4 Mar
2015
4 Mar
'15
2:40 a.m.
On Tuesday, March 03, 2015 6:23:19 PM Jonathan E. Brickman wrote:
The 96k is for the highs. I like to have a very
gentle feathery
timbre available in the higher reaches at lower volumes, in strings.
The shape of the waveform is very crude, if you think about it, at
48k in the higher reaches.
And if you think about it a little more thoroughly you will realize that
a proper low-pass filter completely changes the waveform shape, and 48k
is plenty as long as you don't need to actually generate ultrasonics.
Had not heard of OPUS. Can you direct me to a reading
or three?
It is a xiph.org project (with its own web site):
http://www.opus-codec.org/
--
Chris Caudle