On 04/20/2014 11:40 AM, Louigi Verona wrote:
Very nice! Impressive!
Wow, thanks a lot Louigi,
I can't feel my head right now.
BTW, I wanted to tell you that following on your enthousiastic and
enlightened article about harmonyseq
<http://www.louigiverona.ru/?page=projects&s=writings&t=linux&a=linux_harmonyseq>,
I made a quick (and quite free-wheeled) tutorial / workshop
<http://linuxfr.org/users/philippemc/journaux/betatest-reveille-le-cyberponk>
for it. It's in French, but Rafał read it though google translate and
found it cool ; I'm just saying.
Phil
L.V.
On Sun, Apr 20, 2014 at 2:35 PM, Philippe Coatmeur <philcm(a)gnu.org
<mailto:philcm@gnu.org>> wrote:
Hi there
Takkadum <http://opensimo.org/play/?a=Azer0,Counternatures&s=1>
was made mid 2011 right before Automation was available, around
0.4.something, I guess
18 tracks : 10 MIDI tracks and 8 audio ones (using flac containers) ;
* One 3 channels bus to sidechain-compress the 303-style bass
(nekobee <http://www.rncbc.org/drupal/node/196.206.69.128>)
with the kick (a free 808 Sound font played by fluidsynth)
using SC3
<http://plugin.org.uk/ladspa-swh/docs/ladspa-swh.html#tth_sEc2.90>
* the other cheap DR55 Beat elements are made with Rudolf 556
<http://ll-plugins.nongnu.org/lv2/rudolf556.html>
* A Hexter <http://dssi.sourceforge.net/hexter.html> synth is
doubling the bass in the subs
* The organ is a Calf <http://calf.sourceforge.net/> organ
* The Lead synth is a Calf <http://calf.sourceforge.net/> Monosynth
* The guitar is a g10 double coil Ibanez in a focusrite preamp
* The microphone is a chinese Neumann knockoff in a focusrite preamp
* The girl asking "what" ? in the background is called Fatima-Zohra
* Everybody is EQ'd with LADSPA C* 10 bands Equalizer from CAPS
* Everybody is comp'd with Calf compressor DSSI
* There is a LADSPA "Fast lookahead limiter" on the master out bus
* The final bounce, a "normalize" and a quick and dirty fade out
are made in Audacity
Kleb Station
<http://opensimo.org/play/?a=Azer0,Counternatures&s=7> (summer
2011 too) uses pretty much the same setup
<http://www.rncbc.org/drupal/node/307> with more instruments
<http://linuxfr.org/users/philippemc/journaux/kleb-station-une-chanson-100-libre>
plugged in, a little automation (it was just out, and already
worked really good) and sidechain-ducked bass ; I play on all the
tracks.
BTW the CMS <http://opensimo.org/play/> linked is a personal
developpement, that automatically builds album pages by reading
the tags (and optional - cover & stuff - images). It's yours if
you want it.
I used GNU / Linux to make music since around the time Jack was
introduced. I spent coutless nights teaching myself how to use
just about every single system available, and I always came back
to Qtractor. Everything makes sense in Qtractor. And when it seems
that it doesn't, a quick message on Rui Nuno's blog and you're out
of the hole.
The development is steady, focusing only on the core of the
matter, and the result is a solid system, usable right now.
Qtractor does not even try to be /everything/, it wants to be
useful in the middle of the huge Linux audio production ecosystem,
talking nice to everybody, implementing new techs & protocols
silently, never breaking what's worked so far, bringing it all
together. For me, it's the standard against witch I can compare
everything else.
Philippe (xaccrocheur)
--
Philippe Coatmeur
*http://opensimo.org/adamweb/
*https://github.com/xaccrocheur
*http://opensimo.org/play
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--
Louigi Verona
http://www.louigiverona.ru/
--
Philippe Coatmeur
+212 (0)6 10 64 73 72
+212 (0)5 37 78 55 46
*
http://opensimo.org/adamweb/
*
https://github.com/xaccrocheur
*
http://opensimo.org/play