The TU Studio will be hosting a workshop,
free of charge and open to everyone interested:
Unorthodox Sound Synthesis
Daniel Mayer (IEM Graz)
Topic of the seminar will be selected procedures that don’t fall into
the area of classical sound synthesis resp. transformation as well as
unorthodox combinations and applications of classical techniques. In
that context participants will be encouraged to develop and implement
own ideas.
Possible topics (depending on knowledge and interest):
buffer modulation, single sample feedback, wavefolding, synthesis
with
ordinary differential equations, functional iteration synthesis,
variants of granular synthesis.
Requirements: Basic knowledge of sound synthesis.
The seminar refers to some of the lecturer's implementations in
SuperCollider, therefore basic knowledge of SuperCollider is desirable
but not absolutely necessary.
The workshop includes three sessions -
please bring your laptop (with SuperCollider installed):
Tuesday, 11.02.
Wednesday, 12.02.
Thursday, 13.02.
18:00-21:00
TU Studio
Einsteinufer 17c, Room EN-324
Links:
https://daniel-mayer.athttps://github.com/dkmayer/miSCellaneous_lib
For further questions, please contact Daniel Mayer:
mayer(a)iem.at
Students can get 3 credit points for the module
"Musikinformatik+Medienkunst"
in combination with a project related to the seminar.
---------------------------------------------------------------------
----------------
---------------------------------------------------------------------
----------------
Henrik von Coler
Elektronisches Studio, Fachgebiet Audiokommunikation
Technische Universität Berlin
Fakultät I Geistes- und Bildungswissenschaften
Institut für Sprache und Kommunikation
Einsteinufer 17c, Sekr. EN 8, 10587 Berlin
Telefon: +49 (0)30 314 22327
voncoler(a)tu-berlin.de
---------------------------------------------------------------------
----------------
---------------------------------------------------------------------
----------------
I'd like to share with all my fellow linux audio peers, "Music Ain't For
Airports."
https://youtu.be/B7svbZ9i73Q
It's a piece I composed for solo violin plus live electroacoustic
software (SuperCollider). All the sounds are made in real-time and there
are no edits, mixing, or post-production after the fact. The video, too,
was created by configuring my software to output FFmpeg
`-filter_complex` strings that would be applied to the live camera feed.
Now I've just gotta figure out how to get these effects to work well for
a live concert... :)
Hope you all enjoy it! My thanks to the LAU list for serving up such an
unending stream of information, inspiration, and ideas.
-Andrew
