Hi everyone
I’m experimenting with netjack (mainly version 1), and I’m quite impressed by
its ability to get different machines march together without (at least
apparently) hassle.
However I cannot find a way to transmit tempo changes from master machine to
slaves.
I’ll try to explain myself better: the “master machine” is a PC with a
soundcard, running JACK on a Linux Fedora OS, and is connected with the
“slaves” with a gigabit ethernet link. The “slaves” are currently two, but I
would like to expand this to a wider configuration, maybe with devices such as
Raspberry sharing the load of multiple synths, effects and so on.
The problem is that I can see the start/stop of the Jack transport synced
between the hosts, but not the tempo. This limits the use of applications
which do make use of tempo changes on slave hosts, forcing me to copy the
tempo map to them and run it in a DAW. As a side effect I can see the BBT
drifting between hosts (apparently its value is computed using the local tempo
mark).
Is there a way to solve this problem? Or am I missing something?
Thanks in advance
cheers
Francesco Napoleoni
Hey hey,
the symphony of love illusive was written using the free Sonatina Symphonic
Orchestra (SSO) SFZ library in LinuxSampler. Only when the first two movements
were completed did I discover the Virtual Playing Orchestra and so I will have
to write something else symphonic some time soon. :)
(There are currently only Youtube links, no direct downloads, they will follow
within the next few days.)
Here are the four movements:
1. Allegro (Fantasia - possibly)
https://youtu.be/BC2RuiFDlOw
2. Molto Vivace (Scherzo - nearly and my pride and joy :) )
https://youtu.be/7vNi--527Sk
3. Larghetto (Lament - maybe)
https://youtu.be/-FiuTQRRVF4
4. Andante Moderato (Rondo - could be)
https://youtu.be/sdYGqnYhyxA
Feedback, as ever is appreciated. I know that I was only consistent in one
particular: I always broke the form. :)
Some more details: the whole symphony was recorded with the Sonatina Symphonic
Orchestra. The strings and brass were layered with some - self designed -
sounds from my Roland module, to flesh the sound out and have more of a
dynamic range available. The symphony was written in Midish, recorded straight
to Nama and only little processing was added, mostly to the sounds from the
hardware to match them with the software samples.
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
Don't, don't let me be the last to know
Don't hold back, just let it go <3
(Britney Spears)
Hi!
So, i recently started streaming a lecture. The institution uses Discord
as a platform.
Using a strange mix of PulseAudio and JACK, i managed to get a configuration
running where I could stream my voice and the media from my slides (slides
were presented using chromium).
The problem is that discord seems to have some form of compression/auto-gain
that can't be turned off ... so to hear the sound from the videos (the quieter
parts especially) I had to crank them way up. But then, my voice was suddenly
way to low in volume.
So, my idea would be to have a mixer in JACK that allows me to mix my voice and
the streaming audio before it goes into discord (via the PulseAudio JACK Source),
and in addition allows me to put a compressor on the mix so that the streaming
audio and my voice will be at a good level.
Does anybody have a hint what could be a good tool here ?
Best,
Niklas
Hi List,
I recorded a workflow demonstration for Patroneo, the "Easy Pattern Sequencer"
The video is edited, but still a bit longer. But it should give a good impression how the software can be used.
https://youtu.be/pEmKrZQuE8Q
Nils
https://www.laborejo.org
I bought this keyboard controller based on the advert stating it was class
compliant, plug and play, Linux compatible.
However, I found that it starts up with a firmware update message, and apart
from Note On, Note Off, Channel Pressure, none of the controls work, not even
the ones designated for manually setting the others.
On conacting nektar for support, it took over 2 days for them to tell me that I
had to install the firmware.
WTF!
I've never heard of any hardware being effectively dead until you install
firmware. What's more, so much for supporting Linux, the software to install
the firmware is Windows or MacOs - nothing else.
I tried using Wine to get this done, but the software reports that it can't find
the keyboard. This is on Devuan Boewulf, which carries Wine V4.0.
I also tried grabbing a more recent version of Wine from wineHQ, but devuan
refused reporting an uninstallable dependency.
I'm very reluctant to try to install a VM, I'm running out of storage space,
and this is a working machine - I can't risk messing it about too much.
If it weren't for the pandemic lockdown situation I might have been able to go
to a Windows using friend for help, but this is out of the question for the
forseeable future.
Any suggestions?
--
Will J Godfrey
http://www.musically.me.ukhttp://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Ladies and Gentlemen,
hereby the Laborejo Software Suite releases updates for its programs in
the hope to be useful in your musical toolbox.
You can now download Patroneo version 2.1.0 .
https://laborejo.org/downloads/patroneo-2.1.0.tar.gz
All software is released under GPLv3.
Patroneo (Esperanto: /Pattern/) is an easy to use, pattern based midi
sequencer, a program that sends digital "notes" to software instruments
such as synthesizers and samplers.
Changelog Highlights:
* Full Undo/Redo
* Add track groups, which double as midi bus. This enhances overview for more complex projects.
* Add option to follow the playhead in pattern view (or not), required by the much longer patterns. Also better scrolling and playhead is always visible now.
* Add option to change the midi channel for a track in the tracks context menu.
* Add View-Menu with options to maximize the two editor areas.
* Add advanced feature for a global rhythm offset, meant for Jack-Transport. Allows the whole piece to begin later on the jack-timeline.
You can find all releases as sources here. Also check your distribution
for packages in a few days after this announcement, please.
https://laborejo.org/downloads/
For more information, a multi-language user manual, build instructions
and git access please visit
https://www.laborejo.org/patroneo/
Greetings,
Laborejo Software Suite
https://www.laborejo.org/
I'm looking for clear install instructions for Carla, with its Win VST bridge.
Tracktion Waveform comes with few instrumental sounds (only "Collective", I believe) so I
hope to use KXStudio's Carla to enable the use of Win VST instruments.
Waveform 11.1 on Ubuntu 18.04 64bit, my CPU is Intel i5.
Here a demo of Carla running a Win VST or plugin, is quite persuasive,
https://www.youtube.com/watch?v=PiaWozQ69eE
On installing Carla on Ubuntu, one query and recommendation is here,
https://askubuntu.com/questions/1035116/cannot-install-carla-on-ubuntu-18-04
KXStudio says first enable its repositories. So I've done that,
https://kx.studio/Repositories
Carla pre-compiled binaries and zipped source code to compile, are here,
https://kx.studio/Applications:Carla
Carla github install.md is here, perhaps this can make and install everything,
https://github.com/falkTX/Carla/blob/master/INSTALL.md
But here is what I don't understand, the 4 Carla variants listed;
carla, carla-bridge-win, carla-git, carla-vst-wine
https://kx.studio/Repositories:Applications
Presently it looks like 'sudo apt install carla-git' is the 1st to try.