2 Jun
2009
2 Jun
'09
10:40 a.m.
On Tue, Jun 2, 2009 at 8:37 AM, Dave Phillips <dlphillips(a)woh.rr.com> wrote:
Atte André Jensen wrote:
Yes, I meant to mention that, a good mike and some kind of isolation
from background noise -- even if you build a tent from blankets for
the singer to perform in -- go a long way to making a good vocal
track.
-- Brett
------------------------------------------------------------
"In the rhythm of music a secret is hidden;
If I were to divulge it, it would overturn the world."
-- Jelaleddin Rumi
My question is: how do *you guys* work with processing on lead vocals,
mostly in pop/rock setting? We all learn the most the more precise this
discussion gets, so if you'd share sound examples and screenshots of DSP
chains that'd be great.
I'm in agreement with Brett, I do very little processing to my voice.
I'm a great fan of the CAPS Versatile Plate Reverb and Steve Harris's SC
compressors, but that's about all I ever use for my own voice. I've
never used a pitch correction program, and I don't typically double my
vocals.
Mics seem more important than processors, at least when it comes to vocals.