9 Feb
2006
9 Feb
'06
9:31 a.m.
tim hall wrote:
On Thursday 09 February 2006 12:51, Arnold Krille was
like:
Perhaps the Best advice I can give is to SAVE / archive anything in it's
rawest form...
remixing / masterin with better gear later in live can be a riot.
--
Timothy Alan Gorman
Petr-all Petroleum
6567 Kinne rd Dewitt ny 13214
Cell 315 415 8108
Office 315 446 0125 x 126
2006/2/9, james(a)dis-dot-dat.net
<james(a)dis-dot-dat.net>et>:
I just want to say a big AYE to that!
I made 'Do what you can with what you've got' a production rule a few years
ago and my productivity soared. Anything you can't put your hands on right
now only exists in the world of fantasy. Not making the album because you
haven't got the latest bit of kit / musicians / whatever will SCREW YOU UP.
The corollary to that is: 'Be grateful for the skills and equipment that you
DO have' - some great albums were made with nothing but a beat up old guitar,
beat up old voice and a walkman. As it happens, we also have a huge pile of
excellent software.
That said, one day I too will spend some money and get a soundcard that costs
more than 20 quid, hopefully on the proceeds of the beat up old solo acoustic
album I recorded in my front room. ;)
One day, I'll spend some money and get a
soundcard that costs more
than 20 quid and speakers that were meant for more than Doom. Then
maybe I'll stick with a track long enough to produce something
polished.
From my (limited) experience: Start learning to polish before you buy
new equipment!
Often we think "If I have this and that, all we go easily" but the
truth is that all the technical gimmicks like soundcards, speakers,
preamps, amps, micorphones are just tools. If you know what you are
doing you can get the best possible out of the most crappy hardware.
If you don't know what you are doing, it won't get any better with
speakers that cost 1000€ each.
Start polishing, mastering, etc before you decide which new gear you buy...
And continue to make music!