spectmorph-0.3.1 has been released.
Overview of Changes in spectmorph-0.3.1:
----------------------------------------
* Added plugins for LV2 and VST api.
* New instruments: bassoon, cello, bass-trombone, reed-organ.
* Added different templates to get standard morph plans quickly.
* LV2|VST|JACK will start with default plan now (instead of empty plan).
* Standard instrument set location (~/.spectmorph/instruments/standard):
- plan templates can refer to instruments in that directory without
storing any absolute path (index will be instruments:standard)
- in almost any case, loading instruments isn't necessary anymore
* Resize MorphPlanWindow automatically if operators are removed.
* Changed time alignment during morphing:
- morphed sounds should starty at the beginning of the note (no extra latency)
- Start marker for instrument notes no longer necessary
- SpectMorphDelay plugin no longer necessary
* Some improvements for building new instruments:
- make some smenc parameters configurable (--config option)
- improvements to soundfont import
- new fundamental frequency estimation for tune-all-frames
- support global volume adjustment (instead of auto-volume)
* Various bugfixes.
What is SpectMorph?
-------------------
SpectMorph is a free software project which allows to analyze samples of
musical instruments, and to combine them (morphing). It can be used to
construct hybrid sounds, for instance a sound between a trumpet and a flute; or
smooth transitions, for instance a sound that starts as a trumpet and then
gradually changes to a flute.
Also interpolating between two samples of the same instrument (different attack
velocity of a piano) could be interesting.
SpectMorph is implemented in C++ and licensed under the GNU LGPL version 3
SpectMorph is still under development. This means:
* the fileformat is not yet stable - instruments or morph plans may not work
with newer versions of SpectMorph
* the algorithms for synthesizing sounds are still under development - newer
versions may sound different
To sum it up: if you compose music using SpectMorph, don't expect newer
versions to be compatible in any way.
Integrating SpectMorph into your Work
-------------------------------------
In order to make music that contains SpectMorph, you currently need to use
Linux. There are four ways of integrating SpectMorph sounds into music you
create:
- LV2 Plugin, for any sequencer that supports it.
- VST Plugin, especially for proprietary solutions that don't support LV2.
- JACK Client.
- BEAST Module, integrating into BEASTs modular environment.
Links:
------
Website: http://www.spectmorph.org
Download: http://www.spectmorph.org/downloads/spectmorph-0.3.1.tar.bz2
There are many sound samples on the website, which demonstrate morphing between
instruments.
--
Stefan Westerfeld, Hamburg/Germany, http://space.twc.de/~stefan
The school bought against my recommendation the tascam us-366 because it
came in a bundle offer with a microphone.
Any chance that I will get this model to run at all or is it a brick on
linux?
https://duckduckgo.com/?q=tascam+us-366&ia=images
Hi (to the old hands in particular),
just wanting to say: Hi there, I'm back, if a little changed. As some might
guess, I've been quietly active all the time, just wanting to stay hidden.
Best wishes,
Jeanette
On Sep 17, 2016 02:45, jonetsu(a)teksavvy.com wrote:
>
> On Sat, 17 Sep 2016 10:03:41 +0100
> Bill Purvis <bill(a)billp.org> wrote:
>
> > I tried using Yoshimi because it got frequent mentions on this list,
> > and was available from the
> > Mint repositories. I've since downloaded and compiled the latest
> > version and think that it's a
> > nice piece of work. If I ever get time to try out Zyn I may switch to
> > preferring that, but for
> > the moment, Yoshimi sound good, though I also use the Calf plugins as
> > they support a decent
> > General Midi patches.
>
> I compiled yoshimi because I thought zyn was no longer supported. So I
> tried zyn yesterday. First of all I must say I do not program synth
> sounds, at least not yet. I will adjust some parameters to fit a piece
> but I'm certainly not creating sounds. I use synths as in using a
> guitar. I am not making guitars, I am playing instead.
>
> Because of this, I found the sound selections provided with zyn quite
> interesting. Especially the Italian sounds, but also others. The rest
> I find is identical to yoshimi. So because of this broader choice of
> sounds I will use zyn.
>
> It also seems they are working on a major 3.0 update, which brings the
> next two comments. Yesterday I played zyn for about 45 minutes,
> improvising. During those times I might record ideas as they
> spontaneously happen, or I might just forget about then and enjoy the
> spur of the moment. This means I run the synth inside a host, Bitwig
> or Ardour (Mixbus 32C) (1). The keyboard can be any, this time it was a
> Novation mini Launchkey.
>
> While playing it happened about 3 times that the audio output simply
> vanished. I look at Ardour's screen, nothing happens, move the mouse
> here and there, and then the sound comes back. In those times what I
> described yesterday using yoshimi happened: when the audio came back,
> the track's VU meter did not show anything while the master bus VU
> showed the audio. Then it came back to normal, with all VUs showing
> the audio being played.
>
> The other thing is that by 2-3 times I recorded some audio. This went
> fine but, when the recording was stopped and I wanted to quickly get rid
> of what was just recorded - as I always do using other synths in Ardour
> - by pressing spacebar to stop the recording, then quickly pressing
> Ctrl-z to get rid of the recorded region, followed by quickly hitting
> the 'home' key to get back at the beginning, ready to record again,
> Ardour stalled, for seconds.
>
> This means that zyn has the ability to stall Ardour, for any reason.
> Which is not looking good. Such an application should not have the
> capability to do this by any means. Having recently lost a complex
> project in Bitwig due to Bitwig crashing, I am wary about this kind of
> suspicious interaction.
>
> The last time the audio stopped was because Ardour has vanished from
> CPU existence.
>
> All in all, zyn has a nice set of sounds, which makes me prefer it
> but, it has problems at the systemic level which I hope will be
> addressed in the upcoming major version. Strange thing though, to know
> about this upcoming version one has to register on the web site. Why
> isn't it public ?
>
> (1) When improvising, one nice feature I found was in Pianoteq's
> ability to memorize the keys being played at all times, available for
> recall if one wishes it. I see that zyn has a record option that
> surely 'sounds' the same, although it has to be enabled and it asks for
> a wav file which means it is not about recording MIDI data. Using MIDI
> data would be lightweight.
Yoshimi can record audio, too. I prefer to record MIDI in Rosegarden, tho.
My experience was first with Zyn. Years ago. Zyn and RT didn't get along. Yoshimi did from the first time I used it.
I have both installed. Yoshi can use Zyn's sounds.
I think both need a UI overhaul. ;)
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
Hello,
The INSTALL file is straightforward. ccmake isn't. What it does is
that it shows a screen with options. Options seems OK, so what is the
next step to go on with the compilation ? ENTER does not do it as it
toggles a selected option. (On the side: why is configuring/making
like this - wasn't the plain ol' configure all right ?)
Cheers.
On Sep 18, 2016 21:32, Jeremy Jongepier <jeremy(a)autostatic.com> wrote:
>
> On 09/18/2016 09:32 PM, Jeremy Jongepier wrote:
> > On 09/18/2016 07:58 AM, david wrote:
> >> Is it still limited to the rigid fixed size windows, or are the windows
> >> resizable?
>
> Sorry, should've been more clear. The window of ZynAddSubFX will be
> resizable.
>
> Jeremy
About time. Zyn/Yoshimi are both tiny things at modern resolutions.
And I hope the controls within it will similarly be freed of their pixel constraints.
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
On Sep 18, 2016 06:00, jonetsu(a)teksavvy.com wrote:
>
> On Sun, 18 Sep 2016 10:04:59 +0100
> Will Godfrey <willgodfrey(a)musically.me.uk> wrote:
>
> > On Sat, 17 Sep 2016 20:01:57 -1000
> > david <gnome(a)hawaii.rr.com> wrote:
>
> > > I like the multiple windows. It's a very Linux way of doing things.
> > > I hate trying to crowd everything into one window where I can't see
> > > two different windows of the UI at the same time.
>
> > This is also my preference for almost everything. With most apps I
> > keep the 'home' window pinned for all screens and spread the others
> > across all four. It makes for a very uncluttered workplace with no
> > distractions and everything in context.
>
> I use Linux for both work code development and at home for years and do
> not have a single application that has multiple windows, with main
> windows to be pinned down while others are opened. Libreoffice has an
> option for a floating navigation window but then it can also be
> incorporated into the main window.
>
> Of course, I use multiple desktops. I use them since maybe 15 years
> now. One console has the email client, another one has Mixbus 32C. A
> synth in Mixbus will be moved to its own desktop so that it's easy to
> switch between the synth and the DAW. Renoise will be on its own
> desktop, Bitwig also, so on so forth.
>
> So I do not see what your "almost everything" would be.
>
> > Whoever thought that a tabbed
> > filer window was a good idea can't make much use of them :(
>
> The tabbed options in Zebra2, for one, are certainly very useful and
> easy to access.
Except that you cannot see the contents of 2 different tabs simultaneously.
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
Hi all,
Does anyone have access to an easy to implement (as in code)
dereverberation algorithm assuming one has access to the room impulse
response? I am looking for a way to clean-up recorded audio signal in
order to improve signal clarity (e.g. speech). Any info on this topic is
most appreciated.
Best,
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
Creative Technologies in Music
ICAT Senior Fellow
Director -- DISIS, L2Ork
Virginia Tech
School of Performing Arts – 0141
Blacksburg, VA 24061
(540) 231-6139
www.performingarts.vt.edudisis.music.vt.edul2ork.music.vt.eduico.bukvic.net