On Thursday, June 23, 2016 6:00:42 AM WEST tom haddington wrote:
> Thank you for the response, Rui. i've attached two photos, a before
> and
> after.
>
so it seems that, on bar 2, it strangely converts 3/4 time-signature
into a
plain 4/4 ?
can you do some other time-sig changes and please try to find a bug
pattern?
would really appreciate.
cheers
ps. just tried to reproduce the same tempo-map the one depected on the
screenshots and keep watch ing on waiting it suddenly gets to the
vanishing glitch, to no avail must say. may i ask now when exactly does
the misfortuned change occurs? iow. what steps are in betwwen 1st
(before) and 2nd (after) screenshots?
On Thursday, June 23, 2016 6:00:42 AM WEST tom haddington wrote:
> Thank you for the response, Rui. i've attached two photos, a before
> and
> after.
>
so it seems that, on bar 2, it strangely converts 3/4 time-signature
into a
plain 4/4 ?
can you do some other time-sig changes and please try to find a bug
pattern?
would really appreciate.
cheers
On Jun 22, 2016 8:38 PM, "Glen MacArthur" <info(a)bandshed.net> wrote:
>
>
> One more thing... regarding Barry's Satan Maximizer
>
> It works wonders on anything percussive (including Pianos). If you don't
> mind indulging me try this and see what you think...
>
> Take one of your piano tracks in Ardour and add the Barry's Satan
> Maximizer after Pianoteq but pre-fader, BSM only has 2 controls so set the
> the top one "Decay time (samples)" to 24 and then set the "Knee point
> (db)" to approximately -3. See what you think,
I will definitely try this! And thanks so much for the suggestion. For many
years I wanted to be a drummer and resented the fact that my parents made
me take piano lessons. I was in love with rhythm and syncopation and when I
didn't have to practice my stupid simplified classical compositions (just
kidding) I would bang on the piano as though it were a percussion
instrument (which of course it actually is, I suppose). I've written many a
(juvenile) piece that was very heavy on rhythm and light on melody or
harmonic inventiveness.
So, I'll lay down a piano track that is particularly percussive or rhythmic
and try the Barry's Satan Maximizer first at your suggested settings, and
then play with it some more. It will be fun.
Anyway, thanks again. (and thanks to Paul too, and to Lukas for his plugin
suggestions).
-Steve
Hello, All--
i've set up a tempo map for my midi tracks in qtractor:
ms. 1: 3/4
ms. 2: 4/4
ms. 4: 2/4
ms. 5: 5/4
That holds for a while, and then qtractor keeps changing the tempo map
to a unform 3/4 or 5/4. i change the map, only to have qtractor
correct me, later. Does anybody know why this happens?
Thanks!
il lupo
Well I never really made any use of my account, but with Microsoft's takeover
I'm off :(
But first I'll be poisoning it with crap data, so apologies to anyone else on
linkedin who sees odd messages as a result.
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Funny how this song is litterally dreamt up as the show goes along, this
is kind of a performance, don't you know? ;) For now we have kind of a
verse foundation, I really need to sleep do dig out a chorus :) I'm not
used to making songs like this, having said that, a few were made this
way. With like days between the chorus and the verse. This is like the
pop music equivalent of prog-rock :) Ah, those songs that run on the
guitar, verse-chorus-bridge-what-have-you, why are they so scarce?
Maybe a bonus track for my "Faux Frog" album (which is still due two
tracks, one is ready, we'll shoot the video tomorrow)? Even the lyrics
come quite unusually.
Claire
Rendez-vous à Bastille pour le concert
Habillée de tristesse pour tout l'hiver à venir / encore
La nouvelle a fait le tour de la terre
https://youtu.be/SHKq8AyqwnA (special "free" link for the /text-based
email news readers/ :p)
The sun is already quite high ; Have a bright & harmonic day.
yPhil
--
Philip "xaccrocheur" Yassin
http://manyrecords.comhttp://bitbucket.org/xaccrocheur / https://github.com/xaccrocheur
Hello,
I have recently added the Jack MIDI support [1] to Incudine [2].
The incudine command is optional but if you are able to install it,
the follow script is a simple jack-midi-dump in Common Lisp:
chmod +x jack-midi-dump
./jack-midi-dump
The directory incudine/doc contains a man page for the incudine command.
#!/usr/local/bin/incudine --script
(defvar *midiin* (jackmidi:open))
(setf (logger-level) :info)
(setf (logger-time) nil)
(make-responder *midiin*
(lambda (st d1 d2)
(cond ((jackmidi:sysex-message-p st)
(msg info "~S"
(jackmidi:input-stream-sysex-octets *midiin*)))
(t (msg info "~D ~D ~D" st d1 d2)))))
(rt-start)
(recv-start *midiin*)
(msg info "Press <Enter> to exit.")
(read-line)
P.S. a score file (called rego file) for incudine is emacs org-mode friendly;
there is a useless but extreme example in /path/to/incudine/tests/rego/org-mode.rego
[1] http://incudine.sourceforge.net/tutorial_jackmidi.html
[2] http://incudine.sourceforge.net/
Hi,
During some recent rehearsals we set up some mics to experiment with live
recordings in preparation for a new album of original material to be
recorded throughout the summer. We decided to document a few arrangements
of some of our favorite artists and number one on the list was the
immortal Freddie King. http://www.freddiekingsite.com/
These were tracked live (warts, glitches, flubs, flurbs and all) to a
Presonus 1818VSL and recorded in Harrison Mixbus 3 using AV Linux 2016.
For good measure I whipped up some cheesy faux 70's Live album art in
GIMP.
Going Down: https://soundcloud.com/rated-blue/going ... king-cover
Yonder Wall: https://soundcloud.com/rated-blue/yonde ... king-cover
In 'Yonder Wall' I totally dropped a bass solo on Pete without warning and
he didn't let me down :lol:
Glen
