31 Aug
2009
31 Aug
'09
11:31 p.m.
Just go Renoise and get down the production road!
thnx
ron
On Mon, Aug 31, 2009 at 6:19 PM, Patrick Shirkey <pshirkey(a)boosthardware.com
wrote:
On 09/01/2009 10:56 AM, Brett McCoy wrote:
I have to admit complete ignorance here, but what is it about Live
that makes it advantageous over DAWs like Ardour, Reaper, Sonar, Pro
Tools, etc? Is it primarily loop/clip/synth based rather than a hard
disk recorder/mixer like a traditional DAW?
That's part of it and it also has a very efficient user interface model
that seems to be intuitive for a lot of people. it's not too "candy" to
be a toy but it's not too hard to be threatening. Although I find that
most people I know who use it do so because someone famous they know
does and they want to make music similar to that person. They often
complain about finding it time consuming to get their head around the
complete system but as they are able to quickly make baby steps that is
a big confidence builder and they feel it is worth the effort to
understand the system if they can get close to emulating their musical
heros.
Patrick Shirkey
Boost Hardware Ltd
On Mon, Aug 31, 2009 at 8:44 PM, Paul
Davis<paul(a)linuxaudiosystems.com>
wrote:
> On Mon, Aug 31, 2009 at 6:23 PM, Rui Nuno Capela<rncbc(a)rncbc.org>
wrote:
on my own confession, during lac2007
presentation, making a live clone
was indeed my initial goal for qtractor. it still is, as much of a
foundation it can be.
it might be worth you knowing that the heart of live is realtime
granular (re)synthesis, all the time, everywhere (or at least it was a
while ago). i suspect that you cannot do what live does without this
as the basic model of audio output. i could be wrong.
-- Brett
------------------------------------------------------------
"In the rhythm of music a secret is hidden;
If I were to divulge it, it would overturn the world."
-- Jelaleddin Rumi
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