP release from my band Seed of Heresy recorded
and mixed using Ardour on linux with the exception of vocals and guitar
tracking, which was done in another studio using proprietary non-linux
tools.
The EP is released under Creative Commons
Attribution-NonCommercial-ShareAlike 4.0 International (CC-BY-NC-SA)
license and is available in several formats on the website:
http://www.seedofheresy.com
The release was done on December 21st 23:03, UTC, 2014, which is the
exact time of winter solstice.
The drums were performed by myself in the very same studio depicted in
the zthmusic interview I did back in january - and so are not DrumGizmo ;-)
Enjoy!
Kind regards
Bent Bisballe Nyeng
