On 1/1/26 01:43, Bengt Gördén wrote:
An interesting thing in the research report is that
the improvisation
shows similarities with how people communicate in ordinary language.
Which suggests that there is some kind of exchange going on that leads
the discussion forward. But it also suggests that there are probably
several musicians improvising together, which is not the case in this
study.
"When musicians improvise, they exchange phrases and cue certain
replies from the other musicians, and this interaction can be shown to
mimic the functions found in language communication [12]."
https://nyaspubs.onlinelibrary.wiley.com/doi/10.1111/nyas.70042
Thanks, thanks for the link to the full study.
Well, music *is* a form of language, so musicians improvising together
are speaking a common language.
I suspect the study in this thread only covered individual musicians
because using fMRI on groups of people is real tough! But it might be
interesting to do the fMRI study with each member of a group of jazz
musicians improvising. That might pick up synchronizations across the
different brains involved. For instance, if one musician puts a phrase
or melody line out there, how do the others receive, react, and respond
to it - before they actually play their musical response?
Or maybe within every musician there are actually multiple "musicians",
like one mode focused on rhythm, another on melody, another on
expressiveness, another integrating it all and taking into account
external sources such as other musicians also improvising?
Yes, I do somewhat agree with the multimind idea of consciousness. The
brain is extremely complex, with multiple layers of networks, powered by
neurons that make and break connections. So I wouldn't be surprised if
multiple minds actually underlay our top-level consciousness. I also
wouldn't be surprised if music taps into those multiple layers of mind
just as it taps into multiple brain networks to do it's work.
Ideas?
--
David W. Jones
gnome(a)hawaii.rr.com
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