On Tue, 2005-12-06 at 06:05 -0500, Bill Allen wrote:
I've been struggling with a technique problem. How
do you get your
vocals to sound good? I know that you can't make a silk purse from a
sow's ear, but you can make the best of what you've got. What
combination of plugins and settings do you use to get the best sound
from vocals particularly in Ardour? I know that this is one of those
subjective questions for which the best answer is try it out yourself
and find what sounds best, but there are so many plugins (an
embarassment of riches), each of which has many settings, that a brute
force search of all the combinations would take forever - not to mention
that after a while, my poor ears become exhausted with the effort and
refuse to hear differences anymore. So what I'm really looking for is
good starting points to work from.
One combination that I like is GVerb to get depth and L/C/R Delay to get
width. Even with those two getting the settings right takes time. For
comunication, I've included a jack rack with some settings I've found
that work OK. I would love your critiques and suggestions for other setups.
I usually use SC4 compression, GVerb, and Tape Delay Simulation.
I've also used Versatile Plate Reverb (a tip of the cap to Dave Phillips
for pointing that one out to me) instead of GVerb. Tom's TAP Stereo
Echo set for Haas effect (see his web pages for documentation) can also
be interesting but it can wash out the vocal.
--
Jan 'Evil Twin' Depner
The Fuzzy Dice
http://myweb.cableone.net/eviltwin69/fuzzy.html
"As we enjoy great advantages from the invention of others, we should be
glad of an opportunity to serve others by any invention of ours, and
this we should do freely and generously."
Benjamin Franklin, on declining patents offered by the governor of
Pennsylvania for his "Pennsylvania Fireplace", c. 1744